Fortune Telling Collection - Comprehensive fortune-telling - Brief introduction and detailed information of Jia Dao
Brief introduction and detailed information of Jia Dao
Jia Dao and Meng Jiao are also called "thin suburban islands", Meng Jiao is called "poetry prisoner" and Jia Dao is called "poetry slave". They don't like to associate with ordinary people all their lives. Biography of Talented Talents in Tang Dynasty called him "a man who knows everything except dust". He only likes to write poems and mourning poems and work hard on words.
In the winter of the fifth year of Yuanhe (8 10), I went to Chang 'an and met Zhang Ji. The following spring, I went to Chang 'an, visited Han Yu for the first time, and deeply appreciated my poems. After secularization, scholars were introduced repeatedly. When he was literate, he was demoted to the main book of Changjiang (now Daying County, Sichuan Province) for slander. He once wrote the poem Sick Cicada and Stabbed a Public Official (Chronology of Tang Poetry). In the fifth year of Kaicheng (840), he moved to Zhou Pu to join the army. Five cases of Huichang died in Zhou Pu on July 28th (August 27th) in 843.
Jia Dao's poetry formed a school in the late Tang Dynasty, which had great influence. Zhang Wei, a poet in the Tang Dynasty, has been listed as one of the seven people who entered the church as "pure and elegant". In Qing Dynasty, Huaiming Li called him a "lonely man" in the Poet's Subject and Object Map of the Middle and Late Tang Dynasty, and listed many disciples as "entering the room" and "auspicious door". In the late Tang Dynasty, Dong Li, Sun Sheng and others in the Five Dynasties respected Jia Dao very much, and even burned incense to worship his portraits and poems, which was like a miracle (Biography of Tang People, Reading Records of County Zhai). Jia Dao's Collection of the Yangtze River 10, with four series widely used, was photocopied and translated in Song Dynasty. The New Collection of the Yangtze River is based on Jia's poems collected in The Complete Poems of the Tang Dynasty, and other books and related anthologies, anthologies and appendices, such as Chronicle of Jia Dao, Examination of Jia Dao's Friends, and Jia Dao's Poetry Review, are relatively complete.
"Tai Ping Guang Ji" records that Jia Dao's original words are immortal and harmonious, but the white yuan is still light and shallow, and the island is unique and unconventional, so it is charming. Although I sat sleeping, I didn't stop chanting. Try to cross the road by donkey. When the autumn wind is strong, the yellow leaves can be swept. The island suddenly sang, "The fallen leaves are all over Chang 'an. "It was impossible to get a joint punishment, but because of Liu Qichu's prevarication, he was released overnight. I also tasted Wuzong, a quiet house, and the island was particularly insulting and dumbfounded. One day, an imperial edict was issued, ordering an official to be deposed, awarded a special captain to Changjiang County, and temporarily transferred to a warehouse in Zhou Pu.
Jia Dao's translation of Jia Dao's image is immortal. In the Middle Yuan Dynasty, Yuan Zhen and Bai Juyi's poems advocated lightness, while Jia Dao pursued the uniqueness and unfamiliarity of poetry to correct the frivolous atmosphere of poetry. Whether walking, sitting or eating, he never forgets to recite poems. I once rode a donkey under an umbrella through the streets of Chang 'an. At that time, the autumn wind was fierce and yellow leaves were everywhere. Jia Dao suddenly sang a poem: "Leaves are falling all over Chang 'an. "I forgot to avoid it because I couldn't think of another corresponding poem because I was impatient. I collided with Zhao Yin and Liu Qichu's sedan chair and honor guard in Dajing, and was arrested and locked up all night before I was released. On another occasion, he met Wu Zong in Dingshui Jingshe. Jia Dao was very rude to the emperor, and the emperor was very surprised. Later, the emperor ordered him to be demoted to Changjiang county magistrate. Soon after, he was appointed treasurer of Zhou Pu and died in his post.
Fan Yang, the hometown of Jia Dao who became a monk in his early years, was once An Lushan's lair. After the Anshi Rebellion was put down, it was occupied by the buffer region for a long time and was in a semi-isolated state. Jia Dao was born in a humble family. So his early behavior rate can't be tested. Legend has it that he tried several times before he was 30, and all failed. Frustrated and forced to make a living, I had to become a monk and take a dharma name without publishing a book. His poor family and lonely life of meditation have cultivated his withdrawn, indifferent and introverted personality. He likes to be alone and curious, and he is lighter than wealth, and his feelings are vivid in his face, which is quite rare in the world. But he still loves to recite poems and is often carried away by the idea of good sentences. "Although he sat sleeping, he never stopped singing." Therefore, Jia Dao is regarded as a typical poet in the Tang Dynasty.
