Guo Baochang's ability to say "big house door".

Guo Baochang, a famous director, and his novel "A Big House Gate".

The drama Da Zhai Men is undoubtedly a phenomenal work. In the same year, it won the annual CCTV viewing champion, and many years later it was also a housekeeping dish broadcast by local channels. There is no need to quote Feng's comments. This drama is not only attractive in plot, but also the theme song of Jingyun Beijing dialect.

"Dazhaimen" presents many vivid characters, which almost attracts many big coffee players and potential strength and flow stars, so that when watching the carousel, Zhaimen powder will always become his or her surprise. The strength lineup of the big coffee opera bone, the famous protagonist and the fight for a walk-on, of course, care about the texture of the play, and even Guo Dao supports the blessing of the newcomers when he is the artistic director of the Guangxi factory.

But guess, there are too many roles in succession, which makes Guo Dao feel dark. Li Tianyi based on him should not be too handsome, and Li is Guo Dao's real name, and the prototype of Xiang embroidery is also named Li.

Guo Baochang's new nonfiction "The Big Man of the Old Times", a screenwriter and director who has been engaged in film and television creation for many years, really knows how to tell stories, just like he told "The Big House", just like his own personal experience. Borrow his old title: Say something you don't know.

In fact, no matter whether he has told these stories or even gossip before, just like whether he has read the series of "Big House Gate", at first glance, it will always attract you. It will always be new when you look at it, and it will always be new at room temperature.

Guo Dao, known as "Bao Ye", finally finished the drama after many twists and turns. Naturally, there are many practical things that he has personally heard. However, many of the bridges mentioned in the article are similar or even familiar with the Zhaimen powder of the immersive drama series, which makes people understand, so this article can really be used as a view of Zhaimen's skill.

It is true that as a literary work, skills, plots and characters can be recorded without being recorded. Textual research addiction may be an entrance to literary research, but it is not convenient to use it as the only way to pursue skills. Reading skills are originally the spiritual enjoyment of consumers for fun, just as Mr. Qian Zhongshu said, "Readers don't have to brag, and authors don't have to stick to it", so there is no need to escape into the dirt road that runs counter to interesting understanding.

The so-called great man in the title is actually more literary. There are three pairs of characters in this article: Master Wang and Monkey Three, Master Qian and his little buddy, female Zhang Fei and radish.

Master Wang is a man of god. He is Wang Jinshan, a famous martial arts master who teaches Chinese Dao Kung Fu in the Guarding Hospital. He was a great guard and traveled around the world in those days. From the outside, he is an ordinary old man, with a shaved head and country clothes, with a straight back and a slightly hunched back. He walked out step by step, always to the edge, always against the wall in the alley, with his head down and a calm and humble face. But when I was working hard, my eyes suddenly lit up, and it looked like I was light and smart. I don't look like an old man in his seventies at all, but once I closed down, I returned to my old listless appearance. In the bathhouse in Xianyukou, there is a big bench with a straight end weighing two or three hundred pounds, and one arm is not bent; Tie sandbags to your calves every morning and take a trip to Lugou Bridge. On the railing of the bridge, I photographed a big top "Scorpion Climbing" and counted the stone lions. In the medicine yard, the mat was covered with ten-meter-long wax pills, and an arrow flew over the grass, but the wax pills were not broken; The one-meter-long bamboo basket in Fiona Fang can fly, climb and jump along the basket. The bamboo basket can't be shaken or turned over ... such a master, a passing snitch, will definitely hang a small bell on his waist and put it away to greet him after passing by the house.

Such a brilliant figure is not in the play. After turning off the switch with the old man at twelve o'clock every night, I visited the whole house and put it into practice on my uncle Huang Ye. Shouting "the switch is on, all the houses are lit, be careful with candles" has become a white work; Bai's owner is Ji Zongbu, and he is quite brilliant in the play. The bridge with both hands sticking out of the index finger is also from the third monkey who got the True Story of Master Wang.

