Comparison of characters in famous works

Zhuge Liang: Zhuge Liang's ability to govern the country and the army, his character of helping the world and loving the people, and his modesty and prudence set an example for various outstanding historical figures in later generations. The monarch, intellectuals and people all praised him, praised him and loved him from different angles. It can be said that Zhuge Liang's great influence in history has surpassed his political and military practice in the history of the Three Kingdoms. Although The Romance of the Three Kingdoms highlights the positive aspects of Zhuge Liang's life, such as personality, morality and achievements, it is infinitely exaggerated, describing him as the embodiment of wisdom and the representative of loyalty, and deifying him into a superman image that is half man and half god. Lu Xun commented: "Zhuge Liang's wisdom is close to the devil." Therefore, Zhuge Liang in Romance of the Three Kingdoms is not a real historical figure, but a historical novel figure.

Liu Bei: Chen Shou's evaluation of Liu Bei is: "Hongyi is generous, knows people and treats scholars, and is a hero in the style of Gao Zu." And entrusted the whole country to Zhuge Liang, but with the same mind, sincere monarch and minister serve the public and prosper in ancient and modern times. If you have no right to do something, you can't catch Wei Wu. Because the cardinality is too narrow. However, he "persisted, and he would never do it." "In the Romance of the Three Kingdoms, the author described Liu Bei as a representative of the benevolent, who was the orthodox successor of the imperial power in the Han Dynasty. Therefore, it is extremely exaggerated to describe Liu Bei's kind, generous and kind-hearted personality, but while highlighting his kindness, he fell into an incompetent side, giving people the feeling of incompetence and hypocrisy. Liu Bei in TV plays is often Lacrimosa. Although crying and tears show Liu Bei's benevolence and righteousness, they give people the impression that Liu Bei's world is crying, distorting Liu Bei's true image as a "lean" and "outstanding person".

Dream of Red Mansions

First, Jia Baoyu

Jia Baoyu, the hero, is a strange and vulgar figure. The main feature of his character is rebellion. His behavior is "remote and perverse" and he is a rebel in feudal society. He despises fame and fortune and is unwilling to take the official career of "learning to be excellent and becoming an official". He hates stereotyped writing, insults the "traitors" who study and are officials, and is too lazy to meet them.

He doesn't like so-called "serious books", but prefers "miscellaneous books" and loves Peony Pavilion and The West Chamber. He also boldly questioned Zhu Cheng's Neo-Confucianism, thinking that "there are too many fabrications except the Four Books", which fully shows that he is the "rebellious son and two ministers" of the feudal monarchy.

He believes that "the beauty of mountains, rivers, the sun and the moon is only for daughters, and men with beards are just scum." Under the guidance of this shocking thought, Baoyu "wandered around at home" all day long, cherishing girls, their beauty, purity, exuberance and intelligence, their unfortunate experiences, their marriage to smelly men and the loss of their holy beauty. Jia Baoyu said that women were pearls before marriage, but after marriage, they lost their light and became dead pearls. If she is old, she will walk with a dirty man and become a dead fish eye. He even felt irreparable regret for having a man.

In his life, the most important thing is undoubtedly his love with Lin Daiyu. This love, on the one hand, began with rebellious character, on the other hand, it promoted the final formation of his rebellious character. This is the biggest and most important treason in his life history. In love, Bao and Dai both demanded the autonomy of marriage and deviated from the lifestyle of feudal society. They went further and further on the road of rebellion, which eventually led to their tragic ending.

Second, Lin Daiyu.

Lin Daiyu is a talented and aloof woman. "It's a pity to stop, but it's a pity to praise." The jade belt hangs in the forest, and the golden hairpin buries the snow ",which is her portrayal. She lost her parents when she was a child and lived in a mansion in Guo Rong. Although the grandmother loves her, she is often sad because of her lofty personality and self-esteem.

She is sentimental and often tears for small things that others don't pay attention to. The scene of "Daiyu burying flowers" described in the novel highlights this point. Flowers bloom and fall, which is a natural scene, but she thinks of vicissitudes and impermanence of gathering and dispersing. She sighed for the fallen flowers. She took Baoyu as her confidant, watched The West Chamber together, and pinned all her hopes for life on Baoyu. She loves Baoyu deeply, but she can't get it. So, because she tried to fight for her position but failed many times, she felt sorry for herself and sobbed where no one was there.

