How does Han Tiejun teach himself to shake diabolo?

Teacher Han Tiejun studied diabolo with his brother (Han Tieqing, an actor of China Acrobatic Troupe) since childhood. At that time, there was a cultural performance at school, and I always performed diabolo on behalf of the class. However, I never shook diabolo after I joined the work until I retired. In 2000, I occasionally saw someone shaking diabolo in Jingshan Park, only to remember that I had learned it as a child! So I approached them and borrowed the diabolo in their hands to try it. Who knows it will still shake in my hand, so I tried to shake it a few times and then made a few moves, which were not bad and all succeeded. At that time, those people surrounded Mr. Han and said that your kung fu was deep enough. Mr. Han said no, no, I haven't touched it for more than 40 years, and I didn't expect to forget it. At the warm invitation of everyone, I bought a diabolo and started my recovery exercise. I went to Jingshan Park once or twice a week to play diabolo with everyone. Who knows this encounter, let Mr. Han and Diabolo form an indissoluble bond. Because everyone was just learning diabolo at that time, Mr. Han naturally became a teacher who guided artistic skills.

With more and more people shaking diabolo, some schools, enterprises and institutions have also carried out diabolo activities, all of which need teachers to teach. In this way, teachers become a problem. At that time, there were not many people who could teach diabolo, and the artistic skills were mixed. Only by having a diabolo textbook can teachers keep up with the pace of teaching. But the diabolo (two-wheeled) technique belongs to the Acrobatic Troupe. In the acrobatic troupe, the inheritance of skills is passed down by word of mouth, and there is no written material. In this case, Mr. Han began to write textbooks. The difficulty of writing at the beginning can be imagined. First, there are many actions without names, and then how to establish teaching order. With these questions, I asked some retired acrobatic troupe actors and friends who played diabolo, and finally wrote a textbook. On this basis, it is constantly improved and revised. In order to make it easy for beginners to remember, all the movements are compiled into a formula in a jingle way. It is welcomed by the majority of diabolo lovers.