Cang Kejia Old Horse Analysis?

China is an outstanding poet in modern and contemporary times, a famous writer and editor, a loyal patriot, a close friend of China, a member of China Democratic League, a member of the second and third National People's Congress, a member of the fifth, sixth, seventh and eighth CPPCC National Committee, a member of the seventh and eighth Standing Committee, a first and second director of the Chinese Writers Association, a third director, a consultant and a fourth consultant. Comrade Cang Kejia, honorary member and president of the 6th and 7th Chinese Poetry Society, honorary president of China Mao Zedong Poetry Research Society and honorary president of China Writing Society, died in Beijing at 20: 35 on February 5th, 2004 at the age of 99.

Comrade Cang Kejia, pen name Shao Quanlin, He Jia, 19651October 8, was born in Zhucheng, Shandong. Influenced by his grandfather and father since childhood, he laid a good foundation for classical poetry. /kloc-in the summer of 0/923, he was admitted to the First Normal School of Shandong Province. During this period, I read many new literary works and began to write new poems. 1925 first published his works in the national publication yusi with few signatures. 1927 was admitted to Wuhan branch of the Central Military and Political School to participate in the Northern Expedition. 1929, Qingdao Republic of China Daily published a new poem "Night Silence in the Forest" for the first time, signed by Ke Jia. 1930 to 1934 during my study at national Qingdao university (later changed to national Shandong university), I was warmly taught and carefully helped by Mr Wen Yiduo and Mr Wang Tongzhao. His poems, such as Refugees and Old Horses, describe the miserable life of farmers in old China with concise verses. The long poem Black Hands of Evil exposes the evil and hypocrisy of imperialism. These poems are the representative works of his early poems and have become the classics in the history of modern poetry in China. 1933 published the first book of poetry, Brand, which was well received by predecessors such as Wen Yiduo and Mao Dun. The following year, the collection of poems "Evil Black Hands" came out and became famous in the poetry world. 1934 to 1937, taught in Linqing Middle School, Shandong Province, published a collection of poems "Canal" and a long poem "My Portrait", and created a collection of essays "Random thoughts". 1936 Joined the Writers and Artists Association of China.

