A blessed film review

Blessed with Big Ears reveals a kind of sadness from top to bottom and a kind of helplessness in life.

My analysis of Wang's personality characteristics is as follows:

Cautious (I found the cheating trick of the stall when I changed money), carelessness (I put the change in my pocket without looking at it, but I should have changed it to 49, but it was actually 46), vanity (someone asked him that he was a cadre at a shoe-polishing shop when he was visiting the market, and he came to see the people's feelings, so he went on to say: Yes, come down and take a walk), pragmatic (the owner mistakenly thought that the sweater would come back when he sent flowers to his colleague's house), stingy (. ) I'm impulsive (I'm willing to tip 10 yuan when I use the computer to tell my fortune), I'm nostalgic (when I applied for a job in a small theater, I sang red songs and cried, and others looked at him like a monster), I didn't have the guts (my daughter-in-law played mahjong all day, went hungry to find her father, and it was polite to talk to her), and I had the guts (I heard a local ruffian scold me in the back shop and tied my bike back to be beaten). Thanks to the thermos bucket and ginger he carried with him, he nodded and said, (His wife is ill in bed and needs to be served, his brother plays mahjong regardless of his father, his brother-in-law is unfilial, his son is disappointing, his daughter's marriage is unsatisfactory, his uncle is not serious, it is too difficult to find a job, and he can't borrow money. Everything is unsatisfactory. )-In short, the image of ordinary people at the bottom of China is basically the whole.

1. When Wang, his daughter and his son-in-law had a tea party, the news broadcast music sounded together. Wang turned off the TV. After the table was overturned, everyone left. Lao Wang turned on the TV when he was cleaning up alone. The news just ended. Also, my uncle's ringtone is also the music of news broadcast.

Lao Wang was invited to dance at the beginning of the film, but he refused. At the end of the film, he invited others to dance.

I was hired as a soloist by a small theater and sang my favorite red song in the deserted street in the morning.

Talking about the filming of this film, Fan Wei still has many feelings. "In fact, I didn't understand Wang Daer in the play at first, but the more I shot, the more I felt that this was a state of life. Life, especially men, has to put up with me. When I got out of trouble, life was quite good. "Fan Wei said that in fact, such a theme is just in line with the environment of today's harmonious society." Everyone should have a good faith and never give up life, so as to reach a new world. This film is positioned as a "New Year's film for ordinary people", and even the poster adopts the superman style dressed by Fan Wei. The propagandist of the new film association, the distributor of the film, said that although the film is a low-budget film, the theme of its light comedy for the common people is the best New Year gift for many viewers. Neither Fan Wei, the leading actor, nor Alina Zhang, the director, has high expectations for the box office of the film: "The audience has the most say, but we just hope that our film can really enter the hearts of ordinary people, and it is difficult for ordinary people to enter the cinema. "In order to pursue real life scenes, on the whole, this film is very good. Especially as a young director's debut, it should be said that it is valuable to get this copy. The most outstanding feature or advantage of this film is the thorough pursuit of a real effect. Specifically reflected in the following aspects: First, at the narrative level, the film did not deliberately tell a complete and clear story. It can even be said that this film has no story in the traditional sense at all. It only shows the life feelings, living conditions and surrounding environment of the protagonist Wang after retirement. In this sense, it can be called "state movie".

Secondly, on the image and sound level, the film also strives to create a sense of life, showing the living environment of the protagonist, a low-level nobody, which is very real and credible, without any arrogance and whitewash. Some people even think that the protagonist's living environment is too chaotic (some people call it "broken"). The noise is too loud. But only in this way can we empathize with this environment. Because we are too familiar with this environment, we just don't want to face it. Nowadays, through the effect of "defamiliarization", the director draws our attention to these familiar environments again, thus realizing strongly that although our life has undergone tremendous changes in recent years, there are still some people living in this environment. In my opinion, at this point, movies are still different from movies that deliberately show the dark side of our lives. What it pursues is not exposure, but true restoration.

Finally, when it comes to whether the film bureau will like this kind of film, everyone's views are somewhat inconsistent. Most people seem to worry that the film bureau may not like this kind of film very much, although everyone thinks it can be passed. Why not? This involves a theoretical problem, that is, the understanding of realism and authenticity. This is an unsolved problem since the founding of the People's Republic of China. After the reform and opening up, everything seems to be relaxed, only realism and truth are the same as before, and nothing has changed. In short, our realism must focus on praising light, and our authenticity must also conform to the so-called true face of life-light. As mentioned earlier, The Ear of Blessing can't be regarded as a film that exposes reality, and the protagonist's attitude towards life in this film is generally positive, even idealistic. But it is such a film that people have to worry that the film bureau doesn't like it. So, where do realism and authenticity start?