Pictures of fortune-telling sayings of dharma _ pictures of fortune-telling sayings of dharma

Quotations from the classic lines of The Great Protector

Quotations from the classic lines of The Great Protector

The movie "The Great Protector" has gained a high reputation since its release. Here are the classic lines and quotations from the Great Protector. Welcome to read!

In the mirror, people who look at flowers in the fog bother me without a good face and make up for recklessness with the price.

Why is the sun so red or so cold? I am Guo Wei's great protector, but I lost Wang Zi. I don't like this place. No, I hate it.

Take me to him.

I'm not going back with you.

They are the strangest people I have ever met. They regard themselves as human beings. Do you treat them like people? The last time that man's hand fell in front of me, I didn't eat for half a month.

Stop bleeding and be civilized.

I also want someone to tell me why I can do this and have the power I fear.

Thanks to all beings who have given me adversity.

Film criticism: the fairy tale shell of ink painting, the aesthetic core of bloody violence. The Great Guardian is not an animation of Pleasant Goat's childhood, nor is it an animation of the family happiness that bears haunt. Its quality is better than that of the big fish begonia, and its completion degree is higher than that of Sparrow. As a real adult animation, the author's film style is strong, ironic and spicy enough to reflect the real society. Although the film is slightly flawed in transition and rhythm, the overall impression is still above the standard. The black humor route has the flavor of Quentin's bloody and violent aesthetics.

1. Animal farm metaphor, fascist centralization.

This film is dystopian. People can't help thinking of Animal Farm, which is not only a political fable in George Orwell's works, but also a political prophecy. Worship leaders, privileged classes, corrupt pigs, ignorant animals. All these scenes are modern history. In the Great Protector, fools are a group of peanut people. He was deceived by the privileged class (mayor Ouyang Ji 'an) and didn't know it. He fell into the worship of the patriarch (the old immortal), was weak and ignorant, and was insensitive to the death of his compatriots. Some guards even helped others and killed Peanut Man's companions. It is difficult to grasp the scale of this dystopian theme, but the film is well balanced and metaphorical, but it does not affect the story advancement of the whole film.

Looking for the prince through the Great Protector leads to the overhead world-Peanut Town. The main clue revolves around this strange place. Peanut town seems to be a fascist centralized rule, and the law enforcement team is set up like the Gestapo. The toad-like Ji 'an has many historical tyrants in his character, and Jin Shijie's voice-over adds a bit of gloomy and violent feeling to this character. The degree of madness and genocide against strangers is similar to Hitler's. Cold-blooded killer Rodin, ruthless, represents the violent organization of the ruling class. Extinct humanity, suppress emotions, on the one hand, peek at the xx bath, on the other hand, kill the peanut people kissing outside.

There are many golden lines, which are a little sour at first glance, but when you think about it in combination with the plot, you will find many metaphors. "You are a person only when you think of yourself as a person." This line discusses a classic science fiction problem. Is the artificial man (peanut man) who has emotion and can talk and is mass-produced a human being? Only pigs and broilers who treat themselves as human beings and are not slaughtered by others. The mysterious woman xx finally arranged the setting of Rodin's body, which laid the groundwork for this film. There are still many holes in the film. Looking forward to the sequel.

Everyone lives in a fantasy built by fear. Peanut people are not allowed to learn to speak and receive education, which is a reference for the education of fools. And they were enslaved, kept as pigs, and killed by the rulers when they grew up. They even feed on ants and monkeys of the same kind, similar to Lu Xun's cannibal society.

2. Where there is black, there is white, and there is gray area.

Different from young animation, simple binary values, clear distinction between good and evil. The Great Protector presents a more gray area.

The great protector is like the division of yin and yang. Both of them are red and fat, and the way they walk is obscene and boring, but they are not annoying. Killing while selling cute is really a geek. The Prince is an animated version of Xu Jinjiang+Liao Fan, with similar looks and expressions. He doesn't like mountains and rivers and loves painting, but he has a kind heart. These two characters are the classic collocation of Brother Long and Brother Hu in film works. The great protector is fighting, and the prince is joking.

The setting of Xiao Jiang enriches the whole story a lot, adding a touch of humanity to the whole dark tone. Will not be insensitive, nor will they kill their companions. It is precisely because of Xiao Jiang's kindness and friendship with the prince that people feel that this damn world still has a reason to be saved. They represent the white of the world.

Hitler-style Gian and Gestapo-style Rodin, their cruelty and inhumanity represent the darkness of this world. The ignorant peanut man, the law enforcement team that killed compatriots, lived numbly and deceived themselves. Xiao Ming is an exquisite egoist. For power, his friend Xiao Jiang's family can abandon him. Young, ruthless and extremely thoughtful. Mao Mao is under the pressure of his ancestors and wants to be an unparalleled swordsman. Take a man's heart and die by his own sword. They represent fools' self-deception, selfish egoists and disillusionment of pseudo-idealism, and are the gray areas of this world.

3. Discussion on the magical feeling and ultimate problem of steampunk.

This is a thoughtful film, mixed with many directors' bootleg goods. With such a large scale, it is not easy to pass the audit in today's harsh audit environment. Independent rating PG- 13, the plot is full of various hints. Peanut man comes from the pupation of ants and monkeys, old gods and the butcher are in cahoots, gun battles and spells, gloomy towns and ant and monkey nests all have a sense of steampunk magic.

Peanut people grow ghost mushrooms in the mature season, and killing them is only to get black stones that grow in their brains and acquire highly toxic strategic weapons. The peanut harvest in Ji 'an reminds me of North Korea, where Sanpang controlled the domestic people, used nuclear weapons experiments, kidnapped people and threatened neighboring countries.

Who are the Peanut Man and the Great Protector? Where did they come from? Where should they go? These ultimate problems have been discussed many times in the film. In the later stage of the movie, the hidden girl's incitement to the villagers who were born in flowers was a bit like the plot of the movie Let the Bullets Fly. "Do you still have the courage to face your fears?" With the protagonist's mouth, in the face of oppression and injustice, it needs violent resistance to arouse people's awakening. 、

The atmosphere is very strange, and the fighting scene is very large. Peanut man was shot in the head, blood gushed, limbs flew about, the killing scene was bloody, and the sense of violence was generate in the camera. The bloody picture style creates beauty. The combination of Chinese and western styles is unique. Under the appearance of fairy tales in ink painting, there is a dystopian core. The world built without thinking about anything has a certain depth of thought and a big brain hole. Although this young animation is grotesque, it looks cool.

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