Write a composition according to a Chinese painting.

1. A composition about Chinese painting in grade three. An exhibition of China's paintings will be held in the City Museum soon. The news made my father, who loves Chinese painting, dance like he won the first prize in the lottery. Dad couldn't stand my indecision and finally let go and promised to take me with him. I smiled in my heart, and the trick succeeded.

As soon as I entered the exhibition hall, I was attracted by the dazzling and colorful Chinese paintings, and I was busy pulling my father who had studied Chinese painting to be my commentator.

I listened to all my dad's professional speeches, alas, but I have a bad stomach and can't digest it. I don't understand a word, and I have to pretend to be interested. What a pain! What a pain! I racked my brains to come up with a reasonable reason to go shopping by myself. Dad seemed to see through my mind and said, "You should understand what I said first, and I'll go there and have a look. Don't run around. " I nodded happily.

So I went to a peony picture alone and looked around like a professional tour guide.

Appreciate the teacher. In that painting, there is a beautiful pink peony flower, which stands vividly on the branch, and crystal beads roll on the braid as thin as cicada's wings. If bees break in now, they will be deceived by this extremely realistic peony flower.

I watched Tiger Down the Mountain, Cherry Blossom Pond and Jiangnan in the Rain ... Each painting has different colors and styles. My favorite is the golden rooster at dawn, hee hee, because I am also a chicken, so-called mutual appreciation. In the painting, the hero rooster has a shiny neck and a bright red crown on his head, and his feathers are dyed dazzling golden yellow by the rising sun. It held its head high and stood on its chest, and people seemed to hear its loud voice at dawn.

At the end of the exhibition, my father and I reluctantly bid farewell to those wonderful Chinese paintings. Although my understanding of Chinese painting is still superficial, I believe I will become an expert in Chinese painting one day. I sat in the car and said to my dad, "I'll pass you." Let's talk about it! " "Dad listened dazed, revealing a meaningful smile.

2. A composition of an ink painting in my home There is an ink painting hanging on the wall of my big house.

It is about 1 square meter. When I was studying painting at the Liquor Art School, the old headmaster personally drew it for me, encouraging me, and I still like it very much.

The picture of ink painting is beautiful. In the gentle sunshine in the morning, the dense green wisteria leaves are mixed with several leaves dyed yellow by the sun.

The leaves are still rising gently, flying high, as if a breeze had blown them up. Winding vines connect strings of leaves in series.

Vines not only string leaves together, but also hang a bunch of lavender wisteria flowers. Wisteria looms in the green leaves, like a shy little girl.

I think they must smell good! I'm afraid the insects will eat it, so I let the leaves block the fragrance! Wisteria is like a bunch of grapes, hanging from top to bottom and from big to small on the main branch. The flowers in the vicinity are clearly visible, while the flowers in the distance are hazy.

There are four little sparrows flying under the wisteria. They have brown wings and chase and play like a gust of wind.

Sparrows have different shapes: sparrows that are a little behind, with their mouths wide open, seem to be calling to the birds in front: "Wait for us! Wait for us! Have a rest, I'm so tired! " The one in front is flying high in the blue sky, as if shouting something. May be heard behind the cry, is answering: "can't catch up with me!" " Haha, I am the real flying champion! "Another, staring at the wisteria above.

It's like flying here, intoxicated by the smell of wisteria, and I can't fly any more! And the last one, staring at the sparrow flying in front, looked unconvinced. It doesn't seem to hear the cry in front, and it has been waiting alone! Maybe waiting for other birds.

It is thinking: Why is it so slow behind? Still can't walk! I'm so worried! Don't be afraid of getting lost and make him a champion? I think these little sparrows must have come to this wisteria forest after a long journey. When they saw this beautiful scenery, they forgot the fatigue all the way and regained their original vitality. Today, I have carefully appreciated this painting, and I think the poem inscribed by the old headmaster is really reasonable: the spring breeze returns to the tree, and the mountains and rivers return later.