After the outbreak of War of Resistance against Japanese Aggression, Comrade Cang Kejia closely linked his destiny with that of the nation and took an active part in anti-Japanese patriotic activities. From 65438 to 0938, he joined the All-China Anti-Enemy Association of Literary and Art Circles and was elected as the director of Xiangyang and Yichang Branches. 1summer solstice of 1938 194 1 at the beginning of the year, he served as an instructor, secretary of the headquarters, member of the cultural work Committee, head of the wartime cultural work group and member of the 30 th Army in the Propaganda Department of the Anti-Japanese Youth League in the Fifth Theater. He was full of strong patriotic enthusiasm and risked the enemy bombing. He went to the front line of Taierzhuang for an interview and wrote a long reportage "The Story of Blood on the North Line of Jinpu". He led the wartime cultural work group of the Fifth Theater to carry out anti-Japanese literature propaganda and creation activities in rural areas of Henan, Hubei, Anhui and Dabie Mountains. Regardless of personal safety, he organized "literary and art workers to join the army"; He risked his life to go to the front line of Sui-Zao to engage in the cultural propaganda work of resisting Japan and saving the nation, and once participated in the Sui-Zao campaign. During this period, Comrade Cang Kejia created and published a collection of poems and essays, such as Joining the Army and Singing on the Huaihe River, Walking with Jujube, which enthusiastically eulogized the great patriotism and heroic deeds of the anti-Japanese soldiers and civilians. 194 1 autumn, he served as a member of the Senate of 3 1 and vice president and acting president of Sany Publishing House, preparing to publish the progressive publication "Dida Wen Cong", which was banned by the authorities after it was founded. 1July, 942, he resigned angrily and walked from Yexian County, Henan Province to Chongqing in the heat. 1943 was elected as an alternate director at the fifth annual meeting of the All-China Anti-Enemy Association of Literary and Art Circles in April. In the summer of the same year, he served as the Commissioner of the Relief Committee, responsible for editing the magazine "Education for Children with Difficulties" until the autumn of 1945. During this period, he created and published a long poem "Old Trees and Flowers", a memoir "My Poetic Life" and a collection of poems "Song of the Earth" and "Selected Poems in Ten Years". Cang Kejia (1905. 10.8-) was born in Cheng Nuo. /kloc-Before the age of 0/8, he lived in the countryside of Jiaodong Peninsula. 65438-0923 entered the First Normal School of Jinan Province. Influenced by the May 4th Movement, he learned to write poems. 1925' s first novel "Bie Bie and the plough" contains "Yu Si". /kloc-in the autumn of 0/926, he was admitted to the Central Military and Political School to take part in the campaign against the reactionary army Xia Douyin. After the failure of the Great Revolution, he fled to the northeast. 1929 He entered the cram school of Qingdao University and published Tao Xin's Silent Night in the Woods. 1934 graduated from Chinese Department of National Shandong University. At school, Wen Yiduo and Wang Tongzhao encouraged and helped me to write new poems. 1932 published his first poem "Refugees" in the seventh issue of Volume 4 of New Moon. 1933 published the first book of poetry, Brand. Then he published two poems, Black Hands of Evil, Canal and a long poem, Self-portrait. From 65438 to 0936, Cang Kejia joined the Chinese Writers Association and was one of the pioneers of China's realistic new poetry. He inherited and developed the realistic tradition of new poetry from two aspects. First, he extended the singing of new poems to farmers and rural areas in old China. Before him, no poet could describe farmers and countryside so successfully. Secondly, he promoted the construction of China's modern narrative poems, that is, the blending of the poet's inner world and the outer world. Cang Kejia is a charming poet in China. He consciously absorbed nutrition from China's classical poems and modernized them, casting the China style of his works. His poems have implicit lyrical ways, emphasizing "hiding", poetry is outside the poem, and the pen has hidden front; His poems use a simple and refined way of speaking, refined and ingenious; His poems pursue a harmonious and pleasing musical way, and "knocking" is one of the criteria for Cang Kejia to refine Chinese characters. He seeks the harmony of syllables, sonorous and moving, and increases the aesthetic feeling of readers' hearing. In the history of the development of new poetry, there are few realistic poets with China style like Cang Kejia, which is worthy of further study in academic circles.

Appreciate this poem and grasp several key words: Cang Kejia; Realism; Chinese farmers

For the history of modern and contemporary literature in China, Cang Kejia is a rich existence, and his literary activities have lasted for more than 70 years. The Complete Works of Cang Kejia published at the end of 2002 has 12 volumes, with nearly 6.3 million words. Cang Kejia is an important page in the history of modern and contemporary literature in China and one of the pioneers of China's realistic new poems.

Cang Kejia is famous for his new poem, but his prose, covered by the title of this poem, has also made great achievements. It should be said that his prose and poetry are equally divided in the time and quantity of creation. Prose and memoirs, including Wild Shop, Frog, Meeting in the Cave, Sea, Fire and My Poetic Life, are a major topic for prose critics. In his later years, Cang Kejia was old and sick, unable to touch the fresh life, so he "turned his head upside down when he was old, and wrote more prose and less poetry". "I try my best to grasp prose to express the interest of my poems." [1] Cang Kejia's poems seldom tend to be dull; On the other hand, his prose pursues poeticization-it contains the soul of poetry, which establishes the flavor of Cang Kejia's prose. Some partisans even say that "writing is not as good as poetry".

From a horizontal perspective, first of all, it seems that children who know nothing about the world and have not sweated are not sad enough; The second time was the "sweaty" father, whose melancholy mood showed poetry; Finally, grandpa who died of sweating showed his sadness. The life of a peasant in the soil! From a vertical perspective, the three images of children-father-grandfather represent not only three generations, but also countless generations. This is the embodiment of the life track of farmers from generation to generation in China, and each image is highly summarized. The meticulous observation, profound thinking, ingenious writing and strong aftertaste are beyond the reach of other poets. This alone, the achievement of Cang Kejia, a "peasant poet", goes without saying.

