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Broadcasting dubbing skills

Broadcasting dubbing skills

Dubbing is a language art, and it is the creative work of the dubbing actor to shape and perfect various vivid and colorful characters with his own voice and language behind the screen and in front of the microphone. Let me share with you the skills of broadcasting dubbing. Welcome to read and browse.

One:? Nice voice? Basic standards.

(1): Correct and clear.

By correct, I mean correct pronunciation. On the one hand, I can't read other words. On the other hand, it doesn't work? Literal translation? Ways to turn dialects into poor mandarin.

The so-called clarity means that the words should be clear and unambiguous, without ambiguity, the pause should be correct, the rhythm should be appropriate, and the preface should not be wrong or stuttered, so that people can't understand or understand it.

(2): bright and crisp.

This not only means that you should come straight to the point, speak your mind, speak your mind, don't be mysterious, speak quickly and say whatever you have, but also means that your voice should be crisp, crisp, cheerful and not slow.

(3): Round and bright.

What if? Correct and clear? If you want scientific voice expression, then? Round and clear? It needs the artistic expression of sound. Its connotation mainly refers to: the sound is smooth and natural, round and rich, pleasing to the ear and full of charm.

(4): rich and fresh

This means that the sound should be colorful, fresh and lively.

(5): tough and clear.

Toughness means that the voice is solid, lasting and powerful, with a beginning and an end. Qingyue refers to the melodious voice, which leaves a deep and even indelible impression on people.

Two: Realization? Nice voice? Main skills.

1, the skill of standardizing pronunciation.

(1): Correct syllable reading.

Simply put, it is pronounced according to the standards and norms of Putonghua. Correct pronunciation, accurate tone and clear pronunciation. That is to say, according to the composition requirements of Putonghua, correctly read the initials, finals and tones of Chinese syllables, and then correctly read each commonly used syllable. There are only about 4,000 commonly used Chinese characters, which cannot be separated from 465,438+08 syllables and four tones: flat tone, upper tone, upper tone and falling tone. Therefore, as long as you work hard, it is not difficult to read the initials, finals and tones correctly and all syllables correctly. Of course, reading every syllable correctly does not mean that the pronunciation is standardized. It is necessary to further train the pronunciation of natural cause and effect, and do appropriate treatment in pronunciation so that the audience can really hear every word you say.

(2): Syllable coordination.

Proper use of some two-syllable words and four-syllable words to speak or practice reciting can enhance the loudness and rhythm of the language, make it catchy to read and sound more beautiful. Using onomatopoeia and onomatopoeia is also a way to coordinate syllables. It can not only make the expressed things vivid, but also make the sound harmonious, achieve the organic unity of sound and form, and increase the expressive force of language.

(3) Harmonious phonology.

What does it say here? Tone refers to tone. Chinese characters have one syllable, and each word has four tones, that is, flat tones. If the tones are well coordinated, there will be ups and downs and rapid ups and downs. The staggered use of the words "flat voice" and "wrong voice" can form a sound with corresponding pitch, high and low collocation, alternating speed and up and down, thus making the sound both rigid and soft, harmonious and harmonious.

2. Choose tone skills.

Tone, that is, the tone of speech. It exists not only in written language, but also in spoken language. In written language, the author's tone can only be felt, understood and experienced through the reader's vision. The mood in oral expression integrates sentence pattern, intonation, rationality, word choice, timbre, position, attitude, personality and emotion. The reciter directly appeals to the audience's hearing, and the audience can immediately feel it intuitively. Therefore, it has a direct and immediate impact on the effect of oral expression. Changes in timbre, such as strength, length, clarity, thickness, width and strength, can produce different sound effects. The connotation of mood is various, with colorful and complicated forms. The diversity of tones is the embodiment of the richness of language itself and the strong language ability. Different tones have different expressions. Among them, the state of sound and breath is particularly important. The reciter must express his thoughts and feelings through sound and breath, and different sounds and breath express different thoughts and feelings. Please refer to the following table:

Breath, sound, feelings for the audience, expressed thoughts and feelings.

A soft feeling of anger, a feeling of love

A feeling of shortness of breath, squeezing hard and hating my guts.

A feeling of stagnation and stagnation, a feeling of sadness

A feeling of jumping up in anger with a high voice, a feeling of joy

A feeling of tightness, a feeling of fear.

Shortness of breath promotes urgency and urgency.

A feeling of anger and strong vibration, a feeling of anger

There is hesitation and doubt in the soft voice.

A feeling of calm, a feeling of stability.

A feeling of irritability and anxiety, a feeling of anxiety

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