This poem is in perfect harmony with this painting. There are pictures in poetry, and there are poems in paintings, which are integrated into one, interpreting the artistic conception of spring: when spring comes, everything recovers! The sunshine in spring shines on the earth, making the mountains and rivers restore the color of spring and full of vitality. I like this young hue.

3. Help write a composition about Chinese painting. You must not forget history.

I remember that when I first recovered, Teacher Sun called my mother and said that my "Gouache Level 5 Certificate" was finished, which meant that I could learn Chinese painting. So in a daze, it was related to Chinese painting.

chapter one

Due to the variety of Chinese paintings, simplicity is not the same. The teacher decided to make me meticulous. Although that afternoon, I accompanied the red and tender sun, followed a cheerful rhythm, accompanied by birds singing. Run quickly to the classroom. But I don't like painting flowers, so DD

When the teacher draws, I will watch; When the teacher speaks, I will listen; I can't do anything when the teacher is away. When the teacher wants to watch, I will draw a ball; Noble chrysanthemums are painted as flowers, and pale lotus flowers are painted as roses. ) I had to go back and repaint, and I became a person without recess.

Hey, painting, who asked us to pay tuition?

chapter two

Seeing that I was not interested in flowers, the teacher asked me to draw animals. On the first day, I learned cats. It is interesting to draw a cat. There is a white cat in Grandpa Li's house downstairs. I like it very much. If you learn, you can also give it a "close-up"! I am committed to learning, so DD

My painting has improved, and everyone praises me.

Ah, painting, so Chinese painting is so interesting! So practical!

chapter three

Later, Teacher Sun left and a new teacher came. This man looked at my paintings carefully and asked me to paint landscapes. Scenery? Is it easy?

The teacher didn't know me and asked me to practice by myself, and I gradually became interested in it, so DD

My recess is gone. I'm practicing hard by myself. I pursue a higher level, from a small piece of paper to four feet three inches. The more I draw, the more interesting I find it. Chinese painting has become my compulsory course.

Hey, painting, I can't stand it.

4. Read the following text and write a model essay as required: Learning to reserve flying space is the law of art and life.

Let's fly ourselves, not to be flowers in the greenhouse, but to be eagles under the sky, bravely fighting in the sky, regardless of the surrounding environment and the cold wind. This is the voyage of life again and again. Give the soul a space, a relaxing space, naturally release yourself in life, show yourself, release it into the blue sky, release it into the white clouds, and show it to the sun, the moon and the stars. Even if the road ahead is bumpy and thorny, we should give the mind a relaxing space, which one can enjoy and one can bear.

Give yourself a space to explore, maybe a weak body can't grasp its own destiny, so please let me fly and create my own space, even if I fail miserably, I won't regret it. Maybe after the fierce struggle in life, I will fly strong and beautiful.

Give yourself a space for discovery. Maybe there are different choices at every stage of life. No matter how many roads lie ahead, please let me discover and explore by myself. Even if I am scarred, I will fly forward bravely, find my own way, give myself a space for discovery, and let myself discover all kinds of mysteries of life. Give yourself a space to fly. For those who have no tears, his heart is dry, and for those who have no struggle, his life is bitter. Maybe the flowers in my life make me very tired, but I will never regret giving myself a space to fly.

The freezing rain and snow may break my heart, but I can't bear to be haggard. In the journey of life, I will leave my strong footprints. One day, those brave, strong and unremitting struggles will become the most beautiful flowers, blooming in the flying sky and staying in the flying space.

Give yourself a space to fly, and let yourself have the courage to rush to the vast sea. Soul space, exploration space and discovery space are all my flying spaces. With these spaces, ordinary life will become more valuable, colorful, romantic and poetic.

Give yourself a flying space, where I can fly selflessly and explore the true meaning of life. Flying is a paradise for yourself to fly.

A little.