Her inner world seems elusive, but it is often exposed. If Baoyu "offended" her, she would be angry, shed tears and even get sick for him. On the surface, in fact, I still miss him very much and find an excuse to see him. When Baoyu was ill, she was very sad and cried for it. However, due to the shackles of feudal ethics, she could not express herself or help herself. In the end, she died of depression on the day Baochai got married and failed to do so.

Cao Xueqin loves Lin Daiyu, everything about her, her smiles and tears, her joys and sorrows in her works. It is precisely because of this unforgettable love that he vividly interpreted Daiyu's infatuation with Baoyu and portrayed it vividly, creating a glorious image of "knowing from the heart" and anti-feudal ethics for the world.

Third, Wang Xifeng

There is another unusual person in Fu Rong, and she is Wang Xifeng. Everyone knows Wang Xifeng's malice. As the "general manager" of Fu Rong, she plays politics. She killed Gary with a deadly trap and plotted to force You Sanjie to death. She was mean by nature and finally killed the whole family. Her character is fierce, and I don't forget to point this out everywhere in my article, just like when she had a big fight with that whore on her birthday and asked the old lady for help, which was enough to see. But after all, she is very capable. She has the final say in all the affairs of Fu Rong, and she is good at catering to the old lady and won her favor. And envy it.

Fourth, tanchun

Jia Tanchun, Jia Zheng's daughter, has Zhuo Chao's talent, extraordinary wisdom, profound knowledge and far-sighted vision without Daiyu's delicacy and pity, Baochai's cleverness and Xiangyun's liveliness and cheerfulness, which was brilliantly displayed in the fifth and sixth chapters of "Exploring the Spring to Promote Advantages and Eliminate Disadvantages, Chastity and Baochai's Small Understanding".

Wang Xifeng was bedridden due to illness, so Tan Chun, Baochai, Li Zhi and others took charge of the housework. During this period, Tan Chun audited the accounts at home and found that the money allocated to each room overlapped with the money allocated to the comprador, so he came up with a way to kill two birds with one stone and discussed it with Baochai and others. "I went to Lai everyone in that year and chatted with the girls there, only to know that the fish and shrimp with bamboo shoots they ate were still counted in one year, with a total of 200 at the end of the year." Overlapping monthly payments has long been a disadvantage of Jia family, and no one in the garden can point out one thing or two. Tanchun was inspired by Lai's family and finally put forward a good solution according to his own situation. Isn't it enough to see her ability and ability to handle affairs? In the present words, it is to analyze the quality of comprehensive problem solving. Who blames Baochai for saying, "Well said! Although you are a daughter, you don't know these things. " Baochai said with a smile, "You've only been working for two days, and you're insatiable, and you've put Zhu in the dark. Going out again to see such advantages and disadvantages, even Confucius is becoming more and more vain. " Tan Chun listened, but solemnly replied, "You are an ordinary person, but you haven't seen Ji Zishu. On that day, Ji Ziyun said,' Those who climb the fields of wealth, those who are in traffic, those who are not good at words, recite the Tao of Confucius and Mencius ...' Did an ordinary daughter say such brilliant words? You should have a political vision!

Verb (abbreviation of verb) Xue Baochai

Butterflies fly around the courtyard and the east wind blows several times. The fan shadow shakes the jade wrist, and the powder marks are oblique and wet. Occasionally amused by the game, but kept in the dark. It's strange to whisper in the pavilion, in case someone suddenly opens the window. Xue Baochai plays an important role in A Dream of Red Mansions. She was the guardian of various feudal ceremonies, and she suffered greatly. She has a good relationship with her family and is deeply loved by the audience. Her personality includes Wang Xifeng's smoothness, Lin Daiyu's caution and the feudal bondage completely opposite to Jia Baoyu. For example, every forty-eight times, Aunt Xue said, "... it's not enough to wait on Ying Er, so don't buy you a maid. Baochai said, "I don't know the details of what I bought. If I make a mistake, spending money is not naughty. It's time to find out. People who know the place of origin will buy it back. "This shows that she is very careful. Another example is Xiangling's way to Baochai: "I was going to tell my wife, so I'll go with the girl when I go. "I think I was afraid that my wife was too suspicious to say that I was greedy to play in the garden, but you did it!" Baochai said with a smile, "I know you have envied this garden for two days, but there is no time ... so I took the opportunity to go up for a year. I have many companions and won your heart." This shows that Baochai knows her family's heart and is smooth. In a word, Xue Baochai is a man deeply bound by feudalism.