Fortune Telling Collection - Fortune-telling birth date - What are the lyrics of Yin Na Song of Sixty Jia Zi?

What are the lyrics of Yin Na Song of Sixty Jia Zi?

Yin na's song of sixty jiazi

Jia Zi B ugly gold in the sea, Bing Yin Ding Mao fire in the furnace.

In Chen Wu, there is a forest, and in Wu Geng, there is a roadside soil in Xinwei.

Ren Shenjin, Jia Haishan's first cargo

Bing Zi Ding Chou Jian went into the water, and Wuyin has set foot in the city.

Chen Geng Xin Bai Xi wax gold? In the afternoon, I am not a willow.

Shen Jia Yiyou Spring is filled with water, while Xu Bing Dinghai House is covered with mud.

Ugly and mighty, Geng Maosong cypress.

Do you have running water? There is no gold placer in Wu Jia B.

Bingshen Dingyou Mountain is on fire? 1898 The reform movement has leveled this land.

Gengzi Xin ugly wall soil? Renyin Guimao Gold Foil

Is Chen Jia B covered with lights? , c Wutianhe

Is Wu big? Geng Xuxin Hairpin Gold

Is Scorpion Ugly Sang Mu? , Jia Mao Dashui

Chen Bing Ding Sisha Middle Earth? There is no fire in the sky.

There is pomegranate wood in Geng Shen's heart, and seawater in Ren Xu Guihai.

Extended data:

Related pre-Qin birth law theory

1 and 60 jiazi Yin Na's birth rule of "the same kind of wife, every eight children" and Zeng Houyi's chime have a double relationship. Its discovery fills the gap in China's music history that only the practice of bell rhythm in Ceng Houyi's bell system is recorded, but there is no corresponding pre-Qin birth theory.

2. The fact that "the sixty tones are palace rhythms" hidden behind the "sixty tones pattern" typically reflects the isomorphic relationship between China's ancient philosophy and law, that is, law and calendar, trunk and branch and twelve tones, five elements and five tones.

3. The objective existence of this relationship not only provides a theoretical basis for exploring the unsolved suspense of the theory of temperament through the theory of ancient philosophy and culture, but also enables us to find a way to generate the form of ancient philosophy and culture in China. In other words, some philosophical and cultural theories are based on the melody ontology form which has a whole isomorphic relationship with them.