Textual research on the version of Fan Xiangxi's collected works (2): reborn from the fire, the world is precious.

Second, Yuan's engraving: reborn from the fire, cherished by the world.

There were almost no collected works at the end of the Song Dynasty, and they moved to Ding's army and died more. To the Yuan Dynasty, Yi Tong's Wu Shidao was the second edition of Fan Junji, which made great achievements. Wu felt very sorry for the loss of the anthology, so he spared no effort to find them. However, it was impossible for him to visit his collection of works when he was young. In the second year of Shunzhi (133 1), Wu Shidao began to get seven volumes of anthology at Ying's home, which he thought was the earliest published version of Selected Works, that is, the manuscript of Shaoxing Francisco in the Southern Song Dynasty. "Its first cover, said Xiao Xu of Chen Gongyan, was compiled by a subordinate minister of the right-wing history department. If there are 22 volumes, there are still many people who escape. " Sun Fanjun, a descendant of Fan Jun, told him that his family's collection of Fan Jun's works was "short of one to five volumes, but unfortunately it could not be filled." So Wu Shidao cut out seven volumes of his income and combined them with the remnants of Fan Jun's home, which was enough for editing. (The two are composed of 22 volumes, and there are many problems in the middle. Definitely not the original 22 volumes. )

On this basis, Fan's descendant Sun Fanyuannao led people to * * * catalpa and published several volumes for the first time. After Fan Jun's collection, "The official history" Meng Zhai Ji "was not published, so a poem sung with Xiangxi was attached." Fan's "Dream Zhai Ji" has not been published separately in later generations, only a few songs remain, which can only be circulated after the collection. Fan's poems are attached to the collection, starting from Yuan Dynasty to Shun Ben. However, when did Fan Duangao's poems start to be collected by Fan Jun? Jiang, Chao, thought that "Meng Zhai's legacy was added by the most suitable method, see" Preface to the Teacher's Way "; Many of these "Yang's posthumous works" were newly attached in the Ming Dynasty. It can be seen that the original edition of the Yuan Dynasty engraving is actually a combination of Wu's income and Fan's family collection, which is the same as the Song version with the legacy of Meng Zhai. Compared with the Song version, the Yuan version basically retains the original appearance of the Song version, and has been carefully revised and supplemented by the famous Wu Shidao. It is the earliest block print of Xiangxi Collection, and it is also a fine work in rare books.

Yuan block-printed edition has half a page 12 lines, each with 22 words, Darkmouth, and each volume is useful and belongs to the text. Before Chen Yan and Xiao Xu, after Wu Shidao's postscript. There are many records about this edition in later generations, such as Shao's Annotation of Concise Catalogue of Newly Added Four Treasures, Annotation of Bibliography of Tibetan Garden Collection, Annotation of Eight Thousand Volumes, Lu Xinyuan's Annotation of Bibliography of Art Bone Hall and Miao's Annotation of Secretary of Art Style Collection. Although there are many records, there are few yuan engravings.

Third, seal cutting in Ming dynasty: famous prefaces and postscripts are considerable.

In the Ming Dynasty, Fan Jun's anthology was published and engraved twice, once as a revised edition of Tang Shao in Chenghua and once as an engraved edition of Wanli. Many of these engravings are prefaced by famous masters, which is also a rare rare rare book.

(1) The transfer and revision of the imperial edict of Chenghua in the Tang Dynasty.

During Chenghua period of Ming Dynasty, Tang Shao was appointed as Lanxi county magistrate. When he was in office, he actively promoted cultural and educational undertakings. "Read local chronicles, visit suicide notes, respect rural sages, promote abolition, and promote beauty and customs." When Fan Jun's grandson Fan Yongchang presented Tang Shao with 22 volumes of Fan Junwen Collection. After reading it, Tang Shao praised Fan Jun's prose, ordered him to reprint the Collected Works of Fan Jun, and asked Zhang Mao, a scholar from Lanxi University, to make a preface. Regarding the engraving time of this anthology, Zhang Mao said at the end of "After the Reprint of Mr. Xiangxi's Anthology": "I would like to thank Tu Wei Dayuan for his sacrifice, nine days after Qiu Ji studied." The so-called "year of Tu Wei's deep dedication" was considered by Mr. Zhu Shangshu as the sixteenth year of Hongzhi in the Collection of Song People (1503). After textual research, the so-called Chenghua was actually a radical cure for Hongzhi.

This preface is written in "Tu Wei's year of deep dedication", and "Dayuan's year of dedication" is "sea". Therefore, this revised edition was recorded and published in the fifteenth year of Chenghua (Jihai, 1479). Textual research on Jiang, the sequel to the Four-part: "Shang Yu in the Tang Dynasty has a Preface, and Tong Pin has a Biography of Mr. Fan in Xiangxi." According to the column of "List of Officials and Magistrates" in County Records, "Tang Shao was appointed as Hongzhi for twelve years (1499). The gate of official traces: Tang dynasty is few, and the word is still dangerous. Legend of the sage in hometown: Zhang Pin, who took the surname of Tong at first, is just as famous as Zhang Mao. Hongzhi's military book (according to Hongzhi's records, there is no military book, and there is no doubt about right or wrong) is a scholar, and his surname will be restored after he became an official. Gai didn't do this topic of children's products for the first time. "If the county annals are correct, then Zhang Maoxu is Yu Hongzhi Guihai (sixteen years), and the so-called Chenghua is actually a radical cure.

