Give an example of all the characters in the Palace of Eternal Life.

This book is the same as this one. ...

1, Emperor of the Tang Dynasty-Emperor of the Tang Dynasty (born)

2, Yang Yuhuan-Guifei (Dan)

3, Gao Lishi-eunuch, ancient official worship generals (ugly)

4, Yang-yes, my younger brother, the official worships the right prime minister (deputy screen name).

5, Mrs. Guo-Yang Yuhuan's sister, recently widowed, Mrs. Guo (posted; White clothes)

6, South Korea's wife-Yang Yuhuan's sister, sealing South Korea's wife (Lao Dan; Embroidered clothes)

7. Mrs. Qin-Yang Yuhuan's sister, named Mrs. Qin (miscellaneous; Fay)

8. Zhang Ganyang Guo Zhongfu is in charge (ugly)

9. Yongxin-Maid-in-waiting for Yang Yuhuan (Lao Dan)

10, mother slave-maid-in-waiting serving Yang Yuhuan (iron egg)

1 1, Li Guinian-a native of Liyuan Ling in the Palace (end pale beard)

12, Fairy in Horse-Lonely Pear Garden in Palace (Sub-net)

13, Lei Haiqing-an actor in the pear garden of the Forbidden City (outside)

14, He Hu Aizhi-the leader of the Palace Pear Garden (net; White beard)

15, Huang Zan-Chuo-the Sorrower in Liyuan Palace (Ugly)

16, An Shi Rebellion-Fan Yang Our Times (Net)

17, He Qiannian —— General Fanyang Town East Road (external)

18, Cui Ganyou-General Fanyang Town West Road (end)

19, Gao Xiuyan —— General of Fanyang Town South Road (sub-network)

20. Shi Siming-Xiao Sheng Fan Yang Town North Road General

2 1, Fan Ji-An Shi Rebellion's entourage account (miscellaneous)

22, Li Zhuer-An Lushan's adopted son (ugly)

23-year-old, Guo Ziyi, a military history of Tiande, was promoted to Lingwu Taishou (Foreign).

24. Chen Yuanli-General You Longwu (End)

25, Ge-Tongguan Shoujiang (ugly; White beard)

26, spies-Guo Ziyi's spy horse (niche)

27. Guo Congjin, an old man who delivers food to Tang (outside)

28, the bartender (ugly)

29, old Fu Tian (outside)

30, fortune-telling blindness (niche)

3 1, female blind (net)

32. Ambassador of Xichuan Road (End)-Send the Ambassador of Litchi.

33. Hainan Road Special Envoy (Sub-net)-Special Envoy for Litchi Delivery

34-year-old Cheng Yi Mavi Cheng Yi (sub-network)

35, post pawn-Ma Yi post pawn (end)

36. Wang Sun-tourist (old student)

37. Yang Tongyou-Taoist (net name)

38. Daotong (Xiao Sheng), (Rear)

39. Wang Yao-the owner of the hotel

40 years old, Xiang Mei's maid.

4 1, Chang 'e, the goddess of the moon (Lao Dan)

42. Weaver Girl-Tiansun Niangniang (posted)

43, morning glory-Cowherd (niche)

44. Cold hairpin-Moon Fairy (posted)

45. Land-Maweipo Land God (Sub-net)

46 years old, judge

47. Pig Dragon-Dream of Tang Dynasty

Palace attendants, ladies-in-waiting, maids, bellmen, tourists, etiquette guards, sergeants, generals and envoys.

Ministers, fairies, village women, corrupt officials, door gods, ghost soldiers, tauren, witches, soldiers, handyman, officials, etc.

Analysis of the Characters in the Palace of Eternal Life

Taiyuan News Network 2006-05-29 09:42:4 1 Source: Taiyuan Daily

The Palace of Eternal Life by Hong Sheng is actually a historical picture that integrates human nature, animality and divinity. The love between Tang and Yang Guifei is the crystallization of human nature and animal nature. But this kind of love is fragile and can't stand the collision of reason, which leads to an eternal historical tragedy; In the end, the transcendence of divinity over rationality was completed in the form of religion. Under the situation of immortals, Tang Yang and his wife had a happy ending.

The love between Emperor Ming of the Tang Dynasty and Yang Guifei was not smooth sailing, but in their hard pursuit of love, the brilliance of human nature was perfectly flashed: the development of their feelings was a process from singleness to singleness, from the lust of ordinary emperors to having real love.

At first, as the son of heaven, Tang did not have a soft spot for Yang Guifei. Although he was full of joy for this beautiful woman, at the same time, he had a relationship with Mrs. Guo, which he could not forget later. Visible, Yang Yuhuan at this time, but that's just the general emperor's wish. Tang has always been single-minded, "deep jealousy is true", and this feeling has developed into a special favor. I'm jealous because I'm afraid she'll be robbed of her favor. In a rage, Emperor Tang Ming expelled her from the palace. The denunciation made Yang Guifei depressed and regretful, but it was precisely because of this denunciation that Tang Minghuang turned her from her initial lust into love. Yang's departure made Tang find that the Sixth Palace was neglected, which made him sigh that "beauty is rare". After the memories, the sadness of separation consolidated their feelings.