One day, Jia Dao visited a friend named Li Ning on the outskirts of Chang 'an. He searched along the mountain road for a long time before he touched Li Ning's home. At this time, the night is quiet and the moonlight is bright. His knock on the door woke up the birds in the tree. Unfortunately, Li Ning was not at home that day, and Jia Dao left a poem:
Li Ning's Seclusion
Living in seclusion with few neighbors, grass enters the wilderness.
Birds are freely perched in the trees by the pool, and monks are knocking at the door.
Walking across this bridge, you can see the charming scenery of Ye Yuan, and the feet of clouds seem to be moving on the floating rocks.
I will leave here for a while, but I will come back and retire with my friends on the appointed date.
The next day, Jia Dao rode a donkey back to Chang 'an. On the way, he remembered the poem he improvised last night, and felt that the word "push" in "Birds by the Pool Stay in the Tree, Monks Push the Moon Down the Door" was not appropriate enough, and it might be more appropriate to use "knock" instead. Jia Dao rode on a donkey, sang songs, knocked at the door and pushed the door, and unconsciously entered Chang 'an. People in the street are amused to see him like this. At this time, Han Yu, who was an official in Beijing, came face to face with the honor guard. Pedestrians and vehicles gave way, and Jia Dao rode a donkey with lively gesticulations and broke into the guard of honor. Send someone to take him to see Han Yu.
Han Yu asked Jia Dao why he trespassed. Jia Dao read the poem he wrote to Han Yu, but he couldn't make up his mind whether to use "push" or "knock" in one sentence. Han Yu listened and thought with great interest. After a while, he said to Jia Dao, "I'd better type." Visiting a friend on a moonlit night, even if your friend's house is not bolted, you can't rush to the door. Knocking at the door shows that you are a polite person! Moreover, the word' knock' adds a little more noise in the dead of night. " Isn't it lively when there is movement in silence? "Jia Dao listened to nodding. Not only did he not get punished this time, but he also made friends with Han Yu.
Since then, deliberation has become a popular word, which means that when making an essay, writing a poem or doing something, you have to ponder and consider it repeatedly to get the best result.
Is it abrupt that Jia Dao and Liu Qichu of Imperial Examination High School are together? Are you a scholar? In what year did you become a scholar? I can't pass the exam either, but it's true that my career is bumpy. Jia Dao took many exams, but he lost his reputation in Sun Shan. On one occasion, he not only lost face, but also was labeled as "ten evils in farming" for "singing sick cicadas and stabbing public officials". What saddens him even more is that his good friend Meng Jiao died of a sudden illness in the 9th year of Yuanhe (8 14). In the fourth year of Changqing (824), Han Yu died of illness again. At this time, Jia Dao was still an ordinary white man. It was not until Jia Dao was old that Jia Dao became the main book of Changjiang County. In the fifth year (840), Jia Dao passed the exam for three years and moved to Zhou Pu (now Anyue County, Sichuan Province) to join the army. In the third year of Huichang (843), Jia Dao died on July 28th (August 27th).
What Jia Dao's poem Jia Dao did after the main book of the Yangtze River is not recorded in the history books. Su Jiang, a native of Tang Dynasty, praised Jia Dao for "being in office for three years and never letting go" in his Epitaph of Jia Sicang. It seems that Jia Dao's hobby of reading and reciting poems has not changed since he became an official.
Jia Dao is famous for his hard work and seriousness in writing poems. This is also reflected in his own poems. For example, in the poem "See No Man", he wrote "Go alone and count the trees at the bottom of the pool": "Two sentences win in three years, and one song tears." Don't reward your bosom friend, but return your old age. ""three years and two sentences "is naturally exaggerated, but it is true that he often takes the trouble to recite poems. Compilation and Drawing of Su Wen's "Wuzhong Ren Xian Spectrum"
It is also because of his efforts that he was able to make up for the lack of talent, and finally won a place in the dazzling Tang Dynasty poetry world, leaving many excellent works. For example, his "Recalling the History of the River": "Fujian sails, and the toad is stubborn. Autumn wind blows the Weihe River and leaves fall all over Chang 'an. Tonight, the weather is cold and thunderstorm. "Lan Raoshu has not returned, and the news is in the clouds." The whole poem is full of backbone, and poetry is turning. In particular, the couplets of "Autumn wind blows Wei River, leaves are full of Chang 'an" are naturally humorous, desolate and meaningful, vividly conveying the poet's deep affection for remembering his friends, which is worthy of being told through the ages.
