There are many flowers in the sea. Why do you have a crush on a flower?

The first is that there are many opportunities in the world, so don't pay too much attention to one thing and don't be flexible.

The second is that there is no need to stick to one side between men and women, and there are many people who can be loved or worthy of love.

"There are plenty of grass in the sea" is a sentence written by Su Shi, a writer in the Northern Song Dynasty. This is a fresh and beautiful work describing the scenery of spring, which shows the poet's sigh over the passage of spring and his unknown feelings. Shang Kun wrote about the sadness brought by the fleeting spring scenery. He did not stick to the description of the scenery, but incorporated his deep sigh.

I wrote that I met a beautiful woman but missed a meeting. I was sad that I was deeply affectionate but was treated mercilessly. The whole word is euphemistic in meaning, touching in emotion, sad in freshness, hurt in beauty, hazy in artistic conception and endless in charm.

Extended data:

The creative background of this word

The words Zhu Zumou and Long Yusheng are not included in the chronicle. Since then, the chronicles of various factions have been different, and the main points are as follows:

Cao Shuming said: "The artistic conception of the first film of this word is similar to that of the first film of this episode of" Man Jiang Hong ". The artistic conception of the next movie of this poem is similar to that of the next movie in this episode of Dead Hua Lian. The above two sentences were written during Chen Bing's tenure in Mizhou in Xi Ning's ninth year. Ming quite suspected that this word was also written in Mizhou, and he was determined to test it. "

According to the words sung in Huizhou recorded in "Cold Zhai Ye Hua" and the word "Tianya" appearing in Huizhou poems by Su Shi, Sheng Ben, Zou Tongqing and Wang were all written in Huizhou in the second year of Shao Sheng's spring (1095). Chen Erdong's Selected Poems of Su Shi also suspected that this poem was "a work in the declining Lingnan period".

Zhang Zhilie's "A Brief Study of Two Su Ci Poems" holds that this is the same as Su Shi's sustenance when he left Dingzhou and learned that Yingzhou set off for the south. It was born when Shao Shengyuan (1094) left Dingnan in April.

According to Li Shizhong's textual research on the images of "green apricot", "swallow" and "catkin" in Su Shi's Spring Scenery in Hua Lian, it is inferred that this word must not have been written by Su Shi during his relegation. According to his expressed thoughts and feelings, Su Shi was regarded as relegated to Huangzhou, but there was no specific chronology.

References:

Baidu Encyclopedia-Butterfly Hua Lian Spring Scene