Fortune-telling for Fang Shiyu _ Fang Shiyu Fortune-telling Association has two sons and two daughters.

There is no Fang Shiyu in history? Huang Feihong's martial arts are average, and he never fights?

The general public knows martial arts masters through contact with film and television works, but some kung fu that is deeply rooted in people's hearts are many fictional characters. Jet Li once played Fang Shiyu and Huang Feihong, but there was no Fang Shiyu. Huang Feihong mainly practices medicine.

The general public usually know about China Wushu through literature and artistic works. In an era when information is not particularly developed, Bruce Lee's kung fu films and Jin Yong's martial arts novels interpret China's martial arts from different dimensions, giving the public an illusion that China's kung fu is invincible. For a long time, the public's knowledge and understanding of China Wushu is the basis for Liu Xingjun's success with Yi Long as a monk in Wulin Wind, which caters to the public.

Now, with the development of the times, people's wisdom has been greatly expanded. Many people have realized that those famous martial artists were not real fighters, and Huang Feihong and Ip Man were just craftsmen of their respective sects. Their skills were mainly reflected in local skills with preconditions, which were far from real fighting.

There is a big gap between Wushu skills and actual combat. The martial arts pursued and cultivated by traditional martial artists are not very scientific, some are idealistic, and some are contrary to human science. In addition, there is a misunderstanding. They often exaggerate the role of local abilities and skills, but fail to fundamentally realize that unarmed combat emphasizes comprehensive quality and comprehensive ability. Some practitioners of traditional martial arts often have some special skills, such as two-finger Zen, iron sand palm, iron cloth shirt and so on. However, these individual skills are generally only suitable for performance, and their role in actual combat is far from as great as imagined.

In 2005, before the China Kung Fu-Russian Extreme Karate Competition held in Guangzhou Tianhe Gymnasium, an unknown story was quite telling. Tai Ji Chuan, a famous Chen style in Guangzhou, has many traditional skills and made great achievements in the traditional training method of shaking the big pole. A long and heavy wooden pole can't be lifted by others' hands at all, let alone shaken dozens of times. Some famous teachers of other boxing styles in Guangzhou have stumbled and made a fool of themselves here, and they can't lift the connecting rod with all their strength. At that time, in order to let Russian karate players see China's traditional kung fu and promote the competition, the competition operator organized Russian boxers to communicate with this famous Chen Taiji Boxing Hall. After the news was published in this newspaper, many martial arts fans came from all over the country that day. Russian karate coaches and boxers admire the great stick-shaking skills demonstrated by the famous Chen Taiji biography and humbly ask for advice. The competition trader took advantage of the situation and decided to let the master of Tai Chi Chuan use his skill of shaking the stick as the performance of the China Kung Fu-Russian Extreme Karate Championship. However, an official in charge of Sanda, the organizer of the competition, strongly disagreed, on the grounds that shaking the stick is only a single skill of traditional martial arts, which is mainly used for training and cannot show how strong the actual combat ability is. However, if he is arranged to perform in the ring, it is likely to mislead the audience and think that he is better than Sanda athletes, so he will steal the limelight. In fact, these traditional Wushu practitioners and professional Sanda athletes are different in actual combat skills.

Finally, the performance of shaking the big pole was cancelled, but an episode before the game was still meaningful. At that time, the famous Chen Taijichuan also went to the stadium to find the feeling. When he was chatting with referee Zhang Hongjun, he was also a traditional Wushu player, and he put his stick on the ground. At that time, Liu Hailong, the most famous Sanda representative and super Sanda king in China, was doing warm-up training with other contestants in the gym. He went over and picked up the big stick. He just wanted to shake it, but he found that the stick was so heavy that he couldn't control it at all. The stick fell to the ground. Liu Hailong's face changed, and he kicked hard. Liu Hailong couldn't carry this big pole, probably because he didn't have the training and the method. However, this experience may lead Liu Hailong to resist these traditional China Wushu training methods. Later, in the pre-competition promotion of a Chinese-foreign fighting competition in Guangzhou, Liu Hailong and others were arranged to visit Shunde Bruce Lee Memorial Hall. Seeing the wooden stake used in Wing Chun training, Liu Hailong suddenly kicked it away, which made everyone a little confused.

