Is Hou's cross talk pleasing with funny appreciation of ugliness?

Hou (1917165438+129 October-14 February 1993), Manchu, is a famous crosstalk master and performing artist in China. 19 17 was born in Tianjin. Because of his poor family, he was sent to Hou's home outside Di 'anmen by his uncle Zhang Quanbin at the age of four. Adoptive father worked as a cook in Taubeile House. Since he became sensible, he has suffered the hardships of the urban poor. 1929, at the age of eleven, he worshipped Yan as a teacher and studied Peking Opera. Do odd jobs, boil water, cook and look after the children all day. At the same time, I go to the Temple of Heaven to sneak my voice every day and practice Peking Opera performances such as Cloud Hand and Rise.

Edit this acting career

/kloc-when he was 0/2 years old, Hou began to learn art, first Peking Opera, and later changed to crosstalk because of his love for crosstalk. He studied under Chang and performed in Beijing Tianqiao and Drum Tower, and said cross talk, just like many folk artists in the old society, in order to earn money to support his family.

After several years of hard work, our cross talk has finally become the "big axis" of Hou juggling. From the late Qing Dynasty to the 1940s, according to the old rules, the acrobatic garden in Tianjin was always sung by Liu Baoquan and Bai Yunpeng. No matter how good crosstalk is, it can only be ranked as the second "finale", but Hou's unique art has broken through the old rules and added luster to crosstalk.

During his stay in War of Resistance against Japanese Aggression, Hou cooperated with Guo Qiru to perform in Beijing and Tianjin, and his art became more and more mature and became famous. Moreover, he changed the vulgar atmosphere of cross talk at that time and won wide acclaim for his elegant taste and simple and decent style.

After the founding of New China, Hou was even more youthful in art, and soon became a famous master of art at home and abroad. Since then, he has been determined to reform cross talk. On the one hand, he modified and processed some traditional crosstalk, on the other hand, he created some new crosstalk that reflected real life, such as marriage superstition, crossing the road and so on. In his later years, Hou mainly engaged in the theoretical research of Quyi. Co-authored an Introduction to Quyi, Tracing the Origin of Crosstalk and Collection of Crosstalk Art, etc. Crosstalk works include Selected Crosstalk of Hou Guo Qiru and Selected Crosstalk of Hou. These include famous crosstalk performances, such as Drama Miscellaneous Talk, Night Tour, Guan Gong and Qin Qiong, etc. In addition, he also appeared in comedy films such as Dream in the Garden and Laughter.

Hou is good at imitating various dialects, city sounds and theatrical performances. He speaks cross talk, with clear language, natural movements, free and easy manner, strong and harmonious combination, and unique artistic charm. He attached importance to the knowledge, interest and criticism of cross talk, which played a certain role in the development of cross talk art.

1February 4, 993, Hou died at the age of 77. He is an artist of the people. All his life, he aimed at "bringing laughter and joy to the people" and was respected and loved by people of all ethnic groups in China.

Family members edit this paragraph.

Hou * * * has five children, the eldest son Hou Yaozhong and the eldest daughter Hou Yaoru have no cross talk career, and the son Hou Zhen is now a cross talk actor of Deyun Society; The second son, Mr. Hou Yaohua, has been engaged in film and television performances and TV hosting for many years. He seldom talks about cross talk, but only makes occasional guest appearances. His son, who studied under Mr. Shi, a crosstalk performer, is active in TV program hosting. The third son, Mr. Hou, performed cross talk and died; My youngest daughter, Ms. zhēn, is responsible for sorting out Hou's living materials and writing books; Legend has it that Ma Zenghui has an illegitimate child named singer Xie Dong (smiling face).

This paragraph was edited by main works.