Another example is his "Send a Message to North Korea to Recover Chaozhou", which was once with Mulan's boat until the tide went south. Come to China for an appointment every other chapter, and the letter will pass. The peak hangs on the postal road, the clouds break, and the roots of the city are immersed in the sea. "A night of smoke and wind blew away, and at the beginning of the next month, I went to langxi Building. Write Jia Dao's suspense and sympathy for Han Yu, which sets off Han Yu's aboveboard, broad realm, high syllables and long charm, indicating that Jia Dao saw meaningful brushstrokes in a plain place.
Another example is his poem "Xia Di": "How can I live in Dixiang without the first empty bag! Apricot garden is full of tears, who is drunk for flowers? Tears fall in the distant mountains, and spring grass gets sick. " It's easy to know a friend, but it's lonely to lose Sanxiang. "Expressed his pain after being seriously backward. Jia Dao was very frustrated, lonely and poor all his life, and his political career was extremely difficult. Therefore, his poems mainly describe the lonely and secluded realm. But sometimes there are works of generosity and agitation, such as his Song of the Sick Stork: "The beautiful birds threw themselves at each other and abruptly got off the ladder. Sometimes it is revealed that nothing goes with the wind. Borrow the swift to get the jade rabbit, and brush the golden rooster in the sun later. "Bak Yan's hair has been smashed, how can he be ambitious?" I still have the same ambition, my ambition is hard to grind, and I still dream of the opportunity to fight in the air. This intense factor in his thoughts is often vented by the images of old generals and veterans. For example, his "A Generation of Old Generals": "The past is like a dream, who should trust the old?" There are several battlefields, and there is no one in the Ministry. Collect sick horses at sunset and take pictures on sunny days. I hope I can use it in the sacred court. I will use it to make my beard white. His "A Generation of Border Generals": "Holding Ge Cluster to the border, the cloud will be harvested after the war. Cry cold when the grass is exposed, and sing long in the spring at night. Hold the iron three feet and run for the bull. " It doesn't matter how expensive it is to serve the country, but anger makes enemies. "His swordsman:" It takes ten years to grind a sword, but the frost blade has not been tried. " "I'll show you today. Who has a problem? " His "Meet the Old": "When I was a few years old, I didn't have to fight. Now I can be advised to drink. I envy you for walking across the Yellow River without white hair. The soldiers in the old house burned out, and the new palace fought more and more every day. "Demon star and Angle, a few feet of iron grinding again. These poems are full of heroism and strong character. Unfortunately, Jia Dao had this ambition but no opportunity, which led to his failure to display his talents, leaving only his Poems of the Yangtze River.
Jia Dao's poems and his bitter spirit are still very influential in the late Tang and Five Dynasties. For example, Dong Li in the late Tang Dynasty "admired the Yangtze River, so he wrote an island image in bronze statue and put it in a towel." . I often miss Jia Daoxian with a few beads, a thousand times a day. Anyone who likes islands will give him an island poem and urge him to say it four times. "This is no different from Buddhist scriptures. Burn incense and worship." Another example is Sun Sheng in the Southern Tang Dynasty, who painted a portrait of Jia Dao and hung it on the wall for worship day and night. Although Jia Dao believed in immortal Buddha before his death, I'm afraid he never thought that someone behind him regarded him as immortal because of his poems. If he lives in heaven, he will be content to be immortal after death!
Su Dongpo, a thin man on a suburban island, is very interesting. He doesn't have the poetic style of Ouyang Xiu's June 1 poem and You Mao's whole Tang poem, but he often has sensational views on poetry. Such as "viewing poetry, there are paintings in poetry; This is a touching painting with poems in it. " "Du Fu's poems, North Korea's and Yan Shu's are masterpieces. "Meng Haoran's poetry, rhyme is high and short. He also put forward "... thin on a cold island in the suburbs", and it was summed up so accurately, vividly and vividly.
The reason why Jia Dao's portrait "Cold Island Thin" originated from the poetic style of Meng Jiao and Jia Dao, of course, mainly refers to the narrow pattern, poor mood and bitter spirit reflected in their poems. Both of them are decent officials who have never done anything in their lives. Meng Jiao, essentially Geng Jie, is a person who is not good at communicating with others. After taking three exams, I won a Jinshi at the age of 50 and got a poor little official position. But he usually spends his time drinking, playing the piano, making friends and writing poems, and is indifferent to government affairs. Finally, someone else took his place, went home with half his salary and lived a poor life. Therefore, his poems are becoming more and more "cold", such as: poverty and illness can be ashamed, so there is no new fur on the bed. Spring burns the skin and the meal is bitter. Tired sleep smells, and strong words sound soft. Cheng Yan was caught in a trap, and his tears did not dare to flow. Silently in your heart, you will continue to worry about it. ("Disease") If you don't stop studying at night, there will be sorrow in your suffering. How not to be idle, heart and heart are enemies. It hurts to die, and you will be ashamed for many years if you are humiliated. There are no straight branches in the green laurel, and Bijiang misses the old tour. Jia Dao used to be a monk who believed in Taoism and was also a "poetic way". Biography of Talented Talents in Tang Dynasty said that he "lived in Beijing for 30 years, and suffered repeated defeats in the literary world, so he became a pagoda". Although he was so poor, he still didn't hide Jia Dao's humanity. One day, Xuanzong traveled incognito the temple where Jia Dao was located. He moved upstairs when he heard the sound of singing poems upstairs. When he saw a poem on the box, he took it out and read it. Jia Dao didn't know the emperor, so he made a sudden snatch and took it away. His expression was cold and sarcastic. Thanks to the emperor's grace, I went downstairs and left. Later, Jia Dao realized that something was wrong and was frightened. He rushed to the palace to confess his crime. This surprised the emperor. The interpretation of this story is too unreliable, but it shows the temperament of Jia Dao.
