Fortune Telling Collection - Comprehensive fortune-telling - Help me find the introduction of Yuan Chun's character and destiny in A Dream of Red Mansions (the more detailed the better ~! ! )
Help me find the introduction of Yuan Chun's character and destiny in A Dream of Red Mansions (the more detailed the better ~! ! )
Jia Yuanchun didn't appear many times in the book, but she was both a political supporter of Jiafu and a supporter of feudal family marriage. When she gives gifts to everyone, only Baoyu and Baochai are the same. This shows Baoyu's tendency to choose a spouse. The relationship between Jia Fu and the imperial concubine prompted Jia She, Jia Zhen, Jia Lian and others to pay tribute everywhere, and eunuchs blackmailed him. The increasing expenses also accelerated the decline and demise of this feudal family ... The fifth judgment on Yuan Chun wrote: In the past 20 years, the dispute between right and wrong has been debated, and pomegranate flowers are shining in the palace. In the spring of the third year, the tiger and the rabbit met in a dream. According to Article 95, Jia Yuanchun died in silver moon on December 19th, the year of Mao Zedong. At the age of 43, he should have "the tiger meets the rabbit and the dream comes back". When Yuan Fei died, Jia Fu lost his backer, and big stories came one after another. Therefore, Jia Yuanchun's imperial concubine is like a flash in the pan, just like the splendor and prosperity of Rong Ning's second house. ...
Jia Yuanchun-the eldest daughter of Jia Zheng and Mrs. Wang. Raised and raised by Jia Mu since childhood. As the eldest sister, she taught Baoyu to read and write when he was three or four years old. Although they are sisters, they are like mother and son. Later, because of her filial piety, she was elected as a female official in the palace. Soon, the date was named as the official book, and the virtuous princess was added. The Jia family specially built a villa for mothering, and welcomed her to mothering. The luxury of this villa is so high that even Yuan Chun thinks it is too luxurious and expensive! Although Yuan Fei brought Jia Fu "fuel the fire and spend brocade", she was imprisoned in the palace. When visiting relatives, she talked and cried, describing the palace ouchi as a "shady place" with no interest at all. After the mothering, Yuan Fei never had a chance to leave the palace, and then died of a sudden illness.
Yuan Chun's judgment
Painting: A bow with citron on it.
For twenty years, I have argued between right and wrong.
Three spring fights for the early spring scenery, and the tiger meets the dream.
[Notes]
This is about Jia Yuanchun.
1. "Twenty years" sentence-This means that when Yuan Chun reached the age of twenty (probably the age when she entered the palace), she was already very sensible.
2. "Liu Hua" sentence-Liu Hua likes fire, so she uses the word "Zhao". Jade was chosen as a chastity princess in the Fengzao Palace where pomegranate flowers were in full bloom. Use the history of the North: Gao Yanzong, king of the Northern Qi Dynasty, proclaimed himself emperor and married the daughter of Li Zushou of Zhao County as his concubine. Later, the emperor gave a banquet in Li Zhai, and Song, the mother of the concubine, sent a pair of pomegranates, which means pomegranates have many children, to show her congratulations. It seems that the paintings in the book are also related to the palace, because the bow can reconcile the palace and the citron can reconcile the fate. But this is only one possibility.
3. The sentence of "Three Springs"-"Three Springs", the three months of spring, means welcoming, exploring and cherishing spring. "Early spring" refers to Yuan Chun. How about "working hard" This means that Yuan Chun's three sisters are not as extravagant as her.
4. The sentence of "Tiger Rabbit"-the year of Yuan Chun's death. The original intention of Tiger Meets Rabbit is unknown. The ancients matched the zodiac with the twelve earthly branches. Tigers and rabbits can represent Yin Mao and tell the year and month. For example, in the last forty chapters, they said, "December 18th is beginning of spring, Jiayin; Yuan Fei's birthday is1February 19, and one year has passed. " However, such a contrast is too solid for this novel, which is called "the dynasty years are lost and there is no textual research". In fact, even if it represents time, it is still difficult to determine whether it means year or month, because the latter is meaningful. For example, Su Shi's "The Rise and Fall of Dragon": "Red Dragon and White Tiger Fight Tomorrow", and the sentence is self-evident: "It is Chen Bing in the moon, and tomorrow will be Geng Yin." In other words, the dragon (Chen) and the tiger (Yin) represent the moon and the sun. Some people think that "the tiger meets the rabbit" means that Kangxi died in the year of Renyin and will be in Yongzheng next year. In addition, the "meeting of tigers and rabbits" can also be interpreted as that people who belong to rabbits in the zodiac meet people who belong to tigers or meet the lunar year, and so on. It is possible to put forward that Yuan Chun died in the fierce struggle between two political forces, which is based on The Tiger Rabbit in A Dream of Red Mansions and Jiumao Edition. "Big dream" means death.
