Fortune Telling Collection - Fortune-telling birth date - Read China.
Read China.
2 know yourself and know yourself, and you will be invincible; You know who you are if you don't know who you are. If you don't know who you are, every battle will be dangerous.
Zhuge Liang (18 1 year-234) was a famous politician, strategist, essayist and inventor in Shu during the Three Kingdoms period.
This sentence comes from his Ten Commandments.
Tools are brush and inkstone, materials are ink and traditional Chinese painting pigments, and carriers are paper and silk.
5 The first person to use the name "oil" was (Shen Kuo), Meng Xi Bitan,
Joseph Needham, a British scientist, called him the most outstanding man.
Ancient thinkers in China believed that gold, wood, water, fire and earth constituted the five elements of everything in the world.
seven
The Riverside Scene at Qingming Festival is the only masterpiece that Zhang Zeduan, a painter in the Northern Song Dynasty, has ever seen.
The center of the Riverside Map on Qingming Festival consists of a rainbow bridge and the street surface of Qiaotou Street. At first glance, crowded and chaotic; A closer look shows that these people are from different industries and engage in various activities. There are some vendors and many tourists on the west side of the bridge. There are knives, scissors and groceries on the stall. There are tea sellers and fortune tellers. Many tourists lean against the railings by the bridge, or point at them, or watch the ships coming and going in the river. On the sidewalk in the middle of the bridge, there are bustling people; There are people who ride cars, ride horses, carry loads, drive donkeys, transport goods and push unicycles ... The south side of the bridge is connected with the street. On both sides of the street are teahouses, pubs, pawn shops and workshops. There are many vendors with big umbrellas in the open spaces on both sides of the street. The street extends eastward and westward to the quiet suburb outside the city, but there are still pedestrians on the street: some are carrying goods, some are driving ox carts to deliver goods, some are driving donkeys to pull trucks, and some stop to watch the scenery of Bianhe River.
There are many boats coming and going on the Bian River, which can be described as a race in Qian Fan. Some are parked near the dock, and some are driving in the river. Some big ships were overloaded, and the owners hired many trackers to tow them. A big ship carrying goods has passed under the bridge and will soon cross bridge opening. At this time, the boatman on this big ship is very busy. Some people stood at the top of the canopy and put down their sails; Some people are struggling to support the pole by the boat; Some people hold the ceiling of bridge opening with long poles, so that the boat can pass safely with the water. This tense scene attracted the attention of tourists on the bridge and nearby boatmen, who stood by and cheered. The Riverside Scene at Qingming Festival vividly depicts the busy and tense traffic scene on the Bianhe River, adding more vitality to the painting.
China Pavilion consists of two parts: National Pavilion and Regional Pavilion. The spatial position and orientation of these two parts respectively reflect the understanding of the relationship between "heaven" and "earth" in eastern philosophy. The National Pavilion is a "sky", and the sculpture subject "the crown of the East" stands tall, forming an open and towering trend; The regional pavilion is the "ground", which extends below the national pavilion like a pedestal, forming a solid supporting state.
The national pavilion stands in the middle, shaped like a crown; Overlap and pick, as a quasi-bucket arch. The nine meridians and nine latitudes in "The Craftsman Ruling the Country" became the cultural foundation of the roof platform building of the National Pavilion. In the traditional architecture, the structure mode of bucket arch tenon and mortise interspersed layer by layer and protruding layer by layer has become the cultural expression of the architectural form of the National Pavilion. Seen from the other side of Pujiang, its momentum is as powerful as a city wall.
The regional pavilion lying flat under the National Pavilion provides a solid platform for people's activities. Its four sides are skillfully connected with the surrounding environment through steps or garden sketches; The exterior of the building is also engraved with ancient overlapping seal characters, hanging on the facade of the outermost corridor of the base, printing the names of Chinese historical dynasties, symbolizing the long history and culture of China; On the surface of the sketch set for rest in the circular corridor, the names of provinces, municipalities and autonomous regions in China are engraved, symbolizing the unity and enterprising of China with vast territory and rich resources.
There are five main artistic means of China quintessence Peking Opera performance: hand, eyes and body steps.
The roles of Peking Opera are strictly divided into different occupations:
The early stage is divided into seven lines: life, Dan, purity, end, ugliness, martial arts and fashion (walk-on).
The future will be divided into four lines: life, Dan, purity and ugliness.
I didn't draw brackets for the first few questions, you added them yourself.
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