How many schools are there in Yue Opera? Who are the representatives of this school?

The genre of Yue Opera is the sum of actors' performing arts, including repertoire, singing, reading, doing and many other artistic factors, which are reflected in the typical artistic images created. Among them, singing has the strongest originality, the most prominent characteristics and the greatest influence, so people call it genre singing. The aria of the school of Yue Opera consists of two parts: tune and singing. In the organization of melody, each school has its own unique techniques, and forms its own basic style through the changes of melody, rhythm and rigid eyes. In particular, the beginning tone, falling tone, drawling between sentences, ending of sentences, and the repeatedly changing melody and idiomatic sounds are the core and key to embody the artistic characteristics of various schools of singing. In singing methods, most of them focus on lyrics, aria, singing feelings and other aspects to show their unique personality, and form different charm beauty through the changes of voice, timbre and embellishment. Some nuances, including many special singing forms that are difficult to contain and record in detail, can better reflect the different colors of various schools. The richer the aria of a genre, the stronger its vitality, the more prosperous and mature the genre, and the wider its performance scope.

1. Niche articles

Yin () School:

Words are heavy and light, and there are feelings and sounds. They are good at using stress, timbre and speed changes to express the ups and downs of characters' feelings, which are characterized by deep and meaningful, smooth stretching and soft lingering. The representative works of Yin School include He Wenxiu in He Wenxiu, Qu Yuan in Qu Yuan, The Prince of the Desert and Jia Baoyu in A Dream of Red Mansions. The outstanding successors of Yin School are Mao, Mao, Mao, Mao, Mao, Mao, Mao and Mao.

Fan (Ruijuan) School:

Simple and generous, steady and grand, solid articulation, fluctuating melody, masculine temperament and masculine beauty. Representative works of Fan Pai include Zhu Yingtai in butterfly lovers, Jiao Zhongqing in Peacock Flying Southeast, Zheng Yuanhe in Li Wa Biography and Ai Guo in Golden Branch. , Shi Jihua, Fang,, etc.

Xu (Yulan) School:

Cai Hua is handsome, free and easy, unrestrained, high-pitched and passionate, with ups and downs of tunes and obvious ups and downs. The representative works of Xu School include Jia Baoyu in A Dream of Red Mansions, Zhang Xun in The West Chamber, Chun Xiang Zhuan, Chasing Fish and Liu Chen in North King. , gold,,,,, Weng, etc.

Lu (Jinhua) School:

Singing is not gorgeous, not good at carving, simple and beautiful, natural and smooth, good at playing Confucian scholars and poor students. The representative works of Lu School include China Sunny under the Pearl Tower, Lv Mengzheng in Tales of Colorful Buildings, Wang Kui in Detective, and Zeng Rong in Panfu. Huang Hui, Xu Jie, Cao Yinque, Qiu Qiaofang and others are outstanding successors of Lu School.

Bi (Chunfang) School:

The voice is crisp and elastic, with a wide range, and he is good at shaping characters by using the changes of singing methods. arbitrarily

Play a long comedy. The representative works of Bipai include zhou wenbin in The Tiger King Snatches the Kiss, Xu Xian in The Legend of the White Snake, Wang Jinlong in Yu Tang Chun, Lin Zhaode in Blood Handprint, and the oil seller.

Yang Tonghua, Yang Wenwei, Ding Xiaowa and Sun Jianhong.

Zhu (Shuizhao) School:

The performance is delicate, fresh and refined, and the singing is sweet and soft. What is particularly prominent is that the road to play is wide. Hua Dan, Tsing Yi, Xiao Dan, Xiao Sheng, Lao Sheng and even Lao Dan can handle it, and they are good at performing dramas such as "Southern Crown Grass", "Yu Han Ji" and "Liu Yichuan". Later generations include Zhu, Sun Tingya and Sun Jing.

2. Hua Dan

Yuan (Xuefen) School:

The melody of singing is simple and euphemistic, and the rhythm is changeable. Singing pays attention to moistening the cavity, using the air port and comparing the strength, so it is very relaxed and has a strong charm. The representative works of Yuan School include Xianglinsao, Cui Yingying in The West Chamber, Zhu Yingtai and ChristianRandPhillips in A Sad History of Liang Zhu. Yuan Pai's outstanding successors include Fang Yafen, Tao Qi and Hua Yiqing.

Fu (township) school:

The singing is beautiful and changeable, ups and downs, and expressive. The performance is full of passion, delicate and vivid. Known as "the coloratura soprano of Yue Opera". The representative works of Fu School include Zhu Yingtai in butterfly lovers, Gui Ying in Love Detective, Li Yaxian in Li Wa Biography, Du Shiniang in Du Shiniang, Liu Lanzhi in Peacock Flying Southeast, and Li Qingzhao in People are Thinner than Yellow Flowers. The outstanding successors of Fu School are Xue Ying, Hu, Hong Fenfei, Zhang Lajiao, He Ying, Chen Ying, and so on.