No.77 (Hou, Guo Qiru)

Beijing dialect (after Lin Bao and Guo Qiru)

Not suitable for breaking ground (Guo Quanbao, Hou)

Riddle (Hou)

Solve riddles on the lanterns (Hou and Hu)

Riddle (Hou,)

Riddle [All] (Hou,)

Guess the words (Hou, Guo Qiru)

Guess the words (Hou,)

Cao Cao defeated Yan Song (Hou and Zhang Yu)

Tandem (Guo Qiru, Hou)

Score 100% (Hou, Guo Qiru)

Playing riddles (Hou, Guo Qiru)

Dialect (after Lin Bao and Guo Qiru)

March for African independence (Hou,)

Fenhe Bay (Hou, Guo Qiru)

Service attitude (Hou, Guo Qiru)

Change careers (Hou, Guo Qiru)

Change careers (Hou, Hu)

Fight (Guo Quanbao, Hou)

Fight (Hou, Guo Qiru)

Rules (Hou, Guo Qiru)

Huang Jintai (Hou, Zhang Shifang)

Marriage and Superstition (Hou, Guo Qiru)

Tell the emperor (Liu Baorui, Hou)

Talking about the emperor (Hou,)

Pay the rent (Hou, Guo Qiru)

Pay the rent (Hou,)

Alcoholic (Hou, Guo Qiru)

Opening chorus (Hou,,, Guo Qiru)

Cut Chinese Cabbage (Hou, Guo Qiru)

Empty city plan (Hou, Guo Qiru)

Width and Narrowness (Hou, Guo Qiru)

Prelude to Divorce (Hou, Guo Qiru)

Buy a Buddhist shrine (later, Guo Qiru)

Steamed bread seller (,Hou)

Cloth head seller (Hou, Guo Qiru)

Horse seller (Hou,,)

Skillful hands make trouble (Hou, Guo Qiru)

South to North (Hou, Guo Qiru)

North-South Transfer (Hou, Guo Qiru)

Misjudged Three Kingdoms (Hou, Guo Qiru)

Mandarin and Dialects (Hou, Guo Qiru)

Modesty (Hou,)

Modesty (Hou, Guo Qiru)

Family photo (Hou,)

Sang Banggu (later, Guo Qiru)

Specious (Hou, Guo Qiru)

Raise standards (Hou, Guo Qiru)

Talking about the law (Hou,)

Sports and Advertising (Hou, Guo Qiru)

Dance fans (Hou, Guo Qiru)

Ten thousand tons hydraulic press (Hou,)

Wang Erjie's private service (later,)

Wen Zhaoguan (later,)

I am a parent (Hou, Guo Qiru)

Beat the tigers (Hou,)

Drama and Dialect (Hou, Guo Qiru)

Drama and Dialect (Hou,)

Random Talks on Drama (Hou, Guo Qiru)

Opera fans (Hou, Guo Qiru)

Drama and Song (Hou, Guo Qiru)

Physiognomy (Hou, Guo Qiru)

Congratulations (Hou, Yu)

Plaster (Hou, Guo Qiru)

A Study of Laughter (Hou, Guo Qiru)

A Study of Laughter (Hou,)

A Study of Laughter (Hou,)

New vest (Hou, Guo Qiru)

Learn drums (later,)

Learning Yue Opera (Later,)

Yangpingguan (Hou, Guo Qiru)

Night Tour (Hou, Guo Qiru)

How much is it (Hou, Guo Qiru)?

A meal (Hou,)

One official road (after Lin Bao and Guo Qiru)

Yin and Yang and Five Elements (Hou, Guo Qiru)

Yin-Yang and Five Elements (Later,)

Yin-Yang and Five Elements (Later,)

Mourning in Yingtai (Hou, Chang)

Talk about thieves (Hou, Guo Qiru)

Thief talk (later,)

Find a tune (Hou,)

Caught Cao Fang (later,)

Drunk (Hou, Guo Qiru)

Drunk (later,)

Drunk (later,)

Seance (Ma Ji, Hou)

Window (Hou, Guo Qiru)

New vest (Hou, Guo Qiru)

Partner introduces and edits the paragraph.