Yuan Chun's Dream of Red Mansions
I hate nothing.
I like splendor, but I hate impermanence.
Just throw everything away, swing around and consume the fragrant soul.
Looking around, the road is long, and the mountains are high.
Therefore, I told my parents in my dream:
My son's life is in the grave. I need to take a step back and come out early!
[description]
This music is about Jia Yuanchun. The title of the song "Hate impermanence" means Yuan Chun's early death-impermanence is a Buddhist word, which originally meant that everything in the world was born and died, changeable, and later passed on as ghosts and gods. Yuan Chun became an imperial concubine, but her "glory" was short-lived, and she died suddenly. There are two meanings here.
[Notes]
1.Xi Ronghua is just right-it means that Jia Yuanchun entered the palace as a princess, so Jia Fu became a relative of the country.
2. Hate impermanence-refers to the death of Jia Yuanchun. Impermanence is a Buddhist language, which originally meant that everything in the world was born and died, changeable, and later passed on as ghosts and gods. Yuan Chun became an imperial concubine, but "Ronghua" died suddenly and briefly. There are two meanings here.
3. Exhaustion of fragrance means that Yuan Chun's ghost is sad and haggard. Yuan Chun's ghost dream written in this song is naturally superstitious and fictional.
4. Family relationship-the ancient system was used to represent relatives such as father and son and brothers. This is the meaning of parents. Jia Yuanchun used to call her father Jia Zheng.
[Appreciation]
Jiafu ranks first among the four families, because it has the most wealth and power, and this is because it has a big backer-Jia Yuanchun, who ensures this position. Because of her, Jia Fu, a respected minister from generation to generation, became relatives. Therefore, the first half of the novel focuses on Yuan Chun's plots, such as "only choosing Fengzao Palace", "sealing a virtuous princess" and "mothering", and tries to describe the scene of Jia Fu's "cooking with fire and blooming flowers". However, "luxury is enviable, but parting is embarrassing." Who knows the joys, sorrows and sorrows when you win a hollow reputation? "Let's look at the scene where Yuan Chun went home to meet his relatives in a private room. Behind the "glory", we can see the tragic situation of the separation of flesh and blood. Yuan Chun said something crying, describing the Imperial Palace ouchi as a "shady place" with no interest, just like walking out of a place imprisoned by claustrophobia. Cao Xueqin's powerful brushwork reveals the glory envied by the feudal class, which is still an abyss for an aristocratic woman like Jia Yuanchun, who has to pay the price of losing her freedom.
However, all this is only the foreshadowing of the subsequent plot development. After mothering, Yuan Chun returned to the palace, seemingly parting, but actually parting. She not only lost her freedom, but also lost her life. Therefore, writing about the grand occasion of Jia's being brought by powerful people is also to show that her death is a shadow of destroying Jia's trees, in contrast to the tragic situation after Jia's downfall and confiscation. Fat critics pointed out that Yuan Fei's death, like Jia Jia's defeat and Dai Yu's death, was "a great festival and a key to the whole book". However, in the existing sequels of the last forty chapters, this turning point did not appear. On the contrary, the sequel greatly praised Yuan Chun's death, saying that "the holy family was grand and fat" caused illness because of "too much phlegm", as if her death was enough to show the majesty of the emperor.
The characters in A Dream of Red Mansions, those who are short-lived, have convincing reasons, but the reason why Yuan Chunying died young is not clear, which in itself is enough to make people think deeply. It is impossible to infer how the author wrote it from the words "Tiger meets Rabbit", and some words in the song are also very strange, such as Yuan Chun's "Wandering for a long time, consuming the soul" and "Looking at my hometown, the road is long and the mountains are high." If Yuan Chun later died in the palace, it would not be too far away for Jia Fu, who was built in the west of the imperial city, and it would be difficult to understand. This can only be an unsolved case now. However, one thing is clearly written in the song, that is, Yuan Chun cried to his parents in the form of a dream, saying, "My son's life is in the grave, and his family needs to step back and leave early!" Isn't it obvious that relatives should take a warning from her own swallowed their anger and die, get rid of officialdom as soon as possible, and avoid the coming disaster? Therefore, her death not only marked the political demise of the factions represented by the four major families, but also sounded the death knell of Jia's demise, and she herself was completely a victim of the infighting of the feudal ruling class. In this way, Cao Xueqin, who claimed to be "non-interference in the current situation", boldly opened a corner of the political curtain, allowing people to see the dirty activities of various factions in the feudal ruling group from the ups and downs of a feudal family. The profound meaning of Jia Tanchun's sentence "I wish you ate me and I ate you" can also be understood from this aspect.
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