Fortune Telling Collection - Comprehensive fortune-telling - Ten natural writing poetry collections, Above the Mountain Peak, were published.

Ten natural writing poetry collections, Above the Mountain Peak, were published.

Above the mountain peak

Selected Poems of Ten Nature Writers

Editor: Li Beiqiao

china tushu publishing limited

65438+2022 10 month

Being close to nature and pursuing the artistic conception of harmony between man and nature is the eternal pursuit of poets.

With the theme of "Nature", this book brings together the outstanding works of 65,438+00 famous poets, such as Shen Wei, Hu Xian, Li, Li, Jian Nan, Bei Qiao, Feng Na and other representatives of contemporary natural poetry creation. Each poet creates 20 poems, about 5000 words.

These poems are not only masterpieces of natural writing, but also masterpieces of contemporary poetry. Immersed in reading poetry, we can feel the charm of poetry, the beauty of mood, the beauty of the meaning that things are suitable for me, and the beauty of nature full of vitality.

The poet's creation talks about starting a dialogue with the world and nature from the inside and outside of the poem, or revealing the state of mind of writing, or providing a reading path, which has a very personal and in-depth thinking about natural writing.

Now, I want to extract a poem and talking points of each poet from this book and share them with you.

Shen Wei: A bumper harvest in the desert

Rain falls into the desert.

The sun set in the desert.

The heavy snow lasted for a year in the desert.

Four shoes in spring, summer, autumn and winter.

Exhausted, I fell into the desert.

Birds landed in the desert.

Clouds fall into the desert.

The empty cup fell into the desert and the feast was over.

A gobbledygook, read by God.

Spread out and fall into the desert.

It's silence, falling into silence, making a little noise.

A slight sound, like the last sigh of the earth.

Talk about creation

Nature Writing and Plant Poetry (Excerpt)

Tao is natural, words follow the law, and words are Tao. This is a law of natural poetry and plant poetry, and it should also be the cornerstone of the existence of natural literature today. Gazing produces "sorrow for things" and the unity of things and hearts. When we observe a plant, the plant is also observing us. This is the moment when the subject and the object blend and things are different. At a moment of ecstasy, we can communicate with the hidden divinity and mystery of plants through obvious forms, metaphors and symbols.

Shen Wei, a native of Huzhou, Zhejiang Province, has lived and worked in Xinjiang for 30 years and now lives in Hangzhou. He has written more than 20 books, including Shen Wei's Poems and Xinjiang Prose Dictionary. Lu Xun Literature Award, China Literature Media Award, October Literature Award, etc.

Hu Xian: Xianju Guanzhu

There are no traces of raindrops, and there are rocks everywhere.

In the morning fog, someone can see the figure of the whole mountain, which is what I saw.

But there are all kinds of bamboos everywhere.

It is said that this place is suitable for immortals to live in, but I heard it when I was chopping bamboo.

This is obviously a human scream.

Noodles in bamboo roots can't be taken out without a knife;

The bamboo stool creaked, and new cracks appeared in your body.

-Only this bamboo raft can connect the holes in a row.

The generated buoyancy has the beauty of obedience.

In downtown areas, blind fortune tellers shake the sign tubes one by one.

The bamboo stick is moving, echoing the life of everyone in the world.

Talk about creation

Five Essays (Excerpts)

Nature is both ancient and fresh, but only when it is watched, it is present, it will show its precarious properties and form a striking internal landscape in emotion. Nature will place itself in it countless times, and the surface properties and the deep agitation constitute a strong tension. Writers should survive in this tension and explore the unknown areas in their hearts.

Hu Xian, now living in Nanjing, is a famous poet and essayist. He has written poems such as The Hourglass, Empty Stairs, Stone Carving, Butterfly (bilingual in Chinese and English), as well as essays such as Essays on Vegetables and People Who Can Never Go Home. He was awarded the title of "Top Ten Young Poets in the New Century" by Poetry Publishing House, and was awarded the annual poetry award by Poetry Publishing House, Stars, October, Works and other magazines, as well as the annual poet award in China Literature List, Tencent College Literature Award, Rougang Poetry Award, Wen Yiduo Poetry Award, Xu Zhimo Poetry Award, October Literature Award, Lu Xun Literature Award and other awards.

Li Yuansheng: Abelmoschus manihot.

The whimsy of a summer is over.

With withered beauty, hollyhock is like a ladder that stops rising-

Ah, flower-like climber's footprints

Now, we are in a broken and turning moment.

Everything is like a famous painting damaged by heavy rain.

Black seeds fell into my palm.

A strange self, a brand-new ladder to the future.

And the mysterious death equation.

In summer, many planets wither in this way.

Behind us, the universe will still run.