Guo Qiru

Crosstalk actor from Beijing, Manchu. When I was a child, I studied in a private school for six years and loved cross talk. Twenty-three-year-old, studying and performing civilized drama in Beijing Red Kwai Society. When I was 25 years old, I learned crosstalk from Liu Dezhi. Since the 29 th year of the Republic of China, he has cooperated with Hou, presented gifts to Hou, and performed on the same stage in Henan Opera Garden for the first time, which was a blockbuster. It also expanded its influence through radio broadcasting and became famous in one fell swoop. During more than 20 years of cooperation with Hou, Guo Qiru has been committed to supporting this cause. He has always advocated "laugh if you want to laugh." Together with Hou, he directed and performed many new cross talks reflecting real life, such as Nightwalk and Prelude to Divorce. At the same time, a number of old traditional programs have been rearranged and processed, and they have become well-known masterpieces. Among them, Guan Gong vs. Qin Qiong was highly praised by Mao Zedong, Zhou Enlai, Chen Yi and other party and state leaders and became a masterpiece handed down from generation to generation.

Liu Baorui

19 15 was born in Beijing. Since childhood, my family was poor, and I studied under Shoufeng. At the age of thirteen, he took Zhang Shouchen as his teacher and taught crosstalk. /kloc-went to Tianjin at the age of 0/4, and performed on the same stage with Ma, Li and Lian Sheng Tea House, which was broadcast on the radio and began to show his talents. 1940, he returned to Beijing from Jinan, and performed at the crosstalk meeting in Qi Ming Teahouse, which made him famous. Later, he went to Nanjing, Shanghai and other places to perform, and was known as the "stand-up king". In the late 1940s, I went to Hong Kong to perform and introduced crosstalk art to Hong Kong and Macao audiences for the first time.

In the early days of liberation, he returned to Beijing to join China Quyi Troupe, and later transferred to China Radio and Rap Troupe as artistic director.

Liu Baorui is studious, enterprising, assiduous in business and daring to explore. He is good at drawing lessons from and absorbing the advantages of sister arts such as monologue, storytelling, film and drama, boldly innovating and creating, and forming a unique artistic style with voice, tolerance, emotion and spirit. Many of his famous jokes have become classics in the field of Quyi, and they have been passed down to this day. One of Liu Baorui's representative works, Stand-up Crosstalk, was selected as a middle school Chinese textbook, and at the same time it was translated into English, French, Japanese and other languages and introduced abroad. 1968 Mr. Liu died in Beijing.

Guo Quanbao

Wang, an 8-year-old apprentice, learned to sing a clown in Beijing Opera. From the age of 1 1, he and Bai Quanfu performed two funny spring dresses in Tianqiao civilian tea garden. During this period, he studied cross talk as a teacher and performed with Hou and Hou. Since 14 years old, he has been performing cross talk in Beijing, Tianjin, Jinan and other places. 195 1 year transferred to China Radio and Rap Troupe to perform cross talk with Hou, Ma Ji and others. He is good at stand-up crosstalk and noisy activities, such as catching and releasing Cao, the Yellow Crane Tower, playing monkey tricks and borrowing fire. Among them, his cross talk "Yes Yes" made in 1957 is popular all over the country. In his later years, he performed a duet with Luo Rongshou.

After more than 50 years of artistic practice, he has formed his own artistic style and is good at solo performance and ridicule. Performing cross talk has the characteristics of tacit cooperation, rich emotion and vivid language. Stand-up crosstalk shows humor, vividness, imitation and realism.

Ma Ji

Ma Shuhuai, 1934, from Beijing. When I was a teenager, my family was poor and I was an apprentice in a dyeing and weaving factory. 195 1 worked in Xinhua Bookstore, Haidian District, Beijing, 1956 transferred to China Radio and Rap Art Troupe. He used to be the head of the troupe and an art consultant. On February 20, 2006 10: 25, he suffered a heart attack at home and died at the age of 72 after being rescued by Tiantongyuan Branch of Changping District Hospital of Traditional Chinese Medicine in Beijing.

He loved crosstalk since he was a child, and frequented Qiming Tea House in Xidan Shopping Mall to appreciate the crosstalk art of Zhao Airu, Liu Dezhi, Gao Deming and others. After taking part in work, I often sing Peking Opera and cross talk in my spare time. At first, it was just a pursuit of jokes, and the content was chaotic. Once, I performed the traditional cross talk "Yellow Crane Tower" for 50 minutes. 1958 participated in the Beijing Workers' Amateur Quyi Exhibition with the cross talk "Finding an Object", which made its debut and was appreciated by famous Quyi artists and Hou. Under their guidance, he won the first prize with cross talk "Don't blame me" and national amateur performance. After joining the rap group, I got enthusiastic care and guidance from Hou, Hou and Hou, and grew rapidly. He believes: "There is no school for cross talk, which can only be taught orally and only according to personal understanding. There is a saying that is true, that is,' the master leads the door and practices in the individual'. " As a representative of Ma (Ji) School, an important genre of cross talk art, Ma Ji has three roles: actor, writer and theorist.

