The Tomorrow War predicted from 400 million box office to 800 million. What are the gains and losses of "not selling well"?

Tomorrow's battle is predicted from 400 million box office to 800 million. Selling miserable marketing? There are gains and losses. The film did get a real box office, but it did lose the love of many loyal fans. If the movie is really good-looking, there is absolutely no need to engage in this horrible marketing. In the hearts of many old Louis Koo fans, it proves that the film itself is not good-looking, and it is not worth hundreds of millions of box office, and the overall evaluation of the film by the public will be greatly reduced.

The Tomorrow War doesn't sell well, so it really won't smash the signboard. First of all, let's take a look at The Tomorrow War's publicity stunt, which is a domestic sci-fi blockbuster and an unprecedented masterpiece. The key point here is that Louis Koo has invested hundreds of millions of dollars to create special effects of world sci-fi blockbusters. When you watch it, you will feel that this film is absolutely unique and no one can surpass it, but it is not like this in essence. A movie is just a good special effect. Just like Nezha's The Wonder Child, it must have an eye-catching plot and sci-fi special effects to look good. If we really look at it according to the standards of blockbusters, The Tomorrow War is obviously unqualified, but because the investor of this film is special and Louis Koo is an actor we are familiar with, the audience will bring some childhood filters to watch this film more or less, but filmmakers such as Louis Koo will only make the audience feel disgusted.

Louis Koo sold badly in the market, and his tears brought some box office. It is understandable that Louis Koo tried his best to sell on various occasions and even staged a tough guy crying. After all, it's a movie, and it's a waste of time if he doesn't make money. Perhaps Louis Koo didn't expect that the box office of his painstakingly produced film would be so bleak, even worse than "The Moon Man", so Louis Koo cried. I believe that he didn't mean to sell badly, but he just thought the movie was not good-looking, and even the best fans in Louis Koo couldn't save him. But when he was in tears, some viewers felt very sorry and went to the cinema to buy tickets to help, but they were still disappointed after watching the movie.

So this horrible marketing is actually not feasible. If a movie can really make the audience willing to buy tickets, it is still necessary to ensure the quality of the plot.