Monkey Saner is the boss of the second and third families, and this young master is very particular about pruning. He takes off his clothes at noon every day and bathes naked in cold water. He never stops in winter and summer and avoids people. Figure skating at Beihai Park skating rink attracted applause and onlookers. Sitting on three bicycles, the dark green full chain cover "Phoenix Head", the black "Three Guns" and the flat-bottomed sports car with German "Doctor" electric roller headlights, riding on the street to catch the wind and overtake, with a high turn-back rate. He lamented that the "Beiman" female students are really beautiful, serving at the school gate, and coming back with them beautifully, just indulging in their eyes and not wanting to take advantage. He practices boxing, but his children don't know how to do it. They thought it was the Monkey King's Monkey Boxing, so they got the nickname Monkey King Saner. He begged the old man to intercede and learn from Master Wang, which was his mantle.

The 12-year-old aunt who married Mei Lanfang has no children and wants to choose a property heir among the children at home. Originally, he was the best candidate, but he spent others and his spirit was stimulated. After his father died, he split up and got a quadrangle. After his father died, he was divided into property. Guo takes care of him. Two nights, he used a sack to carry things out, nothing more than antiques, jade, brocade, calligraphy and painting, enough to eat for more than ten or eight years.

He is the only one of all the children who respectfully calls Guo's mother grandma, so it is no wonder that the old lady has special respect for others. There is more than one grandma Xiang Xiu in the series.

Before the Spring Festival in the winter of 60, Guo's mother went to see him with canned rice noodles bought on the black market, but the ashes she saw were directly piled up in the room at the door. There are newspaper bags wrapped in rules by the stove, much like medicine bags in pharmacies, and piles of such things are neatly stacked on the windowsill of the north house. I didn't know until I asked, because it was cold and I didn't want to go out to go to the toilet, so I spread a newspaper on the ashes, wrapped it up and frozen it on the windowsill outside, and the room hasn't been cleaned yet.

These events all seem to have the shadow of Zhan 'an played by Yu Hewei in the play, and the uproar caused by the air raid and bombing at his wedding was really the real episode of the second sister Zhang Fei presiding over the Western-style wedding at the South Riverside European and American Alumni Association.

Monkey Saner is also married, married to a beautiful young lady from an unknown family, and is a typical housewife. Guo Dao, who fled to Beijing after the supervision of reeducation through labor, bought breakfast and met three monkeys who went to petition to implement the policy. He is lame in one leg and wants a meal for the rest of his life. This is already a very lonely scene.

Master Wang and Monkey are both so-called practitioners. Shi Jian holds a disparaging view of traditional Wushu, just like his attitude towards traditional medicine. Sages teach that people should not be abandoned by words, and people should not be abandoned by words. The above discussion is a typical example of people wasting their jobs. Even if quacks are everywhere, the value of medical existence should not be denied. Because of some obstacles in its inheritance, traditional medicine is difficult to cultivate relatively high-quality offspring in batches through standardized education like modern medicine, and so is traditional martial arts, but this cannot be a reason to deny the value of traditional medicine and traditional martial arts. Traditional medicine is indeed in decline, and traditional martial arts are indeed dying out, but their once glory is undeniable now and now.

Mr. Qian, Guo wrote this character straightforwardly. This is the gardener Jin Er in the play-gold and money are a perfect match. Li Ming, an old opera player, took the job, but the makeup artist tried his best to make it ugly, but he still couldn't satisfy Guo Dao who had a prototype in his heart. According to him, when he put it in front of the prototype, Li Ming played a small fresh meat. This gap is naturally caused by makeup technology, but no matter how clever the hand is, it will never reach the hand of God.

