What does Henan pendant play mean?

Pendant drama originated from Henan pendants, with solo, duet and multi-person singing; The singing is smooth and euphemistic, and the words are easy to understand. They are deeply loved by the masses and spread widely. North and south of the great river, inside and outside the Great Wall, has its footprints. Based on the tune of Quyi Henan pendant, it absorbed some performance methods of Beijing Opera and Henan Opera, which was formed in 1950. Pendant drama evolved from Quyi Henan pendant, formerly known as "cosmetic pendant". 196 1 In the spring of, when Xingtai Pendant Troupe went to Beijing to report its performance, Tian Han proposed to rename the cosmetic pendant "Pendant Drama" at a forum jointly organized by China Opera Association and China Opera Research Institute. Pendants have been introduced into China for more than 0/00 years. After the founding of the People's Republic of China, some old artists, under the guidance of the old artists in the theater, put it on the stage with performances of Peking Opera and Bangzi, plus gongs and drums, and named it "Makeup Pendant". China Weixian, Xingtai, Nangong, Longyao and other counties have had Diaojiaolou Troupe. After the formation of these troupes, the original "water words" should be the lines fixed after absorbing various dramas through stage practice; Musical instruments include sheng, flute, dulcimer, erhu, erhu and cello; At the same time, the suona cards, strings and qupai of Beijing Opera, Ping Zi Opera and Bangzi Opera were adopted, and the sharp board and rocking board of the pendant cavity were created in the aria. By 1956, the ancient costume pendant had developed into a complete drama with literary music, Wu Le, lighting and martial arts. 196 1 year, Xingtai pendant troupe was warmly praised by the people of the capital when it performed in Beijing. Beijing Daily published a commentary, and the performance was broadcast live by CCTV. Famous dramatists Mei Lanfang, Chang Xiangyu and Xian Nvhong had a discussion with the cast members. After research and discussion, the Central Academy of Drama officially named the play "Pendant Play". Hanging feet drama is a rare drama in Anhui, which originated in Xiaoxian County, Suzhou in the early 1940s. Based on the stand-up pendant of folk rap, it developed through the process of "dulcimer", "Taoist class" and "Quyi opera". The pendant drama is named after its main musical instrument "pendant". Diaojiao Opera is a local opera with strong local flavor and artistic personality in Huaibei area. Its basic singing method is euphemistic, colorful, lyrical and touching; Coloratura minor is humorous, setting out beautiful and gorgeous; Bitter "great cold rhyme" can destroy people's tears. The singing of the hanging foot play has a unique artistic appeal. Pendant performances have a strong flavor of life, and some performances are simulated and refined from the daily life of local farmers, with a strong local color. Most of the scripts of the pendant drama are adapted from Duan (a short rap) and Man Zi Dialect (most of them) in stand-up pendant. Among them, there are more than 0/00 traditional dramas/kloc-,more than 40 small dramas, and more than 50 modern dramas. The plot of the play is fascinating and full of life, which is deeply favored by the audience in Huanghuai area. Pendant drama has a history of more than 60 years. Because its performance form is very in line with the "taste" of the local audience, it has developed rapidly, and there have been such performance artists as Liu, Chen Yuanxiao and so on, who have been dubbed as the "three great elements" of the pendant drama. Pendant dramas such as "Soul v." and "A Big Fish" were reported in Beijing. After 1960s, People's Daily, Jiefang Daily, Wen Hui Daily and Anhui Daily all published special review articles to comment on the pendant drama. The editor introduced the pendant drama in the early stage of development in detail, which was slightly modified on the basis of the traditional pendant bibliography. The pendant play uses original musical vocals, applies the gongs and drums of Peking Opera and Hebei Bangzi, puts on traditional opera costumes and adds lighting scenery, so it is called a cosmetic pendant. In the later development process, the pendant further borrowed from Peking Opera, Hebei Bangzi and other operas, and set up the behaviors of longevity, Dan, cleanliness and ugliness; He learned some performance procedures, and absorbed the aria and plate structure of Henan Opera, Henan Quju Opera, Hebei Bangzi and other operas, and gradually completed the dramatic process and formed an independent drama. By July of 1958, there were twelve professional