What are the artistic features of Fuchun Shan Jutu?

The Artistic Features of Fuchun Shan Jutu;

1, subject:

Landscape painting is not a simple description of natural scenery, but a painter's spiritual appeal and inspiration, an expression of the painter's attitude towards life and a reflection of the painter's pursuit of life.

Fuchun Shan Jutu described a long river, which flowed through shoals, rapids and peaks in the history of 1000 years. The first paragraph is the feeling of summer, and the second paragraph is the scene of autumn. The leaves are partially faded, and they are all painted vertically, as if the prosperity is gone.

2. Painting:

Overall style: The rocks in Fuchun Shan Jutu are winding, abrupt and natural. Long and dry, full of skill, free and easy, quite aura. The brush and ink in the whole picture are elegant, and only a layer of almost transparent ink is covered on the rocks. The sand stains and wave shadows in the distant mountains and rivers are stained with a little dark ink, and moss and leaves are dotted with thick ink, which is eye-catching and natural.

Composition mode: Fuchun Shan Jutu adopts the horizontal scroll mode, and constructs the landscape on the same level according to people's normal vision, which is a continuous composition mode extending from the plane.

Three painting methods: dry ink method, dry pen and ink method and hemp painting method.

3. Picture:

There are seven people in the picture. The first to appear were fishermen and woodcutters. The fisherman is fishing and the woodcutter is chopping wood. Fishermen and woodcutters are definitely not ordinary people. In the Yuan Dynasty, most people who were not officials lived in seclusion, fishing and chopping wood for a living, or setting up stalls on the roadside to tell fortune and selling divination for a living.

There is also a scholar in Mao Ting, wearing a tall hat, sitting in a pavilion watching ducks and fishermen. Scholars can be fishermen, and fishermen can also be scholars, but their roles can be changed.

The creator actually has a metaphor here, that is, two people with different roles. A scholar can release himself into the landscape and become a fisherman, or he can come out and become an official of the court. In the past society, this kind of exchange was possible. The last two boats were on the river. They saw four people on board.

Extended data:

The Creative Background of Fuchun Shan Jutu

The Yuan Dynasty divided people in the world into four classes, followed by Mongols, Semu people, Han people and southerners, and Huang became a "fourth-class citizen". ?

After the country perished, the adherents of the Southern Song Dynasty struggled to survive in contempt and humiliation. For example, Gong Kai, a adherent of the Southern Song Dynasty, expressed his sense of loss after national subjugation in the volume "Thin Horse Map", and scholars who shared the same feelings followed suit and wrote a postscript after the map. This mentality of Jiangnan literati lasted for nearly half a century. ?

Huang worked as a local official when he was young, first as a bookkeeper, and later as a rafter under a bureaucrat named Zhang rate when he was about 45 years old. Later, because Zhang Lu committed a lawsuit, Huang was framed and imprisoned. After he was released from prison, he stopped asking about political affairs and wandered around the rivers and lakes. Once, I made a living by selling divination.

Later, he joined Quanzhen religion which advocated the integration of Confucianism, Buddhism and Taoism, and he even saw through the world of mortals. As a result of wandering mountains and rivers for a long time, I became interested in mountains and rivers. In order to appreciate the charm of mountains and rivers, when he lived in Yushan, Changshu, he often observed the changes and wonderful scenery of Yushan, learned from his heart and conveyed it with a pen.

Some of his landscape paintings come from these mountains and forests. When he lived in Songjiang, he became obsessed with the observation of landscapes. Sometimes he sits in the mountains all day and forgets to eat and sleep. ?

When he lived in Fuchunjiang, he always carried a leather bag with built-in painting tools. Whenever he sees the scenery in the mountains, he will write it down with exhibition paper. There is a Daling Mountain to the north of Fuchun River, where Wang Gong lived in seclusion in his later years. He took Daling Mountain as his teacher and drew the Fuchun Daling Map.

Fuchun Shan Jutu spent about seven years from conception, writing to painting. In order to paint this painting well, he worked tirelessly all day, running around the Fuchun River, observing the wonders of the changing clouds and enjoying the victory of fishing in Jiangshan Beach. He carries a pen and paper with him and sketches at any time when he meets a good scene. Many mountain villages along Fuchun River have left his footprints.

In-depth observation, real experience, rich materials, so that the creation of Fuchun Shan Jutu has a solid life foundation, coupled with his perfect pen and ink skills in his later years, so he wrote leisurely.