Please help me write an article about Chinese painting. Aesthetic feeling and appreciation of Chinese painting.

For ordinary people, whether they can appreciate a painting is often whether they can understand it. Their appreciation steps are: what is it? Does it look like it? What is the moral of the painter painting this image? If all the answers are answered, it is considered that you understand; If you can't answer them, you think you don't understand. This method is a traditional storytelling method, and their appreciation of painting often relies too much on literary description. Then, to appreciate Chinese painting in this way, generally speaking, meticulous and realistic works are easier to appreciate because they are concrete, true and easy to understand. But if it is extensive. Freehand brushwork, especially ink freehand brushwork, is more difficult to appreciate, because it is not realistic, the image is not specific, you can't understand it, and you can't know what the author means. Of course, it is completely understandable for ordinary people to appreciate painting in this way, because if the painting is vivid and clear, it is easy to cause association and produce a chorus. But we must understand that the quality of a painting is not measured by image or non-image. As far as art is concerned, we measure the quality of a painting, or we appreciate a painting. First of all, it is not whether you like it or not, but whether the theme of the painting, or some ideas, thoughts and emotions radiated from the painting, can firmly grasp the heartstrings of the viewer, give people full artistic and aesthetic enjoyment, and make people get some enlightenment and education from it. It should be said that this is the real purpose of all works of art. Image and non-image are only the means to achieve the purpose of a work, not the purpose itself. Therefore, image and non-image cannot be used as a standard to measure the quality of a work or appreciate it. So, how did the painter come to see the painting? As far as Chinese painting is concerned, people in the industry generally look at the overall momentum of the picture. In terms of art, they first appreciate its charm or shape, and then look at its pen and ink interest, composition, color setting, brushwork and so on. Finally, look at its shape, that is, see if it looks like it. This method of appreciating verve by insiders certainly captures the essence, because verve is a high artistic aesthetic enjoyment, which is often the goal pursued by China painters. Of course, it is not easy for ordinary people to experience a charm from painting, which requires not only certain aesthetic ability and artistic accomplishment, but also certain basic knowledge of painting, especially a feeling trained through painting. Therefore, to appreciate painting well, you must have all kinds of talents and artistic accomplishment. However, it may be better understood if we appreciate the paintings from the following aspects. It has been suggested that the appreciation of art needs to go through three stages: aesthetic perception, aesthetic comprehension and aesthetic creation, so it is very reasonable to appreciate painting from these three aspects. Aesthetic feeling requires us to intuitively perceive the aesthetic object, that is, the work of art itself. What can we perceive from the works? Whether the painting likes it or not, the brightness of colors, the fluency or clumsiness of lines, the meticulous or freehand expression, etc. In short, you should feel calmly by intuition. The second step is aesthetic comprehension on the basis of aesthetic perception. That is, on the basis of intuitive feeling, we should understand and think, and grasp the meaning, significance and connotation of the work. This understanding includes the understanding of the artistic forms and techniques of the works; Understanding of the content and theme of the work; And the understanding of the background and spirit of the times. This needs to fully mobilize our thinking ability. We can think step by step: what should the content of the painting show? How is it expressed? Is the artistic means adopted appropriate? Can you fully express the theme? At the same time, through the picture of the work, guess the author's mind, whether it is warm praise or bitter irony; Through the atmosphere of the picture, we can experience the emotional appeal of the picture: deep or bold, optimistic or sad. We can also analyze the author's life experience, creative characteristics and background of the times according to the existing knowledge structure. At this step, the aesthetic appreciation of art is not over, and there is also the stage of aesthetic creation. That is, after aesthetic perception and understanding, the works are recreated on the basis of aesthetics, and the association and development are enriched through their accumulated aesthetic experience, cultural knowledge and subjective experience, thus creating a new image. Only in this way can you really get enlightenment and education, and appreciation of painting can get real meaning. Young friends may wish to appreciate Chinese painting (or other paintings) in this way, and try it carefully to see if they can gain something.