hanging decoration troupes in Hebei province. The traditional musical vocals of Diaojiao Opera are: cross-board, introduction, flat cavity, large and small cold rhyme, five-character mosaic, cross-rhyme, Allegro and so on. The main musical instrument is Qin (also called Hu), which is a stringed instrument made of a small three-stringed instrument. The panel is made of wood (also covered with copper plates). When playing, techniques such as pause and sliding sound are often used, and the timbre is melodious and beautiful, and the expressive force is extremely rich. Other accompaniment instruments include erhu, erqin, flute, sign language, suona and cello. Most of the early dramas of Diaojiao Opera were adapted from the long and traditional bibliography in Diaojiao Book, so there were more Taiwanese dramas. For example, Hai Gong An, An, Hui Long Chuan, Da Song Ji, Velvet Ji, Double Gold Thread, Double Seal, Wedding Candle, Ermei, etc. Most scripts tell stories with lyrics, and there are not many words. Lyrics are usually seven words, cross sentences. Since the 1960s, the pendant drama has transplanted a number of excellent costume dramas from other dramas, and also rehearsed some newly edited historical story dramas, such as Examining the Imperial edict, Yang Jinhua's Seizing India, Mulan, Qin Xianglian, Butterfly Cup and Young Woman. Pendant drama can also better reflect modern life. At the end of 1950s, the Pendant Troupe actively created and rehearsed modern dramas. The repertoires that left a deep impression on the audience were White-Haired Girl, Revenge of Blood and Tears, Daughter of the Party, Seizing Printing, Accountant Girl, Dust Settled, Chaoyang Road and Red Flag Spectrum (according to Liang). The popular pendants of pendant dramas are in Henan Province. In the winter of the thirty-seventh year of the Republic of China (1948), Du Xueqin, an old artist who fell off his horse in Yanxiaozhai, Guangping County, used to make up according to the main characters in the book, hiding behind the desk and suddenly appearing when he opened the book, which aroused great interest from the audience. Artists are also greatly inspired. From then on, makeup performances began, from mouth-to-mouth rap to multi-mouth rap, supplemented by simple performance movements. 1949 In the spring, Du Xueqin put the makeup pendant sung by the stall on the stage in Guoxiaotun Village, Linzhang County, Handan District, and performed the play Saw Cylinder. Soon, daming county's Li Hechun and Liang, Guangping County's Yan and Qi, Quzhou's Gong Xianmei, Wei Lianxiang, and nine-year-old Hong Yi Ming also appeared on the stage. Editing this section of Shenze Hanging Foot Drama Shenze Hanging Foot Drama is one of the unique operas in Hebei Province and one of the rare local operas in China. Shenze county is the center of the development of pendant drama. Shenze pendant drama evolved from Henan pendant, which is unique in singing, clear in articulation, easy to understand, appealing to both refined and popular tastes, euphemistic and fresh, beautiful and pleasant, and has the characteristics of traditional opera. It is a comprehensive art integrating musical and ballet. The development history of pendant drama is a struggle history of grassroots artists, and it is a folk opera art that farmers have learned and mastered, which has a strong popularity. The art of pendant play is rich and colorful, with strong creativity and wide influence, which occupies a high position in local operas. Hanging feet drama is a rare kind of drama, which originated in Xiaoxian County, Anhui Province in the early 1940s and was later introduced into North China. In the development process, the pendant draws lessons from Beijing Opera, Hebei Bangzi and other operas, which are vivid, beautiful, clean and ugly. It also absorbed the aria and plate structure of Henan Opera, Henan Quju Opera, Hebei Bangzi and other operas, and gradually formed independent operas. Its main musical instrument is Qin, with beautiful timbre and expressive force. The singing of Shenze pendant drama is euphemistic, fresh and beautiful. In decades of performances, it has spread all over Beijing, Tianjin, Jinan, Taiyuan, Zhengzhou, Shijiazhuang and other large and medium-sized cities and vast rural areas, and has been warmly welcomed by them. Shenze pendant evolved from Quyi Henan pendant. Originally called "cosmetic pendant". 