Qi (Yaxian) School:

Sincere and strong feelings, simple tunes, tight organization, distinct rhythm, concise sound patterns and repeated changes. The representative works of the Qi School include Wang Qianjin in Blood Handprint, Su San in Yu Tang Chun, White Snake, and Wang Xiuying in The Tiger King Snatches the Kiss. Zhou, Zhu Zhufen, Jin Jing, Xu, Wang Xingjuan, etc. are all outstanding descendants of Qi School.

Wang () School:

Natural and smooth, simple and simple, sincere and sincere, mellow charm. He is famous for being good at performing characters and conveying inner feelings. Wang Pai's representative works include Lin Daiyu in A Dream of Red Mansions, Yang Kaihui in Song of Loyalty to the Soul, Wang Yuzhen in West Garden and Meng Lijun in Meng Lijun. Danyang Ping, Wang Zhiping, Qian Aiyu, Yu Jianhua, etc.

Zhang () School:

The melody is delicate and euphemistic, with strong affection; The timbre is soft, sweet and full of charm. His representative works include Qin Xianglian, Li Cuiying, Spring Grass, The Story of Diexin, etc. Zhang Qian's successors are Yuan Xiaoyun, He Caifei and Wu He.

Lu (Ruiying) School:

On the basis of simplicity, delicacy, euphemism and profundity, the aria develops in the direction of liveliness, innocence, high spirits, liveliness and passion. The representative works of Lu School include Mu in Mu, Liang Hongyu in Jinshan Drum, and Zhang in Jin Jiu Girl. Sun Zhijun,,, etc. are outstanding successors of Lu School.

Gold (collecting wind) school:

The cavity echoed tactfully and rhythmically; Speak clearly and listen to every word; Lucky and charming. Good at building a good family. The representative works of the Golden School include Yan Lanzhen in Panfu and Yu Han Ji. Outstanding successors of Golden School include Xie Qunying, Huang Meiju and rookie Fan Tingting.

3. Articles by Old Students and Old Dan

Zhang (Guifeng) School:

The singing is rich and simple, full of emotion, rich and sophisticated, and passionate, which has made great contributions to the establishment of the old tune of Yue Opera. Zhang Pai's representative works include "Nine Jin Girl" and Zhang Hoop Barrel in "Flying Two Halls". Zhang Guohua, Meng Kejuan are outstanding successors of Zhang School.

Xu () School:

The singing is loud and powerful, with varied lines and generous style. Pay attention to emotions, tenor and syncopation, sharp articulation, and pay attention to nozzle kung fu; When vocalizing and moistening the cavity, it is called "vibrating cavity" to make the voice loud and full of passion by using vibrato, glide, and * * of nasal cavity and head cavity. Representative works include Jia Zheng in A Dream of Red Mansions and Meng Shiyuan in Meng Lijun. Zhao Li is decorated in the West Garden. The descendants include gold leaves and so on.

Shang () school:

Shang's voice is bright, the sound quality is rich, the melody is bold and unrestrained, the articulation is solid, the spout is powerful and full of gas. In his singing, he absorbed the tunes, singing methods of Shaoxing taipan and the profound connotation of the old Peking Opera, and integrated them into one. His singing breath was full, and he paid attention to the vocalization of the head cavity and chest cavity. His high-pitched area was loud, and his bass was deep and heavy, with inherent strength. Representative plays include Southern Crown Grass, Peacock Gallbladder, Wen Tianxiang, Sun An's Moving Book, Life and Death Card and Liu Yichuan. The descendants of Shang Dynasty include Hu Gome and others.

Wu () School:

Wu's singing is vigorous, and he is known as "Jin Shaoshan of Yue Opera". She absorbed the singing methods of old Peking Opera students and borrowed the vocal methods of songs, which made her voice more generous, loud and powerful. Make good use of long cavity and long board in singing, which is magnificent; Pay attention to the arrangement of stress and air port, pay attention to the close combination of sound, emotion and music, and make singing more masculine. Representative works include Zhang Xingjian in Detective, Liu Tianhua in Three Gu Yu Mei, Shangguan Yi in Emperor Ze Tian, Hong Xiuquan in Armageddon, Zhang Lver in Dou E Yuan, and the fake Bao Gong in Chasing Fish. Wu's descendants include Yang Tongsheng, Xu, Chen and Jin Hong.

Zhou (Bao Kui) School:

When singing, it is easy, funny, lively and charming, and is deeply loved by the audience. The performance was slightly exaggerated and humorous. Representative works include Jia Mu in A Dream of Red Mansions, Xiang Linniang in Sister Xianglin, and Mrs. Jin in Chasing Fish. Later generations have Chen Heyu.

Among the above schools, it is generally believed that Yin, Wang Fufan, Qi Bilu and, and, but I also list Zhu, Zhou, Wu and Shang as one of them, because these schools are accepted by the majority of opera fans. Of course, there are a few that have been put forward, but have not been universally recognized, such as Zhang Yin School and Chen Pei, the doyen of Zhejiang Yue Opera. Zhang Guohua's male Zhang school, Mao's Mao school and Zhao school are called accents. These distinctive personalities have not yet formed a genre, and they are called accents, such as Ying Meng accent, our Yin Mao and Zhao accents, Xu Qian accent and so on.