Fortune Telling Collection - Comprehensive fortune-telling - Quju program and fortune-telling program _ The difference between Quju program and fortune-telling program
Quju program and fortune-telling program _ The difference between Quju program and fortune-telling program
Li Tianfang, a national first-class actor, is "the ugliest in Henan Opera", and his image of "Li Huozi" is a household name. His representative works include Fortune-telling for the Blind, Ding Lang Admitting Father, Bald Man Persuading His Wife, Three Families in One, Grass Man Media and so on. On the morning of 20th, a traditional and grand ceremony was held in Zhenbu Hotel, the old town. With the impassioned words of the host, two men in their thirties excitedly walked to the stage and knelt down to kowtow to Master Li Tianfang and Teacher Bi Songping sitting in the plush chair. These two people, one is Jia, and the other is Jia. Both of them are businessmen shuttling between Beijing's business circles. In order to learn from Peking Opera master Li Tianfang, they came to Luoyang from Beijing. Why do two businessmen have to learn opera? Hearing our question, Jia, 36, smiled: "Although I have been doing business in Beijing for many years, I am a native of Henan, and I like opera very much since I was a child." He said that when he was in junior high school and high school, he often learned to sing operas with radio and television. After a business trip to Beijing, he still didn't give up this hobby, and he has been downloading operas from the Internet to learn to sing. "Although I am doing e-commerce now, it has nothing to do with opera, but many friends around me like opera very much, and Yan Dong is one of them." Jia smiled and introduced his brother, a Zhumadian native, who was doing business in Beijing. "We are fellow villagers and all like opera. After a period of communication, we decided to set up Zhongyuan Opera Troupe in Beijing. " Jia said with a smile that this troupe usually organizes some opera lovers in Beijing to exchange singing skills, and occasionally organizes some small performances and invites some fellow villagers to listen. "At the beginning, there were very few people in our troupe. Later, with the development of activities, many people who did not understand opera were attracted." Jia said that seeing so many people like opera, he felt it necessary to do something to promote the cause of opera. What exactly should we do? It is not enough to organize a small troupe and give a few performances to fellow villagers. If we can invite some famous people in the field of traditional Chinese opera to perform in Beijing, so that Beijing opera lovers can enjoy the most authentic traditional opera singing, more people will definitely like traditional Chinese opera. With this in mind, Jia began to pay attention to some famous artists of Henan Opera after work. The former deputy head of Luoyang Opera Troupe is a famous opera player admired by Jia since childhood. In order to learn from Mr. Li, he thought of many ways and even asked Niu Changxin, a famous playwright in Nanyang, to "talk about love". 20 1 1, received a phone call from Jia. On the phone, Jia sincerely expressed his desire to learn to sing Peking Opera. "Although some friends interceded, I didn't agree at that time." Li Tianfang said that at that time, he felt that he was still in the groping stage, and there was still a big gap compared with some old-timers, and he had not yet reached the stage of accepting apprentices. Moreover, both of them are amateur opera lovers. Under normal circumstances, the opera circle is not interested in accepting amateur apprentices. Although I didn't agree immediately, I heard that these two young people set up a opera troupe in Beijing because they like opera, which made Li Tianfang very moved. "There are fewer and fewer young people who like traditional opera now. They can do business in Beijing and carry forward traditional culture on their own. I admire this spirit! " Li Tianfang said. 20 1 1 In the second half of the year, I met Jia He specially when I was performing in Beijing. Li Tianfang is very happy to see that they have made the Opera Troupe prosperous. He said: "It is my long-cherished wish to promote Luoyang Opera on a larger scale. I am very touched that they have been working hard for what I have not done. " On March 20 12, Li Tianfang came to Beijing again to personally direct the performance of Quju Opera Troupe. At this time, Jia He once again put forward the idea of learning from teachers. "We appreciate not only Mr. Li's singing skills and skills, but also his artistic ethics." Yan Dong said that Li Tianfang is a well-known figure in the field of opera. In order to carry forward the art of Quju, he seldom cared about his personal gains and losses, and repeatedly postponed Shang Yan to take root. His artistic virtue is worth learning from young artists today. One kneeling and three knocking on the teacher "Li Huozi" made an exception and accepted disciples. The students appreciate the teacher's artistic attainments and ethics, and the teacher is moved by the students' spirit of promoting traditional culture. In May this year, I finally wrote back to Jia and agreed to make an exception and accept them as disciples. At the ceremony of accepting disciples, Li Tianfang was filled with joy. He said: "I am not happy because I became a teacher and accepted an apprentice today, but because I saw two apprentices and more people behind them to pay for promoting traditional culture." Li Tianfang said that after officially accepting his apprenticeship, he would teach his acting skills to his disciples without reservation, and sent a message that the two disciples should learn from others and carry forward the art of traditional Chinese opera on the basis of inheritance. At the same time, I hope they can make their career bigger and stronger and make better contributions to promoting the art of Quju. The two disciples were more excited. Jia said that he liked the weeping wives of Luoyang Mausoleum and Liu Quan best, but he always felt that he could not learn well. Now that his idol has become a teacher, he is extremely excited. Yan Dong also excitedly sang an excerpt from the masterpiece "The Divorce of Li Huozi". His dedicated expression and euphemistic singing won applause from the people in the art world present. The two apprentices said that in the future, they would live up to the teacher's hopes and teachings, study the teacher's acting skills well, develop the art of traditional Chinese opera on the basis of learning and protecting tradition, and let this art move towards a broader world. office worker
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