Between literary figures and prototypes, it is not necessary to copy the gourd, but to tailor it and create it again. For example, the reason why Mr. Qian has been reused by the elderly is his three things: raising flowers, cooking eagles and cooking opium paste, and the latter two are ignored in the play. In fact, the latter two are Zhai Men's special hobbies, which may not be impossible to embellish, but from Jin Er's drama theory, it is inevitable that there will be sideline business, because there are more important things waiting there.

Also neglected is Jin Er's bad habit: gluttony, sometimes dirty hands and feet, for example, there is too much sugar in tremella lotus seed porridge, and the old man gives Jin a partial eclipse because he thinks it is too sweet; Great smoke is very expensive. When cooking opium paste, he deliberately picked it up on the ground and watched no one get into his arms: this was caught by the old man and called him a bad bone. The neglected bits and pieces in these plays are all interesting scenes with attractive techniques.

The so-called beginning is naturally the story of Ginger's marriage. The series basically follows the prototype story, including the old man's original words. It's just that Mr. Qian is the weak of the weak. He is kind-hearted and has little resistance to the outside world. He didn't dare to do anything with his daughter-in-law, let alone the waiter in the oil and salt shop. He had to humble himself, climb the ladder in the greenhouse and peek through the back window of the waiter's bedroom. Not only did he see nothing, but he stuck himself on the ladder all night. Therefore, the ending of skills is far less tragic and desolate than in the play, but no one knows where it is after the big house is over. The characters in literary stories always have an explanation, and nothing is needed in life.

Female Zhang Fei is Guo Dao's second sister, and Root Radish is her brother-in-law. This is a bitter couple who never get together or leave. It seems that these two numbers do not exist in the series. It is not known whether the rest of Guo Dao's once-in-a-century episode of Da Zhai Men will have its shadow. In view of the space, I won't go into details here, but only extract one scale claw: the income of each house. Four families in the clan are divided into four parts, each family is divided into one part, and dividends are paid every quarter. The share of the three-room patriarch is divided into seven parts, with one patriarch accounting for half and the other half divided into six parts by two sons, two women and two wives, each of which is more than RMB 1000. This is public, and every room has private property, more than public, more than two or three thousand. This was astronomical in China in the 1950s and 1960s. At that time, the couple could dress well and take a bite of oil, with a monthly salary of sixty or seventy yuan.

What needs to be said is that the mother is mentioned in many places in the article, which is warm and dull, showing his reconciliation with this knot.

I have to mention that Guo Dao, who grew up in a big house, has naturally seen the best food. The article talks about eating many times, and Guo Dao can't help but digress when he talks about eating. In the atmosphere of heavy taste and increasingly vulgar taste buds, such digressions do provide visual enjoyment and even a sense of dry addiction. The article mentions pinching vegetables twice, that is, bean sprouts: pinch off both ends of sprouted copper wire thick mung bean sprouts with an anvil, vertically open a slit in the middle, fill in fine minced meat, cook with big fire and heavy oil, pour a spoonful of pepper oil and mature vinegar into the pot, knock on the pot twice without adding any soup-this is the skill of Master Wang's daughter-in-law who became a chef after helping two chefs at home, called cooking and pinching vegetables, Guo Dao. Second sister went to Xun Huisheng's boss's house to play with her cousin, ate jiaozi stuffed with braised duck, and wanted to eat it when she came back. The chef had never heard of it, so he had to go to Xunfu for advice. The way is: pinch off both ends of bean sprouts, don't chop them, add a piece of Quanjude roast duck, don't chop them, and add homemade sauce to wrap jiaozi. Guo Dao's evaluation is delicious, which makes me miss it until now.

If you want to pinch vegetables, you should pinch off both ends and leave only buds for cooking. It's just that big hotels don't pay so much attention to it now, and even if the roast duck is covered with sauce, it can't keep its fragrance oozing out. Therefore, such a rare thing is just a dry addiction.

All of the above is just a brief sketch, and a glimpse of the outline must be full of vivid lines, and it depends on Guo Dao's original ability to be the real chapter, so far.

Pinellia tuber