My teacher is in Zhu.

My teacher, Wu Bozhi, is an old gentleman. He is diligent in studying and teaching students. He once said that he practiced boxing every night, drank some wine and smoked a few cigarettes from time to time ... then he went through the "Cultural Revolution" and died of cancer. Up to now, I can only see his slender body and thin face in my dream. He is still walking towards me in a healthy way.

Wu Bozhi, a teacher friend, was originally hoped by his parents to be admitted to the postal school, but he was admitted to the Shanghai Academy of Fine Arts to study Chinese painting. To the graduating class, it happened that Pan Tianshou was the teacher to teach and let the feelings be harmonious to the end of life. He and Mr. Pan Tianshou, as teachers and friends, agreed to be buried together after death, but for various reasons, it failed to come true.

Mr. Wu has always honored Pan Tianshou as "Mr. Pan", while Mr. Pan has always called Mr. Wu "Fu Zhi" and "Yong Zhi", and listeners always feel that they love each other constantly. Mr. Pan abides by discipline and the agreed events. Mr. Wu goes to bed late and gets up late, and he will procrastinate when things happen, but he is always harmonious when things happen.

In the early 1960s, the school organized a visit to the exhibition of ancient paintings and calligraphy in Shanghai Museum. I arranged for him to go to Shanghai by train at 9 o'clock in advance and arrived at his home at 8: 30, only to see that Mr. Wu was in no hurry. I said Mr. Wu's train was leaving at 9: 00, and he said it didn't matter. He could take the next one. Then I have to say that Mr. Pan is waiting for you downstairs. As soon as I heard that Mr. Pan was waiting in the car downstairs, I quickly packed my things, from which we can see how much Mr. Pan respects Mr. Wu. In the teacher workshop organized by 196 1 school, Mr. Pan and Mr. Wu worked hard together. Teacher Pan attended the painting theory class of Shi Tao's painting quotations, and Teacher Wu talked about the "Eight Eccentrics in Yangzhou", and everyone was very satisfied. In short, they often meet and chat. Mrs. Pan said to me, "I don't know why, they can't finish talking, so they are so hot." During the "Cultural Revolution", the two were kept in the "bullpen". At that time, the struggle in the "bullpen" was as fierce as the struggle outside the "bullpen", and it was also a life-and-death struggle. The ghost of communicating with the rebels must turn Mr. Pan into a "spy" and a "reactionary academic authority", which Mr. Pan rightly denies. Mr. Wu later told me that they thought that Pan and Wu stood in the same position and forced Mr. Wu to criticize Mr. Pan. At this time, Mr. Wu always analyzed all Mr. Pan's behaviors truthfully and objectively, and did not satisfy the rebels' hopes by "finding a solution to the problem". Mr. Wu said that Mr. Pan and I talked about everything. What a pure and kind mood this is. At that time, even the conversation between husband and wife should be careful, because it was common for a wife or husband to accidentally expose each other. Mr. Pan is seriously ill in hospital. In the middle of the night, Mr. Wang walked out of the "bullpen" and secretly went to the hospital to see Mr. Pan. Mr. Wu was still in the bullpen. If the rebels find out, they will aggravate their crimes and suffer a lot unconsciously. After Mr. Pan died of illness, Mr. Wu always walked past Mr. Pan's house with his head down. He said to me, "I can't bear to watch it!" "

The time limit for Mr. Pan to stay in the funeral home is approaching. What should Mrs. Pan discuss with me? I said please don't worry, I'll find someone to find a way. At that time, the "Cultural Revolution" was not over yet, and it could only be handled in secret. On the one hand, I entrusted two comrades, Jin Xintang and Fang Shangtu, and on the other hand, I went in series with Mr. Wu Bozhi to visit Mrs. Chu Sheng. On the selected day, I went to Guo Huashan on the other side of the mountain for a field trip. As a result, the mountain was not wide, so I gave up. Mr. Wu knows a thing or two about Feng Shui, saying that there is a lack of a waterway in front of him, while Mrs. Pan said that Mr. Pan was forced by the rebels, and she wanted to find a place in front of him to breathe freely, so she had to find another cemetery. Mrs. Pan said that she wanted to set up an "old man's tomb" in front of Mr. Pan's tomb, fearing that the monument of "Pan Tianshou's tomb" would be set up and the rebels would dig out the paintings and feelings.

