What kind of person is Guangyuan?

The comparison between Jia Baoyu's and Guangyuan's two works is very distinctive among many literary masterpieces in the East. One is China's classic novel A Dream of Red Mansions, and the other is the Japanese novel Tale of Genji. A Dream of Red Mansions, written in the first half of18th century, is a bleak work by Cao Xueqin, a literary master in Qing Dynasty. Tale of Genji is the representative work of Murasaki shikibu, an outstanding female writer in heian period. This is the first novel in the world. 1/kloc-0 came out in the 20th century, more than 300 years earlier than decameron in the Renaissance, and more than 300 years earlier than China's Romance of the Three Kingdoms and other novels. Both works have pushed Chinese classical literature to an unprecedented peak. These two famous literary works have striking similarities in theme, artistic features, artistic style and characters, so some people call The Tale of Genji the Japanese Dream of Red Mansions. This paper aims to analyze and compare the similarities and differences in the characters, thoughts, environment and circumstances of the protagonists in the two novels. When you open these two novels, the two protagonists seem to stand in front of you vividly, hiding their thoughts. These two images seem to be twin brothers, and there are indeed many similarities: 1, the time and environment of birth are similar, and the characters were born in an era of prosperity and decline. Accurately speaking, the author is in such an era, because the era in which the author lives is so similar, which leads to the identical images of the two protagonists. Genji and Baoyu were born in the Heian period at the beginning of 1 1 century, and in Kanggan, China in the middle of18th century. Although they were separated by more than 700 years, they lived in many similarities. Hirohara was born at the beginning of 1 1 century, that is, in the middle of the Heian Dynasty in Japan, which was the heyday of Fujiwara's aristocratic society. On the surface, it was a peaceful and prosperous time. In fact, there are extremely complicated and sharp contradictions between the imperial court and the upper nobility. At the same time, the middle and lower aristocratic forces rose rapidly, and the manor people rebelled one after another, and the whole aristocratic society was at stake. Jia Baoyu was born in the middle and late18th century, that is, in the middle of the Qing Dynasty, during the Qianlong period. However, political disputes within the ruling class, that is, political disputes between the royal family and some aristocratic bureaucrats, as well as political disputes between various groups and factions of aristocratic bureaucrats, are also very fierce. On the other hand, the struggle between peasants and lower-class citizens against feudal oppression and autocratic rule was surging, prompting the feudal class to begin to decline. For example, the background of the above times is similar, that is, the whole dynasty-whether it is Fujiwara's prosperous time in Heian period or Qianlong's prosperous time in Qing dynasty-has insurmountable internal contradictions and has reached a turning point from prosperity to decline. It is precisely because both of them are in such an era that seems to be prosperous, but in fact it is full of contradictions and crises. The similar environment of the times has led to many similarities in their personalities. It is impossible for us to analyze the characters without considering their time environment. 2. Outstanding image and talent are the products of the author's idealization. First of all, in terms of image and appearance, the author tries to describe them as extremely beautiful things. Guangyuan's image is almost perfect. He conforms to all the aesthetic concepts and ideals of the author Zi Shi. Guangyuan is a little prince born by Emperor Tonghu, who changes clothes lowly. He has been called "Guanghua Childe" since he was a child. The book says, "This little prince is so cute that even soldiers or enemies will laugh when they see his posture." The beauty of the little prince's appearance is evident here. Jia Baoyu is not inferior to Genji in image. We can look at the author's description of his image: Jia Baoyu's face is like the mid-autumn moon, his color is like the flower of spring dawn, his eyebrows are like ink paintings, his face is like peach petals, and his eyes are like eyes. Laugh when you are angry, you will be angry and affectionate. "He also wrote that his face is like powder, his lips are like fat, he looks forward to love, and he often laughs. A natural charm, all between the eyebrows and eyes; There are thousands of feelings in life, and I am aware of the corners of my eyes. " In the process of describing Baoyu's appearance, the author tried his best to beautify it, making it rare and unparalleled in the world. This is similar to Murasaki shikibu's rendering of Genji's appearance. Then we found that they were not only equally outstanding in appearance, but also equally outstanding in talent. Without spending too much ink, Murasaki shikibu endowed Genji with peerless talent and romantic feelings. "All kinds of knowledge that need to be learned are self-evident, even the piano and flute are proficient, and the voiceless sounds resound through the sky." Moreover, his "elegant, charming and shy" posture is even more amazing from an early age. In the seventh "Red Leaves", the description of Guangyuan's solo dance "Qinghai Wave" has brought his beauty to the extreme, making people still recall his dancing and demeanor in the shadow of high red leaves after watching the whole work. Baoyu's talent is shown in the book for a long time, starting with the inscription in the Grand View Garden. At that time, Baoyu was still young and had shocked the guests with his agile talent. Later, even his father Jia Zheng, who was dissatisfied with him, had to secretly praise him as "the daughter of Lotus" and "the poem of a dangerous woman painting a general". Although he is the last in the poetry club, this is mostly a deliberate concession to his sisters and should not be regarded as superficial in learning. In short, the two sons are poor in both connotation and appearance, which has to be said that the author intends to idealize. 