What? What paper is back?

Question 1: What paper and what paper-backed idioms penetrate the paper back?

new word

Basic explanation and detailed explanation

Explanation: Pass: Pass. Describe the vigorous calligraphy, and the brush strokes almost penetrate the back of the paper. It also describes poetry as profound in conception and concise in words.

From: Tang? Yan Zhenqing's "Zhang Changshi Twelve-character brushwork": "When using the front, I often want to make it pass through the back of the paper, which is very successful."

Ex: intention before writing.

◎ Green? Zhao Yi's Ou Bei Shi Hua Volume 6

Grammar: subject-predicate type; As predicate, attribute and clause; Include praise

tidy

Qing? Zhao Yi's "Ou Bei Shi Hua": "(Lu You Shi) was written first; Forced through the back of the paper. "

example sentence

Many works of calligraphy exhibition are excellent works of ~.

Question 2: What is the power of idioms? The power of the paper back penetrates the paper back.

Basic explanation

Tou: yes. Describe the vigorous calligraphy, and the brush strokes almost penetrate the back of the paper. It also describes poetry as profound in conception and concise in words.

commendatory sense

tidy

Qing? Zhao Yi's "Ou Bei Shi Hua": "(Lu You Shi) was written first; Forced through the back of the paper. "

Question 3: Which idioms with paper backs have the power to penetrate the paper backs?

new word

Basic explanation

Tou: yes. Describe the vigorous calligraphy, and the brush strokes almost penetrate the back of the paper. It also describes poetry as profound in conception and concise in words.

commendatory sense

tidy

Qing? Zhao Yi's "Ou Bei Shi Hua": "(Lu You Shi) was written first; Forced through the back of the paper. "

Question 4: What does it mean to see through the back of the paper? It was originally used to describe calligraphy art.

1, penetrating the meaning on the back of the paper, describes poetry and other works as profound and powerful. The brush strokes almost penetrated to the back of the paper. Describe the strength of writing and drawing. Born in Tang? Yan Zhenqing's "Zhang Changshi Twelve-character brushwork": "Its use of the front, often trying to make it through the back of the paper, is extremely successful."

The ingenious description of calligraphy is very powerful. Nowadays, the problem of metaphor analysis is very profound. It is said that Wang Xizhi was a guest at a friend's house, and was inspired by his creation for a while, but he couldn't find the paper in a hurry, so he wrote this poem on his friend's desk. His father didn't understand, but he scraped the wood deep and didn't remove it. When his friend came back from outside, he complained that his father should not wash it off. He looked carefully and found that Wang Xizhi's calligraphy skill was amazing. When writing, the ink penetrated into two-thirds of the board-so later there was the theory of infiltration.

Question 5: What do you mean by "forcing through the back of the paper"?

Explanation: Pass: Pass. Describe the vigorous calligraphy, and the brush strokes almost penetrate the back of the paper. It also describes poetry as profound in conception and concise in words.

From: Tang? Yan Zhenqing's "Zhang Changshi Twelve-character brushwork": "When using the front, I often want to make it pass through the back of the paper, which is very successful."

Ex: intention before writing.

◎ Green? Zhao Yi's Ou Bei Shi Hua Volume 6

Grammar: subject-predicate type; As predicate, attribute and clause; Include praise

Question 6: What did the fortune teller mean when he said I was unlucky? Fortune telling is just reasoning, and the probability of accuracy is very low. Moreover, there are very few people who can really tell fortune, and the probability of encountering it is extremely small.

Anyway, the point is that you are calm, at home and happy.

Question 7: What paper is used for hand-mounted backing paper? Actually, this question is very good. Xi Ande Fengtang Gallery inherits and promotes the traditional honest and realistic painting and calligraphy culture.

There are many materials used for painting and calligraphy mounting, generally using raw rice paper and embroidered silk. Nowadays, many people also use brocade. Brocades are usually mounted by machines. Mounting (also called back cover) uses rice paper (that is, two-layer rice paper) and silk cloth (including flowers and brocade, etc. ), and the poles of heaven and earth. Used for hanging shafts and paraffin wax. After polishing, it can be used on the back of paintings and calligraphy to prevent moisture. It is bonded with paste, and mounted by machine with adhesive tape. The ends of the ends of the ends of the ends of the ends of the ends are tied with ribbons, and the ends of the ends are tied with copper nails with holes (four for four feet and two for four and a half). Add a workbench and mounting tools, and you can mount the painting.

The basic materials are water, pulp and paper; Decorative materials include silk, silk, brocade and other auxiliary materials.

The concrete embodiment of painting and calligraphy mounting art can not be separated from material conditions, and the artistic beauty we enjoy is created by the perfect combination of exquisite materials and skilled workmanship. Mounting materials are the material conditions that embody the art of mounting, and the paper, brocade, silk and silk used in mounting are the main materials that embody the beauty of decorative texture.

Therefore, understanding the performance of materials, the selection and collocation of materials, and the processing and application of materials are the basic knowledge of mounting work, which must be mastered by mounting workers, especially beginners.

The basic mounting materials of calligraphy and painting mainly include rice paper, silk, brocade, paste, pole, shaft, shaft head, pigment, glue, alum, latex, silk rope (silk sash), ribbon (tie), bone needle and so on.

Question 8: What is backing paper? (The backing paper is actually carbon paper)

A piece of paper coated with acid developer on the front and microcapsules containing colorless-colorless dye on the back, when the paper is overlapped, the microcapsules are broken due to mechanical force, and the colorless-colorless dye overflows and discolors when it meets acid, forming an image. This kind of paper can be used for multiple overlapping papers, mainly for bills.

Question 9: Is there any way to make soft paper hard again? Brush glue on paper

Question 10: What do you think of the back of the paper?