Mr. Pan Tianshou advocates Badashan people, while Wu Bozhi likes Shi Tao. This is the difference in taste. Everyone is delving into his own painting path. Mr. Pan loves Yandang Mountain Stone; And Mr. Wu, staring at flowers and plants, remembers birds, animals, insects and fish vividly; Teacher Pan pays attention to the backbone, while teacher Wu pays attention to interest. The two learn from each other and stay together for life.

Teacher Wu's character is not high, so he can't write. He can draw as he likes, and he is good at touching machines. When he touches the cat, people can't stop, and neither can the pen. When the pen is full of ink, he "does what he wants", then looks at it and cleans it carefully. Three days is not too late. Mr. Wu said that vivid charm refers to artistic conception and pattern, which is pneumatic and rhythmic, and it is impossible to be born without rhyme. He can swallow his pride when he paints and looks comfortable when he is angry. Even the paintings are full of vitality, so Mr. Wu's paintings are irresistible. Teacher Wu's picture is complicated, and the most intimate part is really airtight. This is probably because Mr. Pan takes a simple road, while Mr. Wu wants to take a complicated road in order to establish his own portal. However, Mr Wu Can also treated the painting in a minimalist way. I remember he drew a rooster. The whole picture is made of roosters, ignoring all the backgrounds, which is extremely ethereal. Only the words "sing a rooster to make the world white" are very concise. However, the rooster's singing posture is really typical. Bleeding eyes really caught the chicken's expression. Its brushwork is not description, but bright pen lines, and two chicken feet firmly grasp the ground, which is very safe. I think this is the essence and an excellent development of traditional expressions. I asked Mr. Wu how this chicken was drawn. He said that someone sent a chicken the other day, and I kept it there. In the morning, it began to crow. When I saw its crow, it really caught my attention. I've been thinking about the dynamics from the head to the wings, tail and chicken feet for a long time. I think we should draw the appearance of this chicken. It just looks like "singing a rooster and making the world white." Mr. Wu is good at painting with complex strokes. He often said that it is difficult to find simplicity in painting, and it is even more difficult to have simplicity in complexity. For example, in the painting "Spring Comes with the Dragon", the whole painting is full of dense Chinese rose flowers, and a dozen chickens are hidden under the flowers. Chinese rose flowers curl up and down, dense, reverse stroke, straight stroke, and the gap between reality and reality is good. The middle place is just right, the posture is drooping and slightly bent into a frame. Then, you can't send two branches to the sky, and the shades are in contrast. Among them, the momentum is rich and the inscription is extremely appropriate. Another example is "Spring Day", with the inscription "Spring Day, when the snow returns, I am happy to write this on the lake to see the lights of Wushan Tower, and write it". The whole picture is covered with heavy snow and plum blossoms, and the branches are staggered up and down and left and right, alternating in an orderly manner. However, under the ingenious background of dark and light ink colors, it shows the ability to show reality as virtual. Mr. Wu said that every part of an Italian painting should not be clearly drawn, but should be clear and vague, so as to highlight the main body and make the picture richer and thicker. I remember Mr. Wu told me that he also drew sketches. This technique of virtual reality is probably the inspiration of studying in Shanghai Academy of Fine Arts, and the vague feeling that the former is true and the latter is virtual is inspired from here! This picture shows Leng Yan, decorated with light red on the circled plum blossom. This red is rouge color, and the hue of rouge color can avoid getting angry. Right on the plum blossom in the snow. The color of dark red plum blossom changes slightly, and it is also broken by repeated description of ink classics. Its hue changes are complex, with rouge on the red side and rouge on the side. There are wet pens and dry pens, wide pens and thin lines. It is Mr. Wu's chill that still reveals his present joy. This is a very sensitive point for Mr. Wu in dealing with cold and warm colors. The trend of wearing branches is along the track of perception and tradition in life, with appropriate levels before and after, which sets off the density of reality and reality and is very harmonious in momentum. Mr. Wu is really an expert in dealing with complex places. When he paints, he always asks his friends who look at his paintings to remind him not to overdo it. Indeed, friends are always worried that he will go too far when they watch him embellish. It's a pity that he thinks that if there is anything wrong in the end, he can brush it again until it looks good. This is what he called "complexity and difficulty". The key to China's painting is that there is no fixed method for painting. The method is born from the environment and the method is made from the heart. Situation touches the soul and creates art. Poetry and postscript.

