Appreciation of eight-character calligraphy works

Calligraphy art is the quintessence of China and the representative of China cultural elements, which is different from other art types. Because

Appreciation of eight-character calligraphy works

Calligraphy art is the quintessence of China and the representative of China cultural elements, which is different from other art types. Because it appeals to both refined and popular tastes, it has a unique plastic art and elegant aesthetic taste, which attracts people to ponder and appreciate and appreciate the charm of the Chinese nation's 5,000-year-old traditional culture. What I'm going to bring you is a calligraphy work with eight characters. I hope you like them.

Eight-character calligraphy works 1

Eight-character calligraphy works II

Eight-character calligraphy works 3

Eight-character calligraphy works 4

Eight-character calligraphy works 5

The Development of China's Calligraphy Art

Calligraphy art is the quintessence of China and the representative of China cultural elements, which is different from other art types. Because of its unique plastic arts and elegant aesthetic taste, it attracts people to ponder and appreciate, and experience the charm of the Chinese nation's 5,000-year-old traditional culture. With the increasing informationization and internationalization of society and the rapid rise and development of digital network media, Chinese writing was once in an embarrassing situation, and Chinese people became more and more unfamiliar with the art of calligraphy, even to the point where they could not write. What is culture? The premise of culture is words, and learning without words gradually becomes mechanical and boring, and even loses the fun of learning. The spread of calligraphy art is facing challenges from all sides. In the changing social and cultural environment, how to use the competition mechanism to realize the marketization of calligraphy art communication to protect calligraphy culture? This is worth pondering. Therefore, we should keep a clear head, adhere to the mainstream of mass media leading the spread and development of calligraphy art, purify the creative environment of calligraphy art, let people strengthen their knowledge and understanding of China traditional culture, let the appreciators of calligraphy art better understand the creators' intentions, create a good living environment for calligraphy art, constantly enhance the self-confidence and pride of Chinese people, and promote the development of national calligraphy art. Expand the social value of contemporary calligraphy art, tap the value of the integration of art and science, and realize the sustainable development of calligraphy art.

The Relationship between Calligraphy Appreciation and Practice

The appreciation and practice of calligraphy are interrelated, which has never been seen by calligraphers. Calligraphers in past dynasties were mostly calligraphy critics with high appreciation ability. Everyone attaches great importance to "reading posts". The so-called "reading posts" is to understand the artistic style and techniques adopted or created by calligraphers by observing the traces of calligraphy and inscriptions, so as to improve their appreciation level. For a person who is interested in learning calligraphy, it is also necessary to pay attention to reading posts, gradually learn the ability of analysis and appreciation of calligraphy works, learn from their strengths and compete for their shortcomings, so as to continuously improve their calligraphy level. If we analyze and appreciate calligraphy works indiscriminately, we will often make slow progress and even take detours. This is an extremely complicated problem, and there are always different opinions. So far, there is no common appreciation standard.

Kang Youwei put forward ten criterions of criticism in Eighty-six Cases of Guang Yi Shuang, namely the so-called "Ten Beauties": "One is vigorous, the other is brilliant weather, the third is vigorous brushwork, the fourth is vigorous stippling, the fifth is fantastic posture, the sixth is vivid charm, the seventh is full of interest, the eighth is full of bones, the ninth is natural structure, and the tenth is. Guo Shaoyu put forward six criteria in How to Appreciate Calligraphy: "First, form, natural structure, horizontal, vertical and peaceful;" The second is courage, from the perspective of pen power and pen and ink; Third, attitude, flying; Fourth, genre, do not stick to the tablet, do not look at the tablet according to the standard; Fifth, the relationship between learning and calligraphy; Sixth, meteorology, simplicity and tranquility. "

These can be used as a reference for analyzing and appreciating calligraphy works. If further summarized, it is nothing more than the words "shape" and "god". The so-called "shape" refers to the shape composed of special strokes and lines, including the strokes, structure and layout of a word. The so-called "spirit" refers to the inner spirit in the above modeling, including pen power, momentum and emotion. Therefore, to appreciate calligraphy works, we should not only look at the shape of each painting, every word and the whole word, but also look at its brushwork, momentum and manner. If the appearance is beautiful and the heart is full of energy, this is what people usually call a good work with both form and spirit.