And "the so-called Chenghua is actually governance" is really debatable. According to Jiang's postscript above, it can be seen that Tang Shao's appointment as the magistrate of Lanxi originated from Lanxi County Records. Check the Lanxi County Records of Kangxi, and the second volume of Official Management is under the "magistrate of a county" in the Ming Dynasty:

Li Xian, a native of Huaining, was a scholar in Chenghua for seven years. It's just a promising introduction. I've heard the rules. County Zhiyun built a shrine in the former site of Dongfeng Pavilion of Shengshou Temple, named Jingxian Temple, in memory of rural sages and officials. Rebuilding Yueji pontoon bridge, the people relied heavily on it and was promoted to Taisi Temple. Tang Shao, a native of Changshu, was a scholar for 12 years in Chenghua. Gentle and generous, gram association up and down, rise to supervise the empire; Liu En, a native of Texas, lived in Chenghua for eighteen years; Wang Zhuo, a native of Kunshan, was a scholar of Hongzhi for five years. Sensibility is promising, and resolution is like a flow. Within a month, everything will be abandoned, ready to rule the news and promote Nanjing to supervise the empire; Proud, also known as, was born in Chengdu. He studied in Hongzhi for seven years. Many people call it diligence and prudence. In order to cure odor, I was promoted to Taibu Temple; Su Yan, whose real name is Ting Zhen, is from Xiongxian County. In the thirteenth year of Hongzhi, he was a scholar and later promoted to Lan.

The country knows the country; After the promise, the word is positive and auxiliary, Dantu people, Zheng De made a scholar for three years. Being honest and strict in administration, he was promoted to the supervision and suggestion of Jiangxi Road.

It is clearly recorded that Tang Shao was appointed as the magistrate of Lanxi in the 12th year of Chenghua (1476). According to the index of the Ming and Qing Dynasties Jinshi Inscription, "in the eleventh year of Chenghua, I failed to get into the B subject (1475)", which was listed in Xie Qian, and the 45th among the "top three and two hundred and twenty" was Tang Shao. Looking up the index at the end of the book, there was only one person in the Ming Dynasty, that is, the famous spoon. Tang Shao was a scholar in the 11th year of Chenghua. According to the preface of Zhang Mao's "Scholar Tang Jun still governs Lanxi", it can be seen that Tang Shao became the magistrate of Lanxi as a new scholar in the 12th year of Chenghua (1476).

After Kangxi County Records, Suo Jiaqing paired with Guangxu's Lanxi County Records.

The record of Zhengde Lanxi County Order is consistent with this. Yoshihiro Hiroshi

As the county magistrate of Lanxi, it has never stopped before and after. In the seventh year of Hongzhi, Ji Ao took Jinshi as the magistrate of Lanxi, in the thirteenth year of Hongzhi, in three years. In the twelfth year of Hongzhi, the magistrate of Lanxi was Ji Ao, not Tang Shao. Tang Shao served as Lanxi county magistrate from 12 to 17. Therefore, the "Twelve Years of Tang Shao and Hongzhi" quoted by Chiang Kai-shek is incorrect. The so-called "Chenghua is actually a radical cure" written by Mr. Zhu Shangshu is also debatable. All the collections were recorded and published in Chengdu today.

Fifteen years is right. Therefore, Zhang Mao's preface "Tu Weiyuan Sacrifice Year" should be regarded as Chenghua's own sacrifice, that is, the fifteenth year of Chenghua (1479). At this time, Zhang Mao is giving lectures in rural life, which can be just a preface.

According to Zhang Mao, the original edition of Chenghuatang was originated from the collection of Fan Yongchang, the grandson of Fan Jun, with 22 volumes. So Zhang Mao thought it was "Shi Mengzhai, the son of Mr. Gai, etc.". However, Zhang added, "Stealing Mr. Wei's knowledge is not a big deal, so assistant minister Chen and Duke Wu of the ritual department said it in detail." It can be seen that the anthology collected by Fan Yongchang in Zhang Mao's home was Yuan Shun's, so the Tang Shao engraving in the fifteenth year of Chenghua was revised on the basis of Yuan's engraving. There are still 22 volumes, half a page 12 lines, 22 words, Darkmouth, or so, but the anthology was renamed the Anthology of Mr. Fan Xianliang in Xiangxi. It is now in the National Library, Nanjing Library, Taiwan Province National Library and Japanese National Library (formerly Cabinet Library). Among them, the National Library of Taiwan Province Province has two kinds. One has four volumes of Chen Xu, Wu Shidao's Postscript and Zhang Mao's Postscript, and the binding is18.8×12.4cm; Besides, Wu Postscript and Zhang Postscript, there are also inscriptions written by Wu Xu in Qing Dynasty, which are divided into six volumes with the same framework.

After Chenghua Edition, there are 22 volumes of collected works of Mr. Fan Xianliang in Peking University Library, marked as Ming Jiajing Edition. The Annotation Supplement to the Annotations on the Annotations of the Inscriptions of the Fourth Library is also called Jiajing Edition, but it only records the words "Ming Jiajing Publication Edition" and does not mention the specific version. There are also records of Jiajing edition in Li Shengduo's Book Inscription and Mu Xuanji's Book Record, but the case says: "The first volume of the title was compiled by Gao Shi. Meta version. " The following is also contained: "There is a preface to Wu Shidao and a collection of works by Tong (by chapter)." Orderly, obviously not meta-text. According to Li, Jiajing's book is characterized by: "Half a page, twelve lines and twenty-two words. Big Darkmouth, left and right. The titles before and after each volume are in big characters, occupying two lines. After Wu Shidao's preface and children's reprint ... from the first volume to the sixth volume, there are several questions on the blackboard. Seven to fourteen volumes are engraved with the word "Chinese" and the number of pages, and they are still divided into volumes. If the number of volumes is less than 15, or if it is engraved with the word' Jin', it is called the strategy of progress, or if it is engraved with the words' Ji',' Shu' and' Qi', it is no different from the Chenghua version, and scholars mistakenly think that the Chenghua version is Jiajing version.