Sun Haiyang Fortune Telling _ Have you found Sun Haiyang's son?

Let's go back to honey. There are only four impressive shots.

First, five minutes after the opening ceremony, children dressed in bright yellow were taken away by traffickers in busy Shenzhen. No resistance, no sound, far away. I am very grateful to Chen Kexin for his kindness at this time. There is no more dramatic treatment, which expresses the helplessness of children in the face of human trafficking in a short time.

Second, the child just found, Bo Huang, was in the police station, crying and hysterical. Although the two strange women in the back laughed and said "what an ugly cry", well, I think crying should be ugly at that time.

Third, after finding the child, Bo Huang went out to throw garbage, paused, turned around, opened the door, carried the sleeping child on his shoulder, and then went out. This series of shots reminds me of Mrs. Zhang in my memory.

Fourthly, on the streets of Shenzhen, Zhao Wei rushed into the crowd looking for his parents, hugged his former son, and was beaten and scolded by angry parents. These parents regard child-seeking and trafficking as their own lives. Naturally, they know the case like the back of their hands. They must know that Zhao Wei itself is not a trafficker, but compared with the hatred and complaints they have suppressed for many years, Zhao Wei is already very close to the existence of the perpetrators. This group of parents who spend most of their time "encouraging" in the film, in this case, losing their minds is the wisest thing to do.

Finding children is a journey with no exit. These four sets of shots are closely related to the topic of finding children that I have contacted in the past. It can be seen that the "Dear" crew really did their homework. ? I mentioned "flowers of war" and "1942" at the beginning of the article, because in my opinion, slaughter, famine and kidnapping are absolutely sad. Like the first two films, Dear is only about sadness itself. ? Of course, in a narrow sense, serious talk about kidnapping may have greater practical significance than resuming massacres and famines. After this movie, adults should pay more attention to the children's situation, and more people will participate in abduction and pay attention to Baby Home.

But in my opinion, what reflects reality is more news programs, investigation reports, and joking in a big way is not suitable for this topic. If we don't dig the fundamental motivation of traffickers from the artist's point of view, but just to render a story, even if it is performed well, it is not worth discussing.

I can feel Chen Kexin's anger, but this anger has turned into a work, just like those parents who are looking for their children in the movie. Their angry fists can only reach Zhao Wei in the end.

I seem to see myself when I put that disastrous photo, and I can't be moved, because after that interview, I understand a truth: it is meaningless to repeat sadness.