With infinite mysterious equations

Talk about creation

Poetry in the wilderness (excerpt)

In my opinion, nature not only refers to the oceans and wilderness on the earth, but also includes our sky, the stars and the moon in the sky, the Milky Way … and the whole universe. In this vast nature, there are laws of the size of the universe itself, what the ancients called Tao, and an infinite world that may be nested together. In the grand law of the universe, the long and splendid civilization of mankind is only a tiny spot. Can our writing background only be our city and history? This infinite nature, of course, should also be the background that hangs in our thinking and writing forever. Become an eternal ladder for us to rely on when writing.

Li Yuansheng, male, poet and natural history traveler. Professional writer of Chongqing College of Literature, vice chairman of Chongqing Writers Association, member of Poetry Committee of Chinese Writers Association. He has won the Lu Xun Literature Award, the Poet of the Year Award for Poetry Publishing, the People's Literature Award, the October Literature Award and the second prize of Chongqing Science and Technology Progress Award.

Li: Rainforest.

As soon as the rain curtain is pulled, there is a breath of tropical rain forest.

The shoots and green leaves also spread out, appearing rich and lush.

It kept raining, and a path led to the dense forest.

Coupled with the dense weather, hazy and unfathomable.

Without rain, how can it be called a tropical rainforest?

In the rainy season, the whole forest is weak.

Birds also appear scattered, unable to awaken internal memories.

Raindrops are the deepest and most silent way of homesickness.

Talk about creation

Modern Ways of Poetic Situation (Excerpt)

Love, love is love. Scenes blend together, and feelings and scenes are always linked. Situation is the mirror image or framework of emotion, which is personal and instantaneous. Emotion stays and precipitates here, and then rises to beauty. Situation is a small world of emotion. Details, accidents, and scenes are all meaningful, and meaning is established because of emotions.

Family ties can be preserved for a long time because of the environment, and the environment is remembered because of family ties, with life and aftertaste.

Creating scenery with emotion is the most common technique in ancient times, which is also called "emotion in the scene" Zhu Liangzhi, a scholar, said that Wang Wei's poems are only a few words, seemingly monotonous in content, but in fact they create a kind of "realm" with emotion, such as "osmanthus flowers fall when people are idle, and the mountains are empty at night. When the moon comes out, the birds are startled, and the sound of the spring flows, and there are also "whispering autumn rain, shallow stones sliding and diarrhea." "Jumping waves and splashing each other, egrets start up" ... all form a quiet and self-sufficient world alone, with business in it, which is a complete and vivid "environment". In this environment, the soul and heaven and earth are integrated, and life and the universe are integrated, so you can feel at ease.

Li, 1967 was born in Xiangxiang, Hunan Province, and 1989 graduated from the journalism department of Wuhan University. His main works include Nature Collection, Grassroots Collection, Haitian Collection, Spring Should Be Expressed, etc. He is called a "natural poet". He used to be the editor-in-chief of Tianya magazine, the vice-chairman of Hainan Federation of Literary and Art Circles, and now he is the editor-in-chief of Poetry Magazine.

Chen Xianfa: See you in Dan Qing.

Alnus cremastogyne, Pinus bungeana, Ulmus pumila and Metasequoia glyptostroboides are higher than Elderberry and Cercis chinensis.

Cinnamon and camphor. The lake is pulled up by autumn, and the coniferous forest is higher than.

Broad-leaved forest and Eucommia ulmoides are higher than sisal. if

Oak will be taller than rosewood when the lake is dark. Birds sing one after another.

Melting. The snake's tongue is like an electric shock. She peeks at the birch tree through the keyhole.

Higher than the birch peeping through the rotating glass.

Birch trees in the eyes of the dead are taller than those in the eyes of the living.

The birch made of coffin is taller than the birch made of violin.

Talk about creation

Notes on Black Chiba (Excerpt)

The richness of the world lies in that it is both my world and the world in the eyes of cats.

It is not only a world where willow branches can be touched by brush strokes, but also a world where fish swim in places we never know. It is not only a world where words can be perceived independently, but also a world that we try to explain by digging this word. It is not only a world that reflects light in the mirror, but also a world that is in a trance in the echo.

This is a world like a hole and a patch. These worlds can neither communicate with each other nor be equal to each other, so they are the source.