The interest in life attracts painters. In the colorful flowers and plants, Mr. Wu does not pay attention to true expression. To be honest, this can be achieved by taking pictures. What Mr. Wu feels is qi and interest, which can also be said to be temperament and poetry. He used his temperament to feel the interest of life and then promoted it to the realm of poetry to plan, so the image drawn by Mr. Wu became his own image, which was also affectionate and memorable. When collecting information, old gentlemen often don't record it completely in pencil, but sometimes they think hard and condense it into poems. Therefore, the combination of poetry and painting can become a typical work worth remembering. Old gentlemen also like to write some postscript on the painting to make up for the lack of poetry or other aspects. Poetry can move people's hearts, express their feelings with poetry, and observe a person's tolerance from poetry. Therefore, there is no need to copy some ancient poems in China's paintings, even if the poems and paintings are consistent. It is a great pity that Mr. Wu's poems were all lost in the "Cultural Revolution" movement, and it is difficult to fully reflect them so far. We read a poem written by him, "Painting is like a torrent, never leaving its original place. Looking back 40 years ago, the increase in horse teeth was only shameful. " This shows that he studies hard, perseveres, always discipline himself and spur his will. Another example is Jiang Deng's poem "Huangshan Lotus Peak": "There are thirty-six peaks in the Yellow Sea, and several people are extremely poor. Jiang Gongxing and I are the strongest, each boasting about the lotus peak. The height of Lotus Peak is afraid to increase, and the ridge of Lotus Peak is wide and full. When you shake your arms and call the person who answers the phone, you will hear the sound of the sky. In an instant, a large piece of anger spurted out and the soul was shocked. Looking at the front sea, the sea clouds are boundless, and there are traces of Jiuhuadai in the distance. It's spectacular. Creation plays tricks on people, and Li Bai's poems are Qing Xiang's paintings. I am ashamed to hide for seven feet, so I will be heavily in debt. Singing a song is crazy and I hate it. " Such tolerance and feelings are really Li Bai's feelings, and Shi Tao's paintings are by no means written by ordinary people. Only people with an open mind and high feelings can do it, and painting with such feelings can beat the rhythm of poetry and painting. He thinks that if a painter in China lacks profound poetic accomplishment and only knows to paint for painting's sake, he will be humble and vulgar, and at best, he will be a craftsman's work. There is a poem "Plum Blossom Eight" by Mr. Wu, which says, "Don't sing on the branches again. How can the Spring Festival make up for it?" Tan Mei suddenly remembered Panlong Temple, who never tired of rouge. "Panlong Temple is located in Yunnan. There is a great ancient beauty in the temple. Mr. Pan and Mr. Wu went to receive the prize together. It is really a million rouge, which is not only a memory, but also a kind of praise and lyric. Since Su Dongpo praised Wang Wei's poems and paintings, it has become one of the goals pursued by painters since then. Mr. Pan Tianshou wrote on Mr. Wu's banner orchid that "the price of powder is cheap, the five mothers are beautiful, and the grass is beautiful. "If there is no pen and ink health for many years, he will say' Huang Xu' at random." It is poetry that evaluates the fallacy in painting theory and correctly praises the clever pen and noble style of bluegrass painted by Mr. Wu. In his early years, Mr. Wu wrote a poem called "Moran": "I paint dissolute and sparse shapes, but I give up writing orchids." I wish to live in an empty valley, and I will be extravagant and fragrant. Reward yourself for being witty, why not be a heart of stone? ""a tree is cold and snowy, and it helps clear the clouds and clear the moon. Hua always avoids Zen, so why not open his own family? "Monk uh guano has allusions. He is famous for painting plum blossoms, and he leads the painting world with his unique painting style. " There are thousands of flowers in the snow. If you teach it to Dongfeng, it will be famous all over the world. "This is the spirit of praising Xue Mei." At this time of sudden age, Guihua Er was relieved. Gold and silver are poor, but they love to send incense. "This is a friendly exchange with osmanthus. The mood of victory in the Anti-Japanese War can be seen. Mr. Wu painted fish and wrote: "I have not been full for a long time, and I am tired of this taste. When victory comes, it is worth reciting Shaoling's beautiful sentence "Let me go home in green spring". I am very happy to write this chat to relieve my anxiety. "The purity of the mind, with postscript is also wonderful. There is also a postscript, such as "this fresh Dendrobium is also born in a cave, with blue flowers, yellowish fragrance and solid stems like equisetum." When Yu Youyan saw local farmers selling in small baskets, the price was quite high. It is said that this kind of grass has a miraculous effect in treating fever. The local famous chlorophytum and purple-brown iron orchid are the best, and it is not easy to collect, which is a portrayal. "This is a long narrative. There is also a short postscript, such as "I remember the flowing water behind Longtan Temple in Sanhe Township, Tonglu, and I am happy to write it. "1August, 957, Wu Huohe recorded it." Poetry and postscript are common in painting, and they are also places to place their feelings.