Cang Kejia put great emphasis on writing only what he is familiar with, which is a major feature of his realism. On the relationship between "the needs of the times" and "knowing yourself", he emphasized the familiarity with the subject matter. Of course, with the changes of the times, poets should be familiar with the new and unfamiliar life in the past, which is complete realism. In his preface "A War in the Middle" for Song of the Earth 1946 edition, he said: "When can I stop worrying, grieving and angry about their tragic fate and sing such ugly songs? When, let me sing a happy and liberated song for them-China farmers, in truth, just like they sing a sad song? " He was familiar with farmers in old China, so he wrote about farmers in old China. But he also longs for new people and a new world.

Cang Kejia is always attracted by the natural scenery of the countryside. As long as the conditions are met, his inspiration will come easily, so one excellent work will come out. 1942, he finished Song of the Earth, which is Cang Kejia's most important work besides the satisfaction of the brand and the poet himself. After the beginning of the Anti-Japanese War, poets and writers reflected on their own creation-empty enthusiasm disappeared, high-profile cries became hoarse, and some poets and writers returned to familiar themes, looked at old themes with new aesthetic eyes and wrote new works in the new era. So Ba Jin wrote Spring (1939) and Autumn (1940). Cao Yu writes about Beijingers (1941); Mao Dun wrote that frost leaves are as red as February flowers (1943); Cang Kejia wrote his 1 1 poetry collection Song of the Earth. Compared with those urgent chapters that sing current affairs directly, Cang Kejia said: "I am best suited to sing such songs, but maybe I can only sing such songs." [16] 1944, when he edited Selected Poems of Ten Years, few works directly representing the bonfire of the Anti-Japanese War were selected.

Cang Kejia's poem is a philosophy brewed in lyricism, and it is a philosophical poem. Wen Yiduo once had an incisive conclusion, "There is not a poem of Ke family that does not have extremely real life significance." This "extreme truth" comes from the poet's philosophical summary of his concern and grasp of the essence of life. "Three Generations", a "very true" lyric short poem, has simple, concise, cold and profound artistic characteristics.

During the War of Liberation, Comrade Cang Kejia participated in many progressive activities, such as "truce and peace". In Chongqing, he was invited to attend a symposium of cultural figures held by Comrade Mao Zedong in his Zhang Zhizhong apartment. In Shanghai, he edited literary supplements of the Voice of Overseas Chinese, such as Xinghe, Learning Poetry, Writing Poetry and Wenxun, and United a large number of progressive writers. Angry at the dark corruption of politics, he wrote a large number of political lyric poems and political satire poems, and published poems such as Baby, Zero Life and Winter, which had a wide influence. 1948 65438+In February, he was forced to dive into Hong Kong because of the serious white terror in Shanghai.

1949 In March, under the arrangement of the Party Organization of the Communist Party of China, Comrade Cang Kejia came to Beiping. In May, he published a group poem "What he saw, heard and thought" in People's Daily, expressing his joy after he arrived in the liberated areas. Later, he served as a researcher in the Literature Creation Research Office of the College of Literature and Art of North China University, an editor of the General Administration of Publishing and People's Publishing House, an editor of Xinhua Monthly and a literary column editor of Xinhua Monthly. 1July, 949, attended the first congress of all-China writers and artists, and was elected as a member of all-China writers association. 1951June joined the China Democratic League and served as a member of the NLD Central Culture and Education Committee.

1956, Comrade Cang Kejia was transferred to the Secretariat of the Chinese Writers Association. From 1957 to 1965, he was the editor-in-chief of Poetry magazine. After his contact, Mao Zedong's 18 poems were published for the first time in the inaugural issue of Poetry Journal, which had a great influence throughout the country. During this period, he devoted himself to the organization and leadership of prospering and developing socialist literature, played an important role in the publication and development of Poetry Magazine, and made remarkable achievements in prospering poetry creation and strengthening the construction of poetry team. At the same time, full of infinite love for the motherland, the party and the people, I am tireless and diligent in creation. As a passionate and prolific poet, he was active in China poetry circles in 1950s and 1960s, and ushered in another peak of his creation. He has published poetry anthology "Selected Poems of Cang Kejia", "Triumph" and long poem "Li Dazhao". Among them, some people-in memory of Lu Xun's feelings, Chairman Mao's smile on the Yellow River and other well-known works have been selected into middle school Chinese textbooks many times. 1957 Co-authored Interpretation of Chairman Mao's Poetry with Zhou, which played an important role in the spread and popularization of poetry.