Chen Xianfa, 1967 was born in Tongcheng, Anhui province in June. 1989 graduated from Fudan university. He is currently the chairman of Anhui Federation of Literary and Art Circles. His main works include more than 20 poems, such as Heart of Standing a Monument, Nine Chapters, Fissures and Giant Eyes, Selected Poems of Chen Xianfa, Singing the Soul, and a collection of essays, Notes on Blackpool Dam, etc. He has won dozens of awards such as Lu Xun Literature Award, China Literature and Media Award, October Poetry Award, China Laureate Poetry Award, Poetry Magazine Annual Award and Chen Ziang Poetry Award. 20 15 won the "Centennial Contribution Award of New Poetry" jointly selected by Zhonghua Book Company and other units with ten poets including Beidao. His works have been translated into English, French, Russian, Spanish, Greek and other languages for dissemination.

A Xin: Exclusive Plateau

Light a candle and listen to the thin rain outside the window.

Tonight's horse, tonight's steep stone, tonight's hidden star.

Let me enjoy the cold silence alone.

Let me enjoy the plateau and poetry alone.

Infinitely lonely black felt house.

I often look back on myself in such silence.

My pity and cherish for myself is beyond my capacity.

I make myself sad, miserable, desperate and arrogant.

I often do this: listen to the rain on the plateau and sit quietly until dawn.

Talk about creation

Zigong may produce salt as far away as possible (excerpt)

I accepted the deprivation of nature and the gift of nature. I deeply feel my limitations and the "surrender" of my existence. I see and say what inspires me in my heart, but remain silent about the wider unknown. Because I often feel the power of nature behind things. So my heart is solemn, and I am full of piety for all the existence in the world. My writing first faces my heart, and I must first settle my soul in poetry. In the long, dull and quiet plateau years, I was accompanied by the ancient poetic spirit of mankind and those great poems.

A Xin was born in 1964 in Lintao, Gansu. He has worked and lived in Gannan Tibetan area for a long time. He is the author of Poems of A Xin, Poems of Grassland, Those Years, Sando River, Surprise and so on. He has won Xu Zhimo's Poetry Award, Western Literature Award, Changyao Poetry Award and Chen Ziang Poet of the Year Award of Poetry magazine.

Kennan: The old house on the hillside

In front of an old house, there are butter trees, bletilla striata trees and tung trees.

Holly has thorns and many hibiscus bushes.

It is planted next to the vegetable garden, and poplar trees grow on the left.

Half the branches covered half the wings, but there was only one tree.

In rural areas, the shapeless ones are called miscellaneous wood, and the stout ones are called wood.

Therefore, tallow, baiji and tung oil tree coexist in one place.

Ilex cornuta and hibiscus are densely planted into fences.

Only Pterocarya stenoptera is favored, monopolizing half of the open space.

Such a simple and unconscious layout and era.

How similar the values are, but I am surprised at how similar they are.

The emptiness and dilution of old houses formed on the hillside

The eaves in the corner of the gray tile are covered by tall Pterocarya stenoptera

Pick out the mountainside, lonely and desolate, with decadent beauty.

I was amazed at the barren wildflowers in front of my door, Leng Yan.

The closed Chai Fei seems to be about to be knocked down by a poem.

Talk about creation

Natural Writing in Poetry and Man's Scale (Excerpt)

Some people say that paying attention to natural ecology is a major feature of my poetry creation. I think what they are talking about is my concern for nature, including mountains, rivers, flowers, trees and all the life living in them. But for me, I think my worry is caused by the big environment. It is a very obvious fact that the rural ecology has deteriorated since 1990s. In addition, I was born in the countryside and kept close contact with my hometown, so the nostalgia for the beautiful ecology in the past and the regret for the destruction of the rural ecology today naturally appeared in my pen. In other words, my concern is spontaneous, not conscious, but unintentional. I just hope to determine the fate of a village and the villagers living in it through the description of the natural ecology of my hometown.

Jiannan, formerly known as Lu, was born in Tongcheng, Hubei. Literary creation began in the late 1980s. He has published poems, novels, essays and comments in People's Literature, Poetry Magazine, October and Writer. He won a poetry prize and was selected into various anthologies and experimental Chinese textbooks for middle schools. His works include Angry Life, Scattered Pages and Chapters, Blue Tiles in the Starry Sky, Selected Poems of Swordsman, etc. He is currently teaching at Huazhong Normal University, deputy director of the Poetry Research Center of Huazhong Normal University, and editor-in-chief of Chinese Teaching and Research magazine.

Lin li: A white butterfly is sitting on a pea flower.

A white butterfly sits on a pea flower.

Simple. Happy. The obvious natural things in the village.

I must really like this scene.

Trembling vines with budding wings

The smell on my face

Tiny rustling, warm and soft chest.

Transparent buds raise their light wings.

April or May?

In the country, on my painful soil.

The ridge must be covered with light blue pea flowers.

There must be a white butterfly coming out of the cocoon.

Pause, fly, fly.

How can I think of it again and again?

-Won't spring come too soon? Winter is too long.