Ma Ji's crosstalk performance has a unique artistic style. There are so-called "handsome", "selling", "weird" and "bad" cross talk performance styles. The four words are very close, but they stand out in one respect. Generally speaking, it is a "handsome Hou"; The horse accounts for a "strange". Ma Ji can be said to be both "selling" and "bad". The so-called "selling" is not simply selling strength, but typhoon enthusiasm, full of spirit, good at mobilizing the audience's association and jointly completing artistic creation. The so-called "bad" can't be understood literally at all, but refers to being smart, alert, flexible and playful. Ma Ji is good at "talking", and his narrative language is rich and varied. I have a good mouth and a deep foundation. He studied under the cross talk masters Hou, Hou, and Hou, and combined with his own characteristics, he made some innovations. Wang Jue's article "Ma Ji, the Master of Laughing Garden" brilliantly summarizes the artistic style characteristics of Ma Ji. "The stage style is unique, the performance is cordial and enthusiastic, the language is humorous and the movement is free. Really achieved Zhuang and harmony, entertaining and entertaining. "

Mr. and Mrs. Guo Qiru have worked with Mr. Hou the longest.

Disciple introduced and edited this paragraph.

Later disciples were: Jia, YVES, Ma Ji, Li Wenshan, Hu Bida, Yin Peitian, Jia Jiguang, Kang Dafu, Li Rugang, Wu, Yu, Shi Shengjie.

Edit this paragraph for character evaluation.

As the most famous crosstalk artist in China in the 20th century, his social status is constantly improving. Hou (1917.1.29-1993.02.04), a master of cross talk at home and abroad, has been expanding constantly, but he never looks down on others because of the change of his status. He kept close contact with the people all his life, and his friends spread all over all walks of life. He claimed to be the "servant" of the audience and always regarded the audience as benefactors, parents and teachers.

Hou is regarded as the pioneer of phonology and a master of language. During his long 60-year artistic career, he devoted himself to the research and development of crosstalk art, bringing laughter to the audience. A group of crosstalk artists, represented by him, made this art really enter thousands of households and reached a remarkable artistic peak. He devoted his life to cross talk. In addition to creating and performing a large number of popular cross talk jokes, he also made theoretical research on the origin, laws and artistic skills of cross talk and folk art, and he also paid attention to cultivating the younger generation. Some famous artists active in the cross talk stage were his students. Before his death, he was a member of the Third Chinese People's Political Consultative Conference, a deputy to the Fourth, Fifth, Sixth and Seventh National People's Congress, an artistic director of China Broadcasting Art Troupe, and an adjunct professor of Peking University. /kloc-0 died on February 4, 993. Dictate the "last words" before dying: "I talked about cross talk all my life and studied cross talk all my life. My greatest wish is to dedicate the best art to the audience. The audience is my benefactor, my parents, and my teacher. I always feel that decades of cross talk can't repay the audience who raised me, loved me and helped me. It's hard for me to give up this wish now. I sincerely hope that the cross talk that I love and regard as life will be carried forward and more post-Lin Bao will be dedicated to the people. I have been bringing laughter to the audience all my life. If one day I have to say goodbye to the audience forever, I will leave with a smile. I wish you all the best and make a fortune. " Hou's achievements will be remembered forever.

Hou only attended primary school for three years. Because of his diligence, he finally became a famous crosstalk performer. On one occasion, he wanted to buy a joke book "The Ridiculous Waves" of the Ming Dynasty, but he couldn't find it all over the old book stalls in Beijing. Only later did he know that Beijing Library had this book. It was winter, and he braved the snow and went to the library to copy books for 18 days in a row. He finally copied a book of more than 100,000 words.

He lived in Di 'anmen Weaving and Dyeing Bureau and No.32 Longtoujing, and later moved to Yangjiao Hutong, Dongmeichang Hutong, Shangqin Hutong, No.2 Eurasian Hutong, Biandan Hutong and Fushouli 19.

