Where is Zhengzhou fortune teller Master Ma?

Master Ma is slow to mount paintings because there is a lot of business. His small workshop, in Jiaokou North Alley, doesn't even have a shop name (or there is, I didn't see it anyway). Every time I go to get a painting, there are piles of paintings and calligraphy everywhere. Business is very good. My paintings can only come in order. Fortunately, I am not in a hurry.

The reason why I chose to go to Master Ma for painting is mainly because of the proximity. The bus is only about four stops away, and it is only separated from the high school alma mater by an alley. The surrounding environment is familiar, so it is very kind. Plus there are cafes everywhere, so it is very convenient to sit down and write wherever you go.

At first, I knew nothing about Master Ma's character. I went to get the painting at night and knocked at the door for a long time. I called Master Ma, and he said that he was eating nearby and would arrive soon. So after a while, I saw a scooter coming slowly at the end of the alley, but it was not Audrey Hepburn who was sitting on it, but Master Ma with long hair. Master Ma looked slightly drunk and said that his friend had come, so he was drinking, which made me a little embarrassed to wait. I think, brother, it's dangerous for you to drink and ride a motorcycle like this. If I knew, I wouldn't rush you.

Later, I gradually found that painting requires a very cautious attitude, just like painting. For Master Ma, the heavy work can only make him regard painting as a job, so we had little communication at first. But now with the deepening of understanding, I will tell you how to mount this painting in advance, and Master Ma will try his best to meet my requirements. (But there is always something unsatisfactory. Nothing, what I am good at is running in ...)

I drew a bodhisattva statue of Mogao Grottoes and used it to frame Master Ma. For Bodhisattva, there is no desire for anything, so I chose the light-colored Zi Ling to highlight this hazy desire. In addition, the Heart Sutra says, "When you look at the Bodhisattva, you will enter paramita for a long time, and when you see that the five aggregates are empty, you will come through all the hardships." Since Wuyun is empty, you only need to save the left and right installation edges. So this painting only leaves the sky and fields, and even the shaft heads at both ends of the underground pole are omitted.

It's empty this time.

As the saying goes, three points of painting, seven points of mounting (three points of teasing, seven points of holding; Three points are doomed, and seven points depend on hard work; Practice in three points and eat in seven points; Three points to do things, seven points to be a man; Three points looks, seven points dresses ...), a framed painting is forced to be promoted immediately, and vice versa. The same is true of being a man. Pretending to be good is really a skill. As the saying goes, "Fake casually, really artificial, pretending to be hard, is the true realm."