6. I like to draw Chinese painting composition, and the ink is lingering in my heart. The surface of rice paper is rendered with gorgeous colors, a delicate seal comes into view, and the water in the cup reflects subtle figures ... Chinese paintings are hung on the wall, which is my favorite interest.

Since the fourth grade, I have stepped into the threshold of Chinese painting with trembling hands and listened to the teacher. But my lively and naughty nature always makes a piece of white paper full of ink; A beautiful work is a failure.

The teacher once said to my mother, "Your daughter can't learn Chinese painting well, so she is restless ... A quiet classroom will always become a pot of porridge ..." My mother never gave up, and she always inspired me. Until I painted Chinese paintings with love.

I will never disturb the class again, but slowly and patiently wait. My interest in Chinese painting has also embarked on the road of liking.

From then on, I remembered this love, from unruly to loving. Years have messed up my works, and my interest in painting Chinese paintings is growing day by day.

When I am free, I can't help but brush the scenery in front of me; In my spare time, I sometimes draw a pen to outline beautiful lines; When bored, use color to render the white paper in front of you; I will flexibly turn Chinese painting into a beautiful world, and draw my heartfelt love for it into exquisite meticulous and unrestrained freehand brushwork. The golden light splashed everywhere, and I ushered in the provincial-level Chinese painting competition.

Summon up your courage to take part in the competition. The teacher told me again and again, "Adjust the shade of ink."

My mother always brings me a cup of hot milk. But I know in my heart: I am not for prizes, but for vanity and honor.

Not because of anything else, but because Chinese painting is my favorite, my favorite hobby ... backache and tired hands. But I will stick to it forever, that is my interest, and no suffering can be erased! A few days later, the work was handed in, and the beautiful scenery was included in the winning work.

Looking at the soft lines quietly, I smiled knowingly. You are my interest, between the lines are hard work and my mother's love for me! Standing at the table again, savoring the finished work.

I won't give up my efforts, let alone this hobby. Failure is just a devil to test my loyalty; Unfinished, just to water more efforts.

Chinese painting is my favorite interest and I have cultivated myself. Painting Chinese painting has always been my favorite interest.

7. Read the following materials and write an article of not less than 800 words as required. There is a riddle in an optimistic life: if you smile at it, it will smile at you; You cry to it, and it cries to you.

What is this? People all guess: this is a mirror! I thought: this is life. Isn't it? Look at life with a frown, and life will frown; Look at life optimistically, life must be sunny! People who have no sunshine in their hearts will inevitably find it difficult to discover the brilliance of sunshine; People who don't have flowers in their hearts will definitely find the flowers bright and beautiful! Modern psychology believes that the pursuit of life is an optimistic motivation for success.

It is the intrinsic motivation for people to engage in and complete activities that they think are important or valuable and reach an ideal state. It can encourage people to work hard and forge ahead in related activities.

It is with this optimistic power that there are so many touching life legends. If we lose this optimistic power, people will become simple slaves in reality, and such a life is bound to be a tragedy full of decadence and failure.

I heard a true story. That year, Huang Yongyu, a master of Chinese painting, came to Beijing with his paintings. He lives in the former residence of mustard in Shixin Lane.

What kind of house is it? Not only is it old, but there are no windows on the wall. Very depressed, very depressed. But Huang Yongyu didn't hate the hut.

He looked around the wall. Ahaha smiled, took out a piece of white drawing paper and stuck it on the wall. Then he drew a window on it, which was lifelike and the hut was full of life. The world is so interesting. Many times, this is how God plays tricks on the world. He will give us a room without windows.

But what does it matter? We can draw a window for ourselves, let the sunshine of hope come in and light up our lives. Sometimes, God gives us the opportunity of darkness, but it doesn't deprive us of the right to pursue light. God has given us a rough experience, but it has not deprived us of a happy mood.