Writing poetry, especially learning poetry halfway, also needs to be done step by step. Mr. Wu taught me a simple way to distinguish a flat tone from a poetic rhyme, that is, take a word like "wind", read two words of "wind", and then drag it to a flat tone or a flat tone. Read the word "wind" again, and you will feel short of breath and not loud. This word is flat; If you use the word "drag", the last two words will not be bigger than the two flat tones, then this is the word "drag" and make a sudden opening. Poetry is the expression of ambition. Without a broad mind and nobility, it is difficult to have many exciting works: poetry is the transmission of feelings, and it is difficult to promote people's feelings without subtle touch. The change of emotion and ambition is the reappearance of poetry. Ink and color

Mr Wu Bozhi is good at using composite colors and black ink. Since ink is divided into five colors, with dry and wet shades, it can be ever-changing, so color is no exception. The infiltration of color and color, color and ink color is really endless. It is really brilliant to use it to express objects and images, but Mr. Wu Can grasped the relationship between primary colors and secondary colors in his paintings. If he can grasp the main color, then he is half successful. The so-called outline is correct. In the application of color, we should distinguish the difference between cool color and warm color, which is the visual perception of color. Red and reddish are warm colors. Navy blue or light blue is called cool color, and black and white in Chinese painting (including white of paper) is classified as middle band, so it is hard to say whether the color is unscrupulous or not. Mr. Wu's painting is forbidden to be vulgar and angry. Anger and vulgarity are sometimes connected and sometimes connected in series. Angry is mainly because the colors are not harmonious, and one color is too much, which makes him feel uncomfortable visually and sometimes shows a vulgar tendency. Vulgarity is a habit category, and the so-called "becoming a vulgar patient" is its harm. Vulgarity sometimes becomes a "popular color" in society, so it is not considered vulgar. Vulgarity is a low-level style, and it annoys you when you see anything. Therefore, the old gentleman wants us to distinguish between the quality of paintings and the quality of painting style, and thinks it is necessary to study several famous paintings, and flexibility is more important. Everything is obtained step by step, and the elegance and vulgarity in painting are also successfully transformed in the step by step to improve understanding, which cannot be achieved overnight. Only when the understanding is improved will there be a correct judgment.