196 1 In the spring of, when Xingtai Pendant Troupe went to Beijing to report its performance, Tian Han proposed to rename the cosmetic pendant "Pendant Drama" at a forum jointly organized by China Opera Association and China Opera Research Institute. Pendant is a folk art form in Henan Province, which is widely popular in Xingtai, Handan and Shijiazhuang in Hebei Province. In the winter of the thirty-seventh year of the Republic of China (1948), Du Xueqin, an old artist who fell off his horse in Yan Xiaozhai, Guangping County, Handan, used to make up according to the main characters in the book, hiding behind the desk, and suddenly appeared when he opened the book, which aroused great interest from the audience. Artists are also greatly inspired. From then on, makeup performances began, from mouth-to-mouth rap to multi-mouth rap, supplemented by simple performance movements. 1in the spring of 949, Du Xueqin put the "Makeup Pendant" sung by the stall on the stage in Guoxiaotun Village, Linzhang County, Handan District, and performed the play "Saw Cylinder". Soon, daming county's Li Hechun and Liang, Guangping County's Yan Qi, guanxian's Wang Yuanshan, Quzhou's Gong Xianmei, Luancheng County's Luo Fucheng, Weixian County's Wei Lianxiang (stage name is nine years old) and other pendant artists also appeared on the stage. On the basis of the traditional pendant bibliography, the early pendant drama was slightly modified, with the original music singing, applying the gongs and drums of Beijing Opera and Hebei Bangzi, putting on traditional opera costumes and lighting scenery, so it was called cosmetic pendant. In the later development process, the pendant further borrowed from Peking Opera, Hebei Bangzi and other operas, and set up the behaviors of longevity, Dan, cleanliness and ugliness; I learned some performance action procedures, and absorbed the aria and plate structure of Henan Opera, Henan Quju Opera, Hebei Bangzi and other operas, and gradually completed the dramatic process, forming an independent drama called Northern Pendant, which is Shenze Pendant. By July of 1958, there were 12 professional hanging troupe in Hebei province, among which Xingtai City and Shenze County had the greatest influence. Traditional musical vocals of Diaojiao Opera include: Guoban, Intro, Pingqiang, Big and Small Cold Rhyme, Five-character Mosaic, Cross Rhyme, Allegro and so on. Tongban is the music before the aria, the introduction and the reference before the aria begins; Pingqiang is the main singing voice of the pendant opera, which is mostly used for narration. It has three speeds: slow, medium and fast, and can be divided into opening and narrative. The opening is four or two sentences. The narrative is two sentences. Cold rhyme is used to express sadness. Signs are "five-character mosaic" and "cross rhyme", as independent qupai, interspersed between "flat cavity". Allegro is used at the end of an aria. The main musical instrument is Qin (also called Hu), which is a stringed instrument made of a small three-stringed instrument. The panel is made of wood (also covered with copper plates). When playing, techniques such as pause and sliding sound are often used, and the timbre is melodious and beautiful, and the expressive force is extremely rich. Other accompaniment instruments include erhu, erhu, flute, sheng, suona and cello. Most of Shenze's early scripts were adapted from the traditional bibliography in the book of pendant, so there were many Taiwanese dramas. For example, Hai Gong An, An, Hui Long Chuan, Da Song Ji, Velvet Ji, Double Gold Thread, Double Seal, Wedding Candle, Ermei, etc. Most scripts tell stories with lyrics, and there are not many words. Lyrics are usually seven words, cross sentences. Since the 1960s, pendant operas have transplanted a number of outstanding costume dramas from other operas, and also rehearsed some newly edited historical story dramas, such as Imperial edict, Yang Jinhua's capture of India, Mulan, Qin Xianglian, Butterfly Cup and Miss. In the late 1950s, two affiliated troupes, Xingtai and Shenze, actively created and rehearsed dramas. The repertoires that left a deep impression on the audience included White-haired Girl, Revenge with Blood and Tears, Daughter of the Party, Capture India, Accountant Maid, Legacy of Dust, Chaoyang Road and Red Flag. Edit this pendant drama in Yunnan dialect and sing it in Henan dialect, which is euphemistic, fresh and beautiful. Artists attach great importance to singing, pay attention to articulation, and every sentence enters the audience's ears. In addition, the story has a beginning and an end, the plot is coherent, and the lyrics are easy to understand, so it is deeply loved by rural and urban residents, and there is a saying that "I sold the quilt when I saw the pendant." In more than 30 years' performances, pendant plays have covered large and medium-sized cities such as Beijing, Tianjin, Jinan, Taiyuan, Kaifeng, Zhengzhou, Shijiazhuang and Baoding, and left a good impression on the masses.