But their love is not pure human nature, but also contains animal nature: from the aspect of Tang Dynasty, first of all, in order to win the smile of the princess of love, a typical example is that he ordered Fuzhou and Hainan, thousands of miles away, to send fresh litchi tribute by post horses every year, and the envoys of the tribute ran around day and night, trampled on the seedlings and killed people at will, so that even the post officials fled; Secondly, in order to be partial, he gave the Yang family an honor: Yang Bai was the right-hand man, and the three sisters became wives, allowing them to accept bribes in politics, recruit talents and lead a luxurious life; Finally, through people's comments, the play directly or indirectly links the An Shi Rebellion with Li Longji's obsession with women and ignorance. He bases his love on the sufferings of ordinary people.

From this point of view, Yang Guifei racked her brains in the palace to fight for her special pet status, win your heart, and reject dissidents by hook or by crook. For court disputes, Yang Guifei's jealous, cold, suspicious and humble character has been well displayed. She criticized the teacher very hard and said, "Jiang Caiping and Jiang Caiping, I can't tolerate you, but I'm afraid you will tolerate you." In this chilling sigh, we saw the life-and-death struggle in the harem. She based her happiness on the misfortune of "there are other women in his court, 3,000 stunning beauties".

This shows that Li Yang's love is such a fusion of human nature and animal nature: human nature: a magnificent and resolute struggle against true love; Animal nature: do whatever it takes to love.

The love between Emperor Tang Ming and Yang Guifei was carried out in various complicated and sharp social contradictions and political struggles. The identity of the emperor and the imperial concubine caused such a contradiction between them and reality: "relax the platform and occupy the love field." It should be said that Emperor Tang Ming was a very meritorious emperor. Under his rule, "the mountains and rivers are unified and the world is peaceful." Historically, it was called "Kaiyuan Shi Sheng". But the Anshi Rebellion destroyed his achievements and made him a sinner of history. His love with Yang Guifei is the culprit.

The "love" between Emperor Ming of the Tang Dynasty and Yang Guifei is not a term limited to the meaning of love, but a philosophical concept including the relationship between men and women, monarch and minister, father and son, country, nation and friend or foe. Under the heavy pressure, Tang and Yang Guifei provoked the banner of "ruling by emotion" and finally took Yang's life as the price of this challenge.

There is nothing wrong with Tang and Yang Guifei being addicted to love: "Love" is human nature. However, their "love" has cultivated moths that gnaw flowers and roots and pushed the people into a pit of fire. This makes it difficult to manage the country and the family. This shows the split character of the Chinese nation. On the one hand, it must be abstinence. On the other hand, they are addicted to pornography. This is the result of thousands of years of feudal rule. The feudal ideology and its infiltrated values, after a long period of subtle influence, have penetrated into national consciousness and psychology, become the power of "history" and "majority" and become the normal state of life. Shown in the script, it became the suppression of Li Yang's love by the feudal moral and ethical system.

So, in this collision between rationality and humanity, Yang Guifei ended in tragic death.

After the change of Ma Wei, Emperor Tang Ming witnessed Yang Guifei's generous death for him. Compared with her sincerity in love, she broke her vows, lost her reputation, and felt regret and sorrow. But love, there is no difference between life and death. Where is love, so that "the living can die and the dead can live." In this emotional ordeal between ghosts and people, Emperor Ming of Tang Dynasty missed Yang Fei more and more. He lamented: "I failed his deep oath and his kindness."

In fact, in the depths of the hearts of Emperor Tang Ming and Yang Guifei, there is such a spiritual entity, that is, "divinity". It is with this "divinity" that everyone has that religious spirit creates a heavenly reunion and happiness.

In this situation, Emperor Tang Ming threw away the emperor's hat and appeared as a lonely old man, an infatuated figure who was addicted to "Zanhua Love". Yang Guifei is no longer an imperial concubine, but has undergone such a transformation: from man to ghost to fairy, and has become a "fairy in the mountain". In this way, in Li Longji's mind, Yang Yuhuan is no longer a beautiful woman who can be appreciated by others, but a goddess who combines good character and noble sentiment. In the play, all artistic means are mobilized to purify and beautify Li Yang, which makes people forget the sin and deeply sympathize with him. Confess the disaster that his love has brought to the country and people, and Tang repents of his rashness and impetuousness. The author thoroughly purified their feelings with solemn and sacred religious morality, and liberated them in a detached mode: fear of short life and giving up on real life, trying to escape the suffering of the world and the law of life. Finally, with positive religious feelings, Li Yang and his wife returned to a happy ending.

In this way, the script directly explores the subtleties of human nature by using the religious teachings and thinking mode of Zen, eulogizes the "emotion" with the freedom of personality as its essential content, thus opposing and competing with the "rationality" that stifles personality, and divinity finally overcomes rationality.

Author: Shui Juan Editor: Zhou Tian