3. Both of them have strong fatalism, and both of them have become monks. Because both China and Japan are greatly influenced by Buddhism, especially in literary creation, they both have very strong fatalism and karma, especially in the two protagonists. The mystery hanging over Guangyuan is quite strong. When he was seven years old, a clever fortune teller told him that he was an emperor and could ascend to the supreme position. But because of his beautiful appearance, if he is the emperor, it will make the country chaotic, but if he is the pillar of the imperial court, it will help the world politics, but his appearance does not match. Because of this prophecy, Guangyuan is doomed to be neither a gentleman nor a minister. He is the son of Emperor Tonghu and the father of Emperor Lengquan, and his position is very embarrassing. Fortunately, the two emperors were very kind to him, so they were able to turn defeat into victory many times. When he was exiled to graphite, there was no possibility of returning to Kyoto. However, due to the blessing of Emperor Tong Hu in the spirit of heaven, he had many dreams for the then Emperor Suzaku, and the predictions in his dreams were consistent with the real natural and man-made disasters. Guangyuan finally had the opportunity to return to Kyoto to occupy a high position and master the Korean program. These prophecies and descriptions of dreams give Guangyuan a strong fatalistic color. Divine color also runs through Jia Baoyu's life. First of all, he was born from the womb with a piece of jade in his mouth. This beautiful jade later became the symbol of his soul and the lifeblood and amulet. Baoyu has thus become the darling of the Grand View Garden and the darling of the Lady Dowager. Then because of jade, Baoyu had a different thinking from ordinary people. He pursues a free life and likes to hang out with girls, but he doesn't participate in prostitution, so he is highly respected by police fairies in dreamland. Congenital Baoyu has caused irreconcilable love and marriage disputes among Bao, Dai and Chai. The conflict between the former alliance of wood and stone and the marriage of gold and jade doomed the tragic ending of the love among Bao, Dai and Chai. Finally, the jade was born and returned to the green stalk, and people became monks and fled into an empty net. Once the alliance between wood and stone finally became illusory, and the marriage between gold and jade died. Success is also a jade, and destruction is also a prediction of jade, which conforms to the karma and causal cycle of Buddhism. The ending of two people is similar to this. They were all pessimistic and world-weary, and finally abandoned the world of mortals. This ending is also the choice made by these two characters after they have tasted the ups and downs of the world and read the world. Baoyu often laments that "it is better to become a monk", which is his natural expression of world-weariness. So, Daiyu died of illness and married Baochai. After being in a daze, she drifted away with a monk and left the world of mortals. After middle age, the absurdity of his youth has become a thing of the past, and his career has reached its peak. He seems to see through everything in the world, and both Sharla Cheung and he have the idea of seclusion. After his death in Sharla Cheung, he found that his son was born of Yincui gorge's adultery with Cedar, and Genji finally escaped into an empty net. 4. All of them are characterized by universal love, appearing in the form of infatuation or affection, and are affectionate and righteous to women. They both have feelings for women. Shi Guangyuan, although he has a married wife, Kwai Ji, is an indifferent husband and wife. On the contrary, there are other women who have feelings for him, such as husband, empty cicada, stepmother, barnacle girl, humble dusk face, ugly flower picker, hazy moonlight, Akashi Ji, and those who love him deeply in the future. Guangyuan is compassionate everywhere, which is a kind of affection, better than Jia Baoyu. But he is basically affectionate and righteous to women. Finally, he took all the women who had been and had been to six hospitals and treated them well. Jia Baoyu hangs out with many sisters and maids in the Grand View Garden all day, so people call him "the devil who has nothing to do with the world". He and Daiyu are soul mates, and their feelings are pure, but sometimes it is inevitable to "forget when you see your sister." The innocent, lively and beautiful girl in Jia's house also made him feel gentle. Baochai's Bai Lianhua-like arm made him think, and his daughter's home was full of amorous feelings. Seeing the rouge on someone's mouth is good, he will want to try it; I heard that Lingguan's songs are good, and he will go there specially for people to sing. He is very enthusiastic about every woman in the Grand View Garden. His greatest wish is that when he turns into a wisp of smoke, these beautiful women can send him away with tears. Although he is committed to life and death for Daiyu and full of love for other beautiful women, his love is different from that of fish abuse in Guangyuan, and it is considerate and considerate on the basis of respect. He loves the maid, even the girl who sings opera. So these two people are typical fraternity. 5, similar origins, are noble, well-fed, similar living environment, and all have a very important position in their own environment, which can be said to be "a collection of thousands of pets in one." But they all have their own insurmountable contradictions and troubles, and they can't control their own destiny. It can even be said that they are all protagonists in the tragedy. Shi Guangyuan is the son of Emperor Tonghu. Although he was born to change clothes and became a vassal, his aristocratic origin is self-evident. Jia Baoyu was born in "Zhong Ming Shi Ding Family". He has held a high position in North Korea for generations and enjoyed all the splendor. He is a "white jade is golden horse" giant, and Jia's wealth and extravagance are too numerous to mention. Therefore, Jia Baoyu's birth is not as noble as Genji's son, but it is also extremely noble. Are the elites of the feudal ruling class. Guangyuan is not only of noble birth, but also occupies a very important position in his environment. During the reign of his father, Emperor Tonghu, he gained a lot of favor and held an extraordinary position. Although he was exiled after Emperor Suzaku ascended the throne, after his son Emperor Lengquan ascended the throne, he reached the peak of his life's prosperity. In fact, he was in the position of the emperor's father and wanted to get wind and rain. Jia Baoyu's position in the family is more special. Because he was loved by his ancestors, everyone praised him as a phoenix egg. Jia Baoyu is almost "uniform" at home except for his father Jia Zheng who is reprimanded for not liking him. So they are the central figures in the environment and have an extremely important position. But it was not smooth sailing, and even ended in tragedy. Guangyuan's life is bohemian. At first, he paid the price of exile for his actions. When I was young, I had an affair with my stepmother and gave birth to the later Cold Spring Emperor. Later, he was rewarded by Yincui gorge and Mu Bai for his illegitimate child, which caused him to have a mental crisis. In the scene of many women dying, leaving or becoming monks, the lonely Genji was sad and desperate, and finally fled into an empty door. Jia Baoyu's tragedy is not only a tragedy of life but also a tragedy of love. As a realistic rebel, he