Talk about creation

Nature (excerpt)

Extract poetry from ordinary daily life such as pastoral mountains and rivers and farmers' wild interests, and see those who bow their heads and live on the earth get rid of hardships and hardships. I have written more than one poem entitled Shan Jutu. Its origin lies in Wang Wei's Autumn Night in the Mountain and Tao Yuanming's Return to the Garden. Every word is waiting for the flowers to fall in the tea and the grass to grow in the heart. I want my poems to present such a pure world. The existence of warmth, with the ability to travel through time and space, tends to be clear. They are soil, vegetation, rivers and human nature itself.

Lin li's poems were published in People's Literature, Poetry Magazine, Stars, Tianya, Huacheng, Readers, Shanhua and Works, and were selected into the annual anthology. He has published a collection of poems "Above the Dust" (265,438+0 Century satellites, 2065,438+00 volumes) and "Lonely Singing". He has won the 20 10 China Young Poet Award, the 20 14 Jiangxi Poet Award, the Red Sorghum Poetry Award and the Yang Zijiang Poetics Award to participate in the 24th Young Poets' Meeting of Poetry Publishing House.

North Joe: Maijishan

How much wheat is needed?

Pile up this hard mountain

Food that walks on the earth

There are vicissitudes in kindness.

Climb high and look at all beings.

There is only one wheat pile from the earth.

A Buddha statue with different expressions.

A meaningful silence

Stand in the wind and let time flow.

These wheat tell another kind of eternity.

Everything is going on, including the beginning and the end.

Long and lonely guardian

Dark red gravel, recording everything.

Smoke and white clouds go deep into the sky together.

Life is quiet.

Talk about creation

Everything is natural (excerpt)

I am interested in artistic conception, symbol, image and blank space in China culture. Therefore, my poems always hope to use or condense the meaning of something. I think this is an important part of poetry.

I prefer the sense of picture and some meanings. Everything is everything. The magic and beauty of nature are beyond our enjoyment. Man is just an ordinary individual in all things. People's survival and life are always in great difficulties, and they are always faced with great pressure that they cannot get rid of.

Poetry is a natural thing.

Beiqiao, a native of Dongtai, Jiangsu, is a poet, critic and writer. Published 14 books, including poetry anthology, literary criticism monograph, Liu Qingbang's Daughter Country, Flying on the Ground, Dating Novel, Novel, New Warrior, Warrior, Novel Collection, It's going to rain, Prose Collection and Ying Zi. He has won the Literature and Art Award of the People's Liberation Army, Excellent Literary Works Award of the Army, Haiyan Poetry Award, Liu Zhang Poetry Award, Wujin Literature Award, Sanmao Prose Award and Lin Yutang Prose Award.

Feng Na: Looking for cranes.

Cattle and sheep hide in the shadow of the grassland.

Bayinbrook, I met a man who raised cranes.

He has a beaked neck.

Broken wing sound

The crane hollowed out nine suns that fell on the water.

He made me think that grasslands should be different.

It is easy to indulge the vastness at dusk.

I waited for the crane to fly out of his robe sleeve.

I pray that the other one will fall into the sky.

She has a narrow face and thin ankles.

Love crane owners, hate infatuation.

She has 108 ways to hide in the wilderness.

Crane farmers only need one way to find it:

In Bayinbuluke

The cranes he touched will return to their nests at night.

Talk about creation

Works (excerpts)

When I looked down at the surface through the thick darkness from the night flight, the lights in familiar or unfamiliar cities went out, just like the Milky Way and constellations. I have long been moved by this night selected by countless lights, and I am also moved by witnessing such nature and people. I once thought, "I don't love the world more than a bee or an ant/my job is like a narrow eucalyptus tree." However, in the long years of hard work, I love the world more than before, and I cherish the limited and precious input of human beings in this world more. I think this is also the education of poetry to me.

Feng Na, born in Lijiang, Yunnan, is a Bai nationality. After graduation, I worked in Sun Yat-sen University. He is a member of Chinese Writers Association, a contracted writer of Guangdong College of Literature, and a special tutor of the Creative Center of Guangdong University of Foreign Studies. He is the author of numerous poems, such as Nights of Selecting Lights, Searching for Crane, Notes on Plants in Song Dynasty, and so on. His works have been translated into English, Russian, Korean, Japanese and other languages and introduced overseas. Attend the 29th Youth Poetry Meeting. The12nd resident poet of Capital Normal University. He has won the China prize for literature of ethnic minorities, the China prize for young poets and the Guangdong Luxun prize for literature and art.

Above the mountain peak

Selected Poems of Ten Nature Writers

Editor: Li Beiqiao

china tushu publishing limited

65438+2022 10 month