Comrade Cang Kejia was persecuted in the "Cultural Revolution", forced to stop his literary creation and social activities, and was sent to the "May 7th Cadre School" in Xianning, Hubei. 1972 back to Beijing. 1June, 976, Poetry Magazine was reissued, with Comrade Cang Kejia as consultant and editorial board member.

After the downfall of the Gang of Four, Comrade Cang Kejia, who was over 70 years old, was full of literary thoughts and ushered in the spring of creation. He sang a heartfelt hymn to the new period of socialism, and published poems such as Recalling Xiangyang, Falling in the Red Dust and Cang Kejia's Old Style Poems. Prose collections such as Huai Ren Ji and Poetry and Life; Random Thoughts on Learning Poetry, On Poetry by Ke Jia, Appreciation of Classical Poetry by Cang Kejia, etc. The Complete Works of Cang Kejia, a 12 volume that condensed his life's sweat and hard work, was also published in June 5438+February 2002.

Cang Kejia's works have won many awards and have been translated into many languages, which have a wide influence at home and abroad. 1April, 1988, won the honorary award of the first literary periodical editor of Chinese Writers Association; 1In August, 990, Appreciation of Mao Zedong Poetry, edited by him, won the Golden Key Award of the National Book and the first prize of the Fifth China Book Award. 199 1 10 received special government allowance from the State Council. June 5438 +2000 10, won the first "Xiamen-New Cup". China Poet Award "Lifetime Achievement Award; In June165438+1October of the same year, he won the Lifetime Achievement Award of the First Dragon Culture Gold Award of the International Yanhuang Culture Research Association. From June 5, 2002 to 10, he was awarded an honorary doctor of literature by the World Congress of Poets and the World Art and Culture Society. In 65438+February of the same year, he was awarded the gold medal of "China Contemporary Poetry Soul" by the 7th International Poets' Pen Club. From June 5438 to February 2003, The Complete Works of Cang Kejia was nominated for the 6th National Book Award.

Comrade Cang Kejia loves the Party, the people and socialism, and earnestly studies Marxism–Leninism, Mao Zedong Thought, Deng Xiaoping Theory and Theory of Three Represents. In his creative career of more than 70 years, no matter during the revolutionary war years or during the period of socialist revolution, construction and reform and opening up, he cared about the future of the country, the destiny of the nation and the development of literature with great enthusiasm, enthusiastically eulogized the cause of revolution, construction, reform and opening up and socialist modernization led by the Party, and actively advocated writers to go deep into life with short poems, old poems, essays, critical letters and novels. He adheres to the direction of "choose one from two" and the policy of "letting a hundred flowers blossom", unites and cares for middle-aged and old-aged poets and enthusiastically cultivates young poets. He witnessed the whole history of China's new poetry from birth to development, and made outstanding and indelible contributions to the development of China's new poetry.

Comrade Cang Kejia's life is a life of unremitting pursuit of light, a life of consciously expressing the times and serving the people wholeheartedly, and a life of diligent writing, painstaking efforts and constant climbing of artistic peaks. He is keen in thinking, clear in love and hate, kind and upright, optimistic and open-minded, decent in style, simple in style, approachable, open-minded and cheerful, frugal in life and strict with himself. He devoted his whole life's energy and painstaking efforts to the literary cause of the party and the people selflessly.

With the death of Comrade Cang Kejia, China lost a master of literature, a pearl of contemporary poetry and a respected and beloved teacher. We will always learn from him and miss him.

Comrade Cang Kejia is immortal!