Hou Linbao and Maji Nanqianchuan Hutong No.6 side door did not move to Muxidi outside Fuxingmen until1983+February. ...

Jia, the eldest disciple of Mr. Hou, was very excited when he returned to his hometown in Dongsitou: "At that time, Master moved from 1987, and I stayed here until I fell ill and was hospitalized. After so many years, this is the second time to come back. " The old gentleman Jia recalled that one summer, in the middle of the night, a corner of Hou's bedroom roof suddenly collapsed. Hearing the noise, Jia came out and saw standing at the door, covered in mud. "With such a bed, he had to take a bath in the yard, put it back and sleep on the bed." Hou Yaozhong, the eldest son of Hou, who rarely appeared, also recalled that he and his father used to make snacks in the yard. Paomo and tripe are his father's favorite foods, and the fragrance in the yard always floats into the alley.

65,438+05-year-old Hou sang Peking Opera in a stall in front of the Century Teahouse in the Drum Tower Market, and listened to crosstalk in the crosstalk field in the Drum Tower Market, under the tutelage of crosstalk actors Chang, Nie, Zheng, Zhang and so on. Once there was only one crosstalk performer at the venue, and Hou said, "Let me help you!" " In this way, Hou went on stage for the first time to talk about cross talk. At that time, his jokes were called miscellaneous studies, and later they were called drama miscellaneous talks. Because Hou studied Peking Opera, the joke was very successful. After that, he began to talk cross talk in the Drum Tower Market and stayed in Century Teahouse.

When he was 2 1 year old, he officially became a teacher. After studying with my teacher, I went to the North Yard of Xidan Shopping Mall, a regular crosstalk venue. 1950 65438+1October19, Hou and others initiated the establishment of Beijing crosstalk improvement group to improve crosstalk and develop crosstalk art.

Just take care of a family's "first class"

Hou, Hou, there was no tuba when I was young. Before entering the Crosstalk Gate, he only had a nickname "Xiao Youer". The master named him "Bao" and later changed it to "Lin".

Zhu Kuoquan, nicknamed "Big Bread", was one of the famous "Five Crosstalk Masters" (Gao Deming, Zhang Jieyao, Zhu Kuoquan, Xu Degui and Tang Jincheng) in 1930s. At that time, they worked in Xidan Crosstalk Studio and enjoyed a high reputation in Beijing. 1933 In the early summer, Peking Opera master Zhou went to Beijing to perform in Guangde Building, and staged plays such as "Xiao He Chasing Han Xin under the Moon" and "Xu Ce Running the City", which caused a sensation in Beijing for a while and sold out in three days. Zhou: The stage name Tong Qilin was already very popular at that time. Go to Guangde Building to meet Zhou, one is to make friends with the master, the other is to watch the master's performance, learn the style of Peking Opera and enrich his crosstalk career. On this day, Zhu Kuoquan hurried to Guangde Building. Unexpectedly, I was blocked by the concierge because I didn't buy a ticket. Although Zhu Kuoquan explained and explained, it didn't help. The porter said, "This is the rule set by Boss Qi. Please forgive me. " Say, "I'm a friend of Boss Qi". The porter said, "OK, you wait for Mr. Zhu, and I'll report it to the boss." Later, he hurried backstage to report the situation to Zhou. Zhou pondered for a while and said, "Didn't I have a friend named Zhu Kuoquan in Peiping?" The porter said, "Mr. Zhu has gained weight ..." Zhou said, "I dare not admit it. Please go back. " The porter returned to the door and said to him, "Boss Qi doesn't know you. You have no friends. Please go back. " Hearing this, Zhu Kuoquan immediately blindsided. He told himself that Zhou had such a big shelf, so he begged the porter to report to the boss again. Who knows that the concierge is on fire when he listens; "I know the boss doesn't know you either, so I'd better pay for a ticket to the theatre myself." This sentence, only Zhu Kuoquan ashamed, gas rushed to the forehead, a stamp, good! Don't make this friend! The more Zhu Kuoquan thinks about it, the more timid he becomes. You unicorn boy! My apprentice's name is "unicorn boy"! I must humiliate you! Later, Zhu Kuoquan accepted three apprentices, the eldest surnamed Li, named "Li Baoqi"; Then take "Little Youer" as a disciple and name it "Hou Lin Bao"; Later, he accepted an apprentice named Wang and named him "Wang". As a result, all the "Lin Bao treasure boxes-Kirin boxes" were collected, and Zhu Kuoquan's wish was realized. After liberation, in order to eliminate this misunderstanding, Hou changed "Lin" to "Lin", which is the origin of "Hou".