You know, God doesn't give too much to anyone. The most important thing is that we should not bow to fate, but learn to make a path where there is no road and dig a deep well where there is no water. In this way, we can learn from the sweet spring, nourish life, water the manor and create our own oasis on the barren land. Draw a window for yourself, instead of painting cakes to satisfy your hunger and deceive yourself.

With such a window, people have hope, confidence and courage in life. You know, as long as we are not discouraged, nothing can abandon us; As long as you are willing to work hard, there will always be a full moon.

How to look at life is really related to people's subjective world. Only by living optimistically can there be real and ultimate success and a valuable life.

Test analysis: This is a new material composition question. The material tells such a thing: a house with a sense of depression and depression, a realistic window was painted by the painter, and immediately became extremely vivid.

This matter can be conceived from the perspective of the role of the window (with emphasis on figurative meaning), from the perspective that small things have great influence, and of course from the perspective of laughing at difficulties.

8. Composition about Chinese painting There is a landscape painting in my room.

My uncle gave it to me. I heard that this is an award-winning painting. The author gave it to my uncle, and my uncle gave it to me.

This picture is relatively large, about two tables long and one table wide! Four words are written on the top of the painting: clear autumn and summer flowers. There are several mountains in the picture, and the continuous city walls are looming on the mountains, winding and disappearing in the distance.

A waterfall flew down from the mountain over the boulder, splashing countless glittering and translucent water, stirring up a confused white fog. The fog disappeared at the foot of the mountain, making the whole painting look blurred.

The waterfall flows down and becomes a trickle, flowing through the cracks in the stone. The water seems to be shaking up and down, and I seem to hear the sound of running water.

On the shore are some flaming plum blossoms. The colors of plum blossoms are deep and shallow, which makes them feel layered.

9. Ask for an article to appreciate a Chinese painting, a riverside scene on Qingming Festival, a riverside scene on Qingming Festival, and a genre painting in Northern Song Dynasty.

A masterpiece handed down from generation to generation, a first-class national treasure. The Riverside Scene at Qingming Festival is one of the most famous works in China's painting history. It is not only of superb artistic level, but also has many interesting stories circulating around it.

Author Zhang Zeduan, whose name is Zhengdao, was born in Wu Dong (now Zhucheng, Shandong Province). Song Huizong is a court painter.

When I was a teenager, I went to study in the capital city of Bianliang (now Kaifeng, Henan). After that, I learned painting, especially painting boats and cars, painting urban bridges, painting Guo Jing, and getting married. The Riverside Scene at Qingming Festival is Zhang Zeduan's masterpiece, which was collected by Xuanhe Neifu in the Northern Song Dynasty.

It is a light-colored silk book with a height of 24.8 cm and a length of 528.7 cm. The original is now in the Palace Museum in Beijing. The Riverside Scene at Qingming Festival records the construction and people's livelihood in the suburbs of Bianjing (now Kaifeng), the capital of Hui Zong times, and on both sides of the Bianhe River in the city with exquisite brushwork.

This painting depicts the bustling scene and natural scenery on both sides of Bianliang and Bianhe, the capital of the Northern Song Dynasty, during the Qingming period. In the form of a long scroll, the work uses the composition method of scattered perspective to bring complicated scenery into a unified and changeable picture. There are more than 500 people in the painting, with different clothes and expressions, interspersed with various activities, paying attention to drama, dense composition, changing rhythm and rhythm, and ingenious brushwork.

The whole picture is divided into three sections. The first paragraph, Bianjing rural spring scenery: in the sparse forest mist, there are several huts, grass bridges, running water, old trees and boats.

Two porters are driving five donkeys loaded with charcoal. They are going to town. A willow forest, with faint green branches, makes people feel that although it is chilly in spring, it is already spring back to the earth.