The remarkable improvement of the actual combat level of Wushu benefited from the market-oriented experiment of China Wushu Sanda which took place 10 years ago. Mainly due to the marketization experiment of Wushu Sanda conducted by the National Wushu Center from 1999, the rules were gradually liberalized and moved closer to the rules of the world-wide fighting competition. In addition, more international commercial fighting competitions driven by commercial interests have brought China's current fighting prosperity, but the fighting level in the commercial field is advanced in the world.

Many people think that China Wushu lags behind actual combat because fighting is forbidden after the founding of the People's Republic of China. Competitive Wushu is just a regular competition as a performance. It was not until 1979 that Wushu antagonistic events were tested, which was called Sanshou at that time. After several years of experiments, it was officially included in the planned tournament, and the development time was too short. In fact, this statement does not pay attention to the long-standing phenomenon of light fighting and heavy exercise in the history of China Wushu. Although China's traditional Wushu has always been regarded as a combination of routine and fighting, from the actual situation of China's traditional Wushu, those boxing methods that focus on performance and appear with flowery fists and embroidered legs, or even those that emphasize only actual combat but not routine or even routine, are not very convincing. In other words, no one can convincingly explain how strong the combat capability is. Of course, this comparison is measured by professional level rather than amateur level. The reason is not too complicated, mainly because China's history of nearly two thousand years has always been emphasizing literature and restraining martial arts. For a long time, the rulers of China have been guarding against chivalrous rangers. Even in ancient wars, the use of cold weapons mainly relied on war rather than individual combat ability, so the actual combat of martial arts lacked real demand. In addition, in the long run, the practice of actual combat ability must first have a platform for fair competition. Without the test of institutional fighting competition, it is difficult to improve the actual combat ability of China Wushu.

The lack of challenge circle is not conducive to actual combat, but it gives the sects and boxing circles room to survive. The reality is that Chinese traditional Wushu mainly develops in the direction of performance or exercise. The lack of challenge arena led to the prosperity of boxing schools, and Wushu went to Jianghu to perform, and museums were set up to teach students, which was combined with various projects such as opera and dance. It's hard for people to imagine that many famous martial arts masters in China's history actually didn't have high fighting ability, or even really fought with others all their lives. Some people have never even tried friendship with low intensity, low speed and limited conditions. Take Guangdong as an example, as far away as Huang Feihong and as close as contemporary Chen Changmian. According to Dong Deqiang, one of the experts in compiling the history of Guangdong Wushu and the former official leader of Guangdong Wushu, he consulted local chronicles with the compilation team and conducted on-the-spot investigation. Many famous kung fu masters in Guangdong history are fictional characters, with real people and stories, and most of their deeds are fictional, and the actual fighting level is seriously exaggerated. There is no such person in Fang Shiyu, but he is just a novel character. Although there is a real person in Huang Feihong, his martial arts are mediocre, mainly practicing medicine, and he has never fought a war in his life.

The precocity of China culture is also reflected in China's traditional martial arts. It is precisely because of China's attitude of attaching importance to culture and neglecting actual combat that China's traditional Wushu has left a huge room for growth. Therefore, the lack of the challenge ring certainly inhibits the improvement of China's actual combat level, but it also leaves valuable living space for martial arts schools and boxing, which is the core competitiveness of China Wushu. Because as a modern commercial boxing with audience and box office as the center, its generality is always greater than its individuality, while many schools of China Wushu show cultural diversity. Therefore, in the development of martial arts in China today, we must clearly realize that China traditional martial arts and modern commercial boxing are both related and completely independent, and the value and competitiveness of traditional martial arts are reflected in culture rather than actual combat effectiveness, which has been reflected in many aspects.