There are so many stories about Hou that people still made up many jokes about him during the Cultural Revolution. For example, once he was waiting for criticism and people didn't hit him, he said, "I waited for a long time and it was all for nothing."

During the "Cultural Revolution", the chairman was once given a list of deputies to the National People's Congress. He specially found a column called Hou and asked why there was no Hou. The staff said that he would quickly correct it. At that time, Hou was working in cadre schools. Hou was working in the field. When he heard the army representative tell him to "go back and wash his feet and prepare a pair of shoes", Hou kept playing drums. He was sent to the railway station and asked the people next to him what was going on, but they didn't tell him. After he arrived in Beijing, he immediately reported to the Revolutionary Committee and found that people smiled at him, and his name changed, calling him a comrade. At this time, someone told him that he had a revolutionary task and asked him to recall traditional jokes. Only after "turning over". Almost all the videos left by Hou were recorded by Chairman Mao when he was talking about cross talk in Zhongnanhai.

In life, there are many jokes about Hou. For example, when he visited the United States, local reporters asked him: Reagan was an actor, but he became president and you are also an actor. Can you be the president of your country? Hou Linbao said: Reagan, I know that we are different. He is a second-class actor and I am a first-class actor. His answer is full of wit and humor, which is amazing.

A restaurant asked Mr. Hou to write an inscription, and he wrote three words "humble": it was a pun. First, the place in the restaurant is inconspicuous, and second, the food in the restaurant is unique and makes people look inconspicuous. He never pretends to be an intellectual, but he shows high cultural connotation. He can be said to be a senior intellectual without education.

Hou Pingping is extremely funny, showing pride in modesty. He has a seal that says "A family is waiting". He said, my family name is Hou, and the official seal is Hou, which means my family name is Hou, and I only care about one. In the past, I was called Wan Huhou or something, but I didn't have that much.

Hou Yu1February 4, 993 14: 42 died in Beijing. Before his death, he left a message to the audience in the recording: Dear audience, respected audience, Hou will die. I'm sorry for your indiscretion. I wish you good health and all the best. ...

Edit this person's former residence

Hou's former residence is located in the depths of Dongsitoutou Hutong. From 1987 to 1993, Master Hou spent his last six years in this hutong. He regarded this place as a "study", and many classic jokes were born here.

Go north along Dongsi intersection, and the first alley in the east of the road is Dongsi headline. Near the end of the hutong, you can see Lunan 19 Courtyard. On the gray courtyard wall, "Hou's former residence" was written in gold on a white background, which was inscribed by Mr. Fang Cheng, a good friend and famous cartoonist of Hou.

19 courtyard occupies a small area and is inconspicuous in the alley. After the transformation of the former residence, the grey walls and red windows are still the same, only two rooms in the north and three rooms in the south, which are merged into a big three-bedroom house. Walking into the former residence, I first passed a long and narrow corridor, and both sides of the corridor were covered with photos of Mr. Hou. In the whole room, the most conspicuous is nearly 40 old photos of Master Hou before his death-from 12 years old studying in Tianqiao to later family photos. The front yard of the old house was transformed into a living room, and the north house was arranged into a reception room and a study. At that time, the decoration of Mr. Hou's home was so simple. Old furniture is all old things. Desk, plush chair, fan, coat, wood awakening and other appliances of Mr. Hou are neatly arranged, and the inkstone on the table is still there. In the room, a bronze statue of Mr. Hou is vivid and particularly eye-catching: Hou is still the familiar expression, with a long face, clear details, slightly raised jaw, wearing a gown and sitting in front of the square table with a folding fan, laughing and laughing.

Here, take the integral.