In the sedan chair on the road, a woman sat in it. The top of the sedan chair is decorated with willows and flowers, followed by riders and bearers, returning from a walk in the suburbs of Beijing to sweep the grave.

The description of the environment and characters points out the specific time and customs of Tomb-Sweeping Day, which opens the curtain for the whole painting. In the middle section, the busy Bianhe Wharf: Bianhe is the national water transportation hub and commercial traffic artery in the Northern Song Dynasty. As can be seen from the picture, the crowd is dense, food ships are gathering, some people are resting in the teahouse, some are reading fortune-telling, and some are eating in the restaurant.

There is also the "Wang's Paper Horse Shop", which is a grave sweeper selling sacrifices. Ships in the river come and go, end to end, pulled by trackers or rowed by boatmen. Some are full of goods, going upstream, and some are nervously berthing to unload. Across the Bianhe River is a large wooden arch bridge with exquisite structure and beautiful shape.

Such as flying rainbow, hence the name Hongqiao. There is a big ship waiting to cross the bridge.

The boatman is supported by bamboo poles; Hook the bridge with a long pole; Lead the boat with hemp rope; Several people are busy lowering the mast so that the ship can pass. People in the neighboring ship are also pointing, as if shouting something.

Both inside and outside the ship are busy crossing the bridge for this ship. People on the bridge are also sweating over the tense ferry scene.

This is the well-known Hongqiao pier, which is full of traffic and bustling, and is really the intersection of land and water transportation. In the second half, the bustling urban streets: centered on the tall towers, there are rows of houses on both sides, including teahouses, restaurants, foot shops, meat shops, temples, public halls and so on.

Silk, jewelry, spices, incense, paper horses and so on all have specialized businesses. In addition, there are medical clinics, car repair, fortune telling, shaving and plastic surgery, and all walks of life have everything. Large-scale shops are also tied up with "colorful buildings and happy doors", and banners are hung to attract business, and pedestrians in the market are jostling with each other. There are businessmen who do business and people who look at street scenes. There are monks walking around with baskets on their backs, tourists asking for directions from other places, street children who have heard of books, children of rich people who drink heavily in restaurants, disabled elderly people begging on the edge of cities, men, women and children, scholars, farmers, workers and businessmen, and so on. Means of transportation: sedan chair, camel, ox cart, rickshaw, flatbed, flatbed, everything.

Vividly displayed in front of people. More than 550 people of various colors were painted in the picture scroll with a total length of more than five meters, including fifty or sixty cattle, horses, mules, donkeys and other livestock, more than 20 vehicles and bridges, and more than 20 ships.

Houses, bridges, towers, etc. They also have their own characteristics, reflecting the characteristics of architecture in the Song Dynasty. The Riverside Scene at Qingming Festival by Zhang Zeduan is a realistic genre painting depicting a corner of Bianjing in the Northern Song Dynasty, which has high historical value and artistic level.

In the history of painting, there are many paintings called The Riverside Scene at Qingming Festival, but there is only one original. After many scholars and experts have studied this topic, everyone's opinions are basically the same. They all think that this painting in the Palace Museum in Beijing is an original of Zhang Zeduan in the Northern Song Dynasty.

Other paintings of the same name were later copied or imitated by Zhang Zeduan. At present, there is no artist's own seal on this picture scroll collected by the Palace Museum in Beijing. According to an inscription by Zhang Zhu of Jin Dynasty in the postscript after the picture, it is confirmed that its author is Zhang Zeduan.

Zhang Zhu's inscription has only a few words: "Hanlin Zhang Zeduan was born in Wudong (now Zhucheng, Shandong). When I was young, I studied in Beijing, and later I learned to draw. I am a painter, and I am particularly interested in cruise ships, bridges, Guo Jing, and other families.

"However, in the book Xuan He Hua Pu written at the end of the Northern Song Dynasty, Zhang Zeduan's name could not be found. Some people speculate that it may be that he entered the painting academy late and the editor had no time to compile it into the book.