Everyone ends up in the fire dance and yellow sand.

Yan Wanxi, Jiao Yu and Ji Mingfeng fled together but met a horse thief. Wan was blinded to protect Jiao Yu. Horse thief threatened to kill Wan's favorite woman. Jiao Yu knew that her relationship with Wan was not accepted by the world, so she decided to sacrifice. But Wan, who was blind and deaf, always thought that what died was. In order to avoid knowing the truth, I dressed up as Jiao and Gu Wanxi. The vernal equinox was pushed off a cliff in the conflict, and life and death were uncertain. There are four heroines in Fire Dance in Yellow Sand, namely Ji Mingfeng, Jia Chunfen, Jiao Yu and Shu. Jiao Yu is the second wife of the Song family, and Shu is the wife of Song Dongyang, the son of Song parents. In terms of seniority, Jiao Yu has to be called "mother-in-law". As one of the heroines in this play, Jia Chunfen is a simple person, born in a poor peasant family, and once accused of "making a mistake and having a rough life". Ji Mingfeng, born in a big family, learned a lot. This reason is not on Shulangyue, but related to Song Dongyang's physical reasons.

Shu's sorrow lies not in her marriage, but in her feudal bondage, because the difficulty of "carrying on the family line" has led her to tragedy step by step. As for the vernal equinox, she just wants to marry into Yanjiapu, because it won't make her hungry. The shackles of feudal ethics and the recognition of fortune tellers make the fate of the vernal equinox very bumpy. However, under the awakening of Ji Mingfeng, she gradually awakened, completely breaking the traditional awakening after losing innocence. At this time, the vernal equinox is no longer the weak woman who is passive to Nuo Nuo. The most tragic existence of the whole drama is Gigi Lai's Ji Mingfeng.

Because of her family, Ji Mingfeng had to marry into Yanjiapu, but with her own thoughts, she wanted to break the feudal ethics. Because of her family, Ji Mingfeng had to marry into Yanjiapu, but with her own thoughts, she wanted to break the feudal ethics. After Ji Mingfeng came to Yanjiapu, it was the vernal equinox that Ji Mingfeng first came into contact with. When Ji Mingfeng and Jia Chunfen got married, they met sandstorms and horse thieves. Fortunately, both of them are fine. However, horse thief's setting laid the groundwork for the follow-up story, which is also the key to the awakening of the vernal equinox. After coming to Yan Jiapu, Ji Mingfeng had no opinion of Yan Wanxi, and he was even more unwilling to bow to Yan Wanxi. Ji Mingfeng, who dares to love and hate, does not care about feudal ethics, but prefers freedom, peace and love. So in the course of the story, we can always see that Ji Mingfeng is against Yan Wanxi everywhere, and only Ji Mingfeng dares to do so in Yanjiapu. But at the same time, Ji Mingfeng also saw the unknown side of Yan Wanxi. Ji Mingfeng, who wanted to bring down Yan Wanxi, unexpectedly found himself in love with Yan Wanxi during this period, and their feelings began to heat up. However, as the "main" daughter of the Song family, Jiao Yu intervened between them. The most tragic thing is that in the finale, Yan Wanxi was threatened by a horse thief and faced with the "life and death choice" of Ji Mingfeng and Jiao Yu. Jiao Yu finally got the box lunch, but Yan Wanxi always thought that Jiao Yu was taking care of himself, not Ji Mingfeng. In order to keep Yan Wanxi alive, Ji Mingfeng also decided to hide himself and become a "body double". This bitterness is undoubtedly very painful for Ji Mingfeng. It was not until Song Dongsheng appeared many years later that the ending of Yan Wanxi and Ji Mingfeng was changed. Accompanied by her for many years, Yan Wanxi discovered that it was Ji Mingfeng who had been silently guarding her.

Dance of the Yellow Sand (formerly known as Yellow Land) is a drama series of Hong Kong Emerald Channel in 2005, which was produced by Qi and starred by five winners of Best Actor and Actress Awards, namely,,, and Charmaine Sheh. It tells a story of love and revenge that happened in the Loess Plateau. Whether it is Feng Ming's daring to love and hate, willfulness and persistence, Jiao Yuru's wisdom and intelligence, and decent atmosphere, or the kindness and strength of the vernal equinox, the Jedi counterattack, and even Lang Yue's courage and responsibility. They all use their own unique ways, perhaps sometimes the means are not clever, and the purpose is often out of self-interest, even bringing innocent people into trouble, and they can only bite their own guilt, swallow their own karma, and still struggle helplessly and stubbornly with the absurd fate. There seems to be many directions for people to walk on the lonely loess, but there seems to be no hope. If you want to go out, you must rely on firm belief and tenacious will.