As a "grassroots film actor", Bo Huang, why did he start to fall off the chain?

The movie My Hometown and My Hometown is full of jokes. Several actors performed very well, among which Fan Wei played the best old teacher, which made me shed a lot of tears while watching the movie. Unexpectedly, Bo Huang, who has always been called the acting director of the Billionaire Film Emperor, fell off the chain in this film.

In the second chapter of the film, he plays a local craftsman in Guizhou, and what he does happens to be the works provided by Net Red Handmade Geng in reality. In the film, the role is to live in the mobile phone all day and introduce his handmade works to netizens.

However, in the process of interpreting the role, Bo Huang always seems to be out of the play, speaking poor Guizhou dialect, and his lines seem to pop out sentence by sentence, which always gives people a feeling of being out of the role.

I used to see Bo Huang's acting skills, and I always saw a real grass-roots nobody in him. But this time, I only saw a Bo Huang who tried to play a network celebrity in the new era in front of the camera, but the result was self-defeating.

For a long time, Bo Huang has been known as the 100-million-yuan film emperor and the grassroots film emperor. The former is an affirmation of his Chinese box office achievements, while the latter is an affirmation of his real acting skills.

The resonance of the little people starts from the crazy stone, to the crazy racing car, to the bullfighting, the release of the heart, and so on. The grass-roots role played by Bo Huang always has a kind of grass-roots spirit, with a hint of sadness of unknown little people. He can always show the joys and sorrows of little people without showing traces, and the audience can always find resonance in him.

However, Bo Huang's acting seems to have stayed at a certain stage and never made a breakthrough.

In fact, Bo Huang has played different roles in different works since Cry Out, but his deductive methods (including action expressions, etc. ) It seems to be a template, which always makes people see the familiar shadow of Bo Huang in variety shows.

Including playing a famous coach in "Leap", Bo Huang's performance is also very routine. Even though his accent and prototype are different, even his action expression is 100% Bo Huang, which completely reminds people of which role he is playing.

On the other hand, Gong Li made great efforts in both appearance and intonation, so the girl in the women's volleyball team was startled at the beginning of shooting, because Gong Li really interpreted the charm of Lang Ping incisively and vividly.

The audience is actually very accommodating. As long as the actors act attentively and bring the audience into the story in the film, everyone is willing to spend money to buy tickets. However, the audience is not easy to fool. As long as the actors regress or perfunctory, everyone can see it.

In My Hometown, why did Fan Wei earn enough tears from the audience, and the finale of the Twist FunAge team made the audience laugh, while Bo Huang's efforts were counterproductive? In the final analysis, the actor didn't break through himself. He has always wanted to use his previous experience to change clothes and perform according to the script.

Unfortunately, the audience is getting smarter now.

On the one hand, because Bo Huang has participated in more and more variety shows in recent years, all his smiles and movements are too familiar to the audience. It can be said that maybe the audience knew what Bo Huang wanted to do as soon as they raised their hands, and knew what he wanted to say as soon as they held back their mouths.

Such artists are naturally very popular with the audience, but as actors, getting too close to the audience always does more harm than good. When the audience is too familiar with everything about you, everything you play is Bo Huang himself, not the role itself.

On the other hand, there are too few good scripts for Bo Huang to use. In fact, not only Bo Huang, but also the whole Chinese film circle can get a good book every year, which is estimated to be no more than five. Without good books, there is no good role, and it is naturally difficult for actors to make new breakthroughs. They can only stay in their past, continue to wait, and mix with familiar people.

Conclusion There are not only the actors themselves, but also the problems of the whole industry. For Bo Huang, it may be a better choice to stay away from variety shows and settle down and start over.