Performance of fans in four major industries

The four main lines of Chinese opera are life, Dan, purity and ugliness, and each line has its own routine and performance skills of opera fans. Fans, as the specific props of the characters in each profession, set off the auxiliary performances of the characters. The following are the fan performances of the four major businesses I brought to you. Get to know them!

The fifteen passes performed by Suzhou Kunqu Opera Troupe is "a model of saving a drama with one drama". Zhou and Wang, two famous characters, played Lou Mouse respectively. On the 10% discount of "visiting mice to measure words", Kuang Zhong pretended to be a fortune teller with a white paper folding fan in his hand, and fought wits with the floor mice in the temple. The season in the play is winter, and Kuang Zhong does not enjoy the cool with a fan, but participates in the performance of the characters as the usual object of Mr. Divination. Fans are no longer restricted by seasons, symbolizing professional symbols. Kuang Zhong pointed to Lou ratty on the fan to speculate on good or bad luck, and always observed Lou ratty's frightened look with the help of the fan. Through a relaxing, catching and vertical psychological confrontation, Lou Rat's cunning and suspicion and Kuang Zhong's wit and calmness are displayed.

Shen Yisheng, a master of Yuediao art who is known as a "living Zhuge", has created many works of Zhuge Liang, mainly including The Mountain, The Scholars, Zhuge Liang's Sorrow, Guan Yu's decapitation, Empty City Plan, Seven Capture Meng Huo, Jiang Wei's Wisdom and so on. Regardless of spring, summer, autumn and winter, Zhuge Liang cannot do without a goose feather fan, which has become a personalized decoration and plays an important role in the performance. Shen's earliest fans were made of gray goose feathers. 1963 studied under Peking Opera master Ma. Teacher Ma specially gave her an exquisite white goose feather fan, which was white and shiny, set off by several peacock feathers on the inside of the fan, and the feather tube was inlaid with eight diagrams and Tai Chi pictures. The bone fan handle drops two jade beads and black ears, and the white fan and black ears set each other off. This goose feather fan, beautifully decorated, contains some mystery, which shows that it is extraordinary. When telling Shen about the play, Mr. Ma pointed out: "The black silk scarf of the feather fan is a portrayal of Zhuge Liang's image, so special attention should be paid to using the fan. Shake a fan, wave a hand, have rules and purposes, look at the form and the meaning. Say light, lift and float, as light as a feather; Say heavy, it's heavy in your hand, as heavy as Mount Tai. No matter how serious it is, we must stick to our inner feelings and convey a thousand words. " Shen kept in mind the teacher's teachings and transformed his deep understanding of Zhuge Liang's fans into accurate stage performances. People and fans are integrated, fanned out with feelings, waved slowly, and behaved smartly, presenting the audience with an elegant and extraordinary image of Zhuge Liang in form and spirit.

Shang and two famous artists played Yin Yirong respectively in the "Zhenguan Shengshi" performed by Shanghai Peking Opera Theatre. They borrowed fans hand in hand, and the scene was heavy. Wei Zhi sent three thousand ladies-in-waiting out of the palace to remonstrate, and made up his mind to congratulate Wuji's family with the famous folding fan in Zheng's hand. Introduce Ren Jizong with the calligraphy "There is a legacy of Wang Xizhi" on the fan, meet with the eloquent emperor, check and balance the promise of arrogance and greed, and rescue Zheng Yuejuan. Show the preciousness of calligraphy on folding fan in the dynamic trend of offering fan, opening fan and watching fan, and show the fan by enlarging the amplitude and strength of action to attract Li Shimin's attention. Although there is no fan technique used here, there is an emotional and rhythmic rhythm between action and cadence.

Wang Xiling, known as "the first student in the Central Plains" of Zhengzhou Henan Opera, plays Tang Bohu in "Talented Persons and Beautiful Women". She is charming, elegant and affectionate, and a calligraphy and painting folding fan flickers in her hand, turning left and right, free and brilliant. After meeting the innocent girl Chou-heung four times, I used a fan to tell my love. The fan dance from "stunning" to "infatuation" and the century-old fan from "painting to showing love" to "two of a kind" combined the subjective modality with the foreign fan just right, forming a dynamic beauty.

Danxing:

The drunken imperial concubine, a Beijing opera, is the most representative classic play of Master Mei Lanfang. People who learn from Mei can also describe their looks and manners vividly. Meet Tang Baihua Pavilion, sing "The Island Ice Wheel at the First Turn", express feelings with voice, and express feelings with fans. People borrow fans to dance with others. Or take a fan than the moon, or compare yourself to Chang' e when you leave the palace; Sometimes overlooking the mandarin duck in the water, sometimes looking up at the wild goose in the sky, with elegant posture and feelings present. After being left out in the cold by Tang, he was heartbroken, worried and angry, and came back drunk by drinking. With Yang Yuhuan's superb performance, this fan is even more elegant and beautiful.

In "Flowers as Media", a famous performing artist plays a new role, and Zhao plays Ruan Ma. Ruan Ma led Wu to the garden to enjoy the flowers. When they sang "Flowers bloom in spring, summer, autumn and winter", Zhang held a white goose feather folding fan, which was feminine and moving. Open the fan like catkins, close the fan like snowballs, and count the four seasons in the fingers. Accompanied by cheerful music melody, Zhang Wuke's pure and graceful girlish feelings are hidden between the ups and downs of velvet fans and light dancing.