Being good at change is also the key to using color. The change depends not only on the brushwork, but also on the weight of water. When the pen and color are mixed with water, it becomes a change of shade and dryness. On paper, different shapes appear with the change of the pen. We say that painting looks at the color of an object by color, so we should distinguish between cool color and warm color and distinguish the difference between them, and then focus on paper and graphics with essays. Red, yellow, blue, white and black are the primary colors of Chinese painting. Yellow and blue add up to green, green is a composite color, blue and red add up to purple, and purple is also a composite color, but when green is a little green, it is turquoise, depending on the color of the cold side, and yellow-green is the color of the warm side. The more yellow ingredients, the greater the tendency to be warmer, and sometimes yellow-green or turquoise is a bit in the middle. If the gamboge is spelled green, it becomes light green and the hue is more delicate. Light green is sometimes too delicate and sometimes a little dazzling. You can spell a little ochre to avoid being a little delicate and dazzling. Ochre is a relatively calm color. For example, dipping ochre first and then eosin will fade a little more than pure dark red. Sometimes if you want to get rid of a little glare in dark red, you can spell some ochre, and the judgment of spelling more and less will directly affect the hue of red. Garcinia cambogia turns golden yellow with a little ink, and dark yellow with a little ink, which is a little colder than golden yellow. Where the colors are harmonious, it is the composite color, which is darker than the primary color. The more colors are blended, the grayer their tones are. Lacking a clear feeling, the water is adjusted less and painted on the paper in a darker gray tone; The more water you mix, the lighter the gray tone you draw on the paper. Composite colors give people a soft feeling, while primary colors give people a stronger feeling. How we use color to describe the color of an object lies in our important feeling and understanding of cold and warm colors. Personal feelings are different and subjective knowledge is different, so everyone has their own subjective knowledge and then makes subjective judgments. The color diversity of materials is more complicated after reconciliation, which is summed up by the painter's careful research, accumulation of knowledge and repeated practice. As the ancients said, painting must first have the meaning of a pen, and color matching is an empirical judgment. Painting must first have the intention of a pen, and every bit of painting is from the heart. Only when the heart is born will the pen be interested. Mr. Wu Bozhi said that it is best to have a new interest in painting colors, and get the essence and richness. Painting is unconventional if there is new interest, smokeless if there is beauty, and solemn if there is wealth. New interest, essence and profundity are a habit of appreciation and a taste of painting. What kind of smell is related to the style of painting. Harmonizing colors and methods is also a kind of knowledge and craft. In terms of knowledge, it is to distinguish the hue attribute and the influence of cold and warm changes on vision. Technically, it is the mixing degree of primary colors to complex colors. If there is more reconciliation, it will be mature, and if there is less reconciliation, it will be cautious. Among them, the water regulation will produce endless changes, and the soul will be reflected in the changes. The gain and loss of the soul are all in people's subtle grasp of color sense. Mr. Wu said: "Although the brushwork is in hand, elegance and vulgarity really come from the heart. The ancients painted, meaning to write first. The heart is made and the wrist is loaded, so there is a god in writing, and there is no pen that does not flow from the heart. Naturally, the pen can be used for me, and the pen has me. " He also said that "ink can be thick but not stagnant, black but not turbid." "Pencil force through the back of the paper, although light and thick, pen see pen, although thick and live, pen thin and see meat, pen fat and bone, pen without downtime, black also see its vitality. Therefore, pen does not hinder ink, ink does not hinder pen, pen and ink will meet, and then we can grow together. Master Shi Tao believes in painting with a pen, which is purely natural. At first, he was not interested in using ink. He had all five colors of ink. This is called understanding ink. This is a routine that has entered the realm, and only enlightened people can get it! " My teacher's birthday is 1 10 anniversary. I write this as a memory!