Fortune Telling Collection - Fortune-telling birth date - The name of Hong Kong fortune-telling movies in the 1970s _ What was the name of Hong Kong fortune-telling movies in the 1970s?

The name of Hong Kong fortune-telling movies in the 1970s _ What was the name of Hong Kong fortune-telling movies in the 1970s?

Hong Kong fortune-telling movies in the 1970s.

I've seen it before. It must be Zheng Zeshi, but I forgot the name of the movie. I looked it up for you. This may be a bad list.

This horror film tells a series of accidents that happened shortly after Zhang Jinqiang became a security guard. One of his colleagues choked to death on a chicken bone, and the other was suffocated by a newspaper. And his pregnant wife is acting more and more strangely, often breaking the spell of Mr. Feng Shui to ward off evil spirits for him. So it's really the devil. Mr. Feng Shui lost to the devil and died. Before he died, he told Jin Qiang to destroy the demon king as soon as possible to avoid his reincarnation. Jin Qiang had a big fight with the devil. When his wife came back from the hospital with a baby in her arms, he was waiting behind the door with a sharp axe. Introduction: The Ominous List combines the horror of ominous films, the bloody nuclear process of funeral films and the magic and grotesque of the kung fu film Maoshan. The administrator of a building was repeatedly met with ghosts and killed one after another, which gradually exposed a big conspiracy of the underworld and triggered a big fight between Yin and Yang. Master Mao Shan launched an exorcism duel and tried his best to incite emotions and terror. This film is called the scariest horror film produced in Hong Kong. Labyrinth-like buildings, elevators leading to the underworld, the bizarre death of colleagues, and the most horrible thing is that I bumped into my evil wife Yu Qixia, and my pale face made people tremble with fear. After leaving the TV station, Yu Yun fought for the support of the consortium, set up the "Century" company, and made great efforts to invite trendy directors to start shooting a series of new entertainment films that emphasized sensory stimulation. Dennis Yu used a lot of photography, makeup stunts, light and shade, and the action and horror scenes were intense and exciting, with considerable results.