The Peking Opera Table Flower is an episode in Foal of Fire, in which Mei Ying, a maid, is played by a famous Hua Dan actor and Geng. This play is similar to the flowers in Flowers as Media. Meiying relieved the worries of girl Huang and sang 12 months of "Flower Name and Beauty". The golden folding fan in her hand dances like a warbler, and the difficult skills such as turning the fan horizontally, patting the flower fan, going through five levels, throwing the fan and shaking the fan are flexible, exquisite and dazzling, and all kinds of flowers are vividly depicted. At the same time, it well expresses Mei Ying Cong Ying's lively personality.

Both of them are enjoying flowers in the garden, but Su Kun's youth version of The Peony Pavilion is another artistic conception. Du Liniang holds a folding fan and Chunxiang holds a round fan. With charming posture, she turns out lovely shapes, creates colorful and attractive scenery with graceful dancing fans, and expresses melancholy Chun Qing with soothing and gentle posture, caring for herself. This is a work that combines song, dance and drama, which fully embodies the aesthetic characteristics of China traditional opera, such as freehand brushwork, lyricism, singing and dancing, making the audience enjoy themselves and winning the enjoyment of classical beauty.

After the Cultural Revolution, Suzhou Peking Opera Troupe staged Li Huiniang, played by Hu Zhifeng, a famous Peking Opera artist, which caused a sensation in Beijing and Shanghai. The whole play focuses on the persecution of Pei and Li Huiniang by the traitor Jia Sidao, and the antagonistic conflict between life and death is launched. Li Huiniang, who was murdered, danced with the "treasure fan of Yin and Yang" given by the judge, sometimes holding the treasure fan to change color, and sometimes furiously flapping the "semi-leisure hall". The "Bao Fan Dance" is romantic and magical, conquers evil with extraordinary power, and shows Li Huiniang's unyielding spiritual strength and the ghost image determined to take revenge.

Network cable:

Sunny House, a Peking Opera, is the representative work of Li, one of the four schools of Peking Opera. Although Gordon was employed by Wu Sheng, he painted his face, wore a red lining pleat, pleated his coat with white flowers, bared his chest and showed his breasts, and hung on his chest in a long black way, just like a thief. Especially the oversized folding fan with mountains and rivers, swinging up and down in Gordon's hand. During meditation, the fan is folded and the handle of the fan stands on the leg. When riding a horse, the folding fan is inserted in the neck, which is full of tolerance and charm. The prestige and domineering of this kind of hooligan are vividly expressed through the special character modeling made by folding fans.

Zhang Fei, a troupe of Shandong Bangzi, is a high-pitched play in the "Five Great Songs". Wang Wei plays Zhang Fei and plays a showy role. Zhang Fei, dressed in black and holding a big black folding fan, rushed to Yuanmen and disobeyed Zhuge Liang's command of the three armies. At Yuanmen, he waved his fingers with a folding fan, sang and spoke with the help of the folding fan, made various gestures to express his dissatisfaction, and showed his prestige by making fun of Zhuge Liang. Following Zhang Fei's figure, the fan combines rigidity with softness, and is skillful in clumsiness, presenting a quick-talking, honest, reckless and generous fierce Zhang Fei vividly to the audience. Other operas rarely wear folding fans, which is also a rough and unique feature of Bangzi opera in performance.

Ugly behavior:

Henan Henan opera "Imperial edict of Emperor Taizong" had a great influence in the late 1970s, especially played by the ugly cow. Cheng Tang's folding fan is not to fan the wind and enjoy the cool, but to write the motto "If an official is not in charge of the people, it is better to go home and sell sweet potatoes" on the fan. Between the lines of simplicity and firmness, Cheng Tang's sense of mission as an official and people-oriented thought are permeated. When Cheng Tang was brought to court by the powerful lady's imperial edict, Cheng Tang angrily set foot on the desktop and held high the folding fan, read out his motto sharply, and punished the lady's imperial edict according to the national law. Cheng Tang's dauntless spirit of being upright and upright, making decisions for the people and fighting against the weak is fully reflected, and Cheng Tang's motto written on the fan has long been a beautiful talk.

Wu Dalang, the ugly girl in Beijing Opera Flower Street, is played by Xu, a clown in Shanghai Peking Opera Theatre. Wu Dalang is carrying the burden of selling baked wheat cakes and holding a small banana fan, which is very distinctive. This small banana fan can drive away flies and kill two birds with one stone, which not only has the foundation of life, but also conforms to Wu Dalang's business status and personality, and also adds some interest to the actors' performance. Wu Dalang was carrying a fan in one hand and selling baked wheat cakes in the street, and there were ups and downs along the way. The funny thing is that the small banana fan with cool style is relaxed and smart with the pace of the dwarf.

Zhu Shihui, a famous ugly man, successfully created a typical image of Jia Gui, the eunuch of Liu Jin, in "Fa Men and All Living Beings" staged by Hubei Peking Opera Theatre. After Jia Guigan's evil deeds, he was condemned by his conscience and stressed by his spirit, which led him and Maitreya to have a monologue about "slaves are slaves", performing with three folding fans, serving different masters, using different fan types and different fan types. From the rules of "laughing", the art of "crying", the kung fu of "sleeping", the measure of "walking" to the skill of "playing", a complete "slave-like" portrait is vividly displayed. Jia Gui's self-portrait, confession, was externalized by his inner subconscious through three fans. In my opinion, a character performing with three folding fans may be unique in all plays. The fan is endowed with personality here, and becomes a symbol of Jia Gui's specific personality.