Meng Jiao and Jia Dao have lived in poverty for many years. Although they were rewarded and subsidized by Han Yu at that time, they did not get rid of the difficulties in real life. Therefore, words like "tears", "hate", "death", "sorrow" and "bitterness" can be found everywhere in their poems.
"Whispering autumn wind gives birth to sorrow and hatred. At the moment when he was driven away, he faced each other with tears in his eyes and wanted to say something to each other, but he cried before he opened his mouth. There are thousands of words in my heart, but at this moment, I am too sad to say them. Don't just think that there is a bright moon in the world. " (Meng Jiao's "Farewell the Old and Welcome the New") "Try to see my concubine and your tears, two drops of water." Look at these hibiscus. Who will you die for this year? "(Meng Jiao's Poems of Hatred)" As long as you don't write a poem, your heart is like an abandoned well. Brush inkstone is pulley, chanting is slap. If the DPRK smokes heavily, it will still be clear. "The book is given to people who are pregnant together, and there are many hardships between the lines." (Jia Dao's Play for Friends) That's it. "A poet should beware of splendor, but demons can haunt wanderers" (Du Fu), because the poet has lived in poverty for many years, it is possible to get in touch with the society deeply, and his poems are more temperamental and artistic. Although Meng Jiao wrote such lofty sentiments as "The spring breeze is proud of horseshoe disease, and the flowers in Chang 'an can be seen in one day", he also wrote such immortal names as "The thread in the hands of a loving mother makes clothes for the body of a wayward boy". Please look at his homesickness: "A sad person saw by candlelight at night, and a hometown book burst into tears"; He wrote that the world is cold: "abandoning it and abandoning it hurts like a sword"; He wrote about the emotional world like this: "Try my concubine and your tears, two drops of water"; He described the desolation of nature like this: "The cold dew dreams are broken, and the cold wind combs the bones. "."Poetry comes from the heart. When it comes out, you should worry about your heart. " (Su Shi's Reading Meng Dongye's Poems) This is the style of Meng Jiao. In "Hermit Poems in the Near Han Dynasty", he said, "Meng Jiao's poems are really bitter and lonely, not fake. From its syntax, Gree can be seen. It calls itself' singing at night, if you sing ghosts and gods. How not to be idle, heart and enemy.' "Although Jia Dao is not as cold as the suburbs, it also has its own distinctive personality. He wrote, "When I asked your students under a pine tree," he replied, "My teacher went to pick herbs." However, through these clouds, how can I know which corner of the mountain it is facing? S's poems, such as Transcendental Leisure, once revealed that "it takes ten years to sharpen a sword, but the frost blade has never tried. Today, the test of the monarch is so heroic, but his poems are mostly based on "bitter songs", so they still seem narrow and carved. He himself described it this way: "Two words for three years, a song with two tears. If I don't appreciate these two poems, I have to go back to my hometown where I used to live and sleep soundly in the rustling autumn wind. "Jia Dao's most widely circulated story is the allusion of" consultation ". It is said that he has long been addicted to lettering and sentence-making. One day, he actually collided with the silent Zhao Hanyu's motorcade, was taken down from left to right and pushed to Han Yu's face. " The island is real, undecided, wandering like an elephant, and I don't know how to avoid it, so I collided with an adult. It turned out that he was absorbed in thinking: "Birds are staying in the trees by the pool, and monks are knocking at the door on the moon." The verb "push" in The Monk Knocks on the Moon cannot decide whether to use "push" or "knock". Han Yu is not surprised. He stopped to think for a long time before saying, "Good typing." From then on, I became friends with Jia Dao, a good friend of Buyi, and also "taught grammar, went to the pagoda, and was promoted to Jinshi." In fact, these two words can be used, but using "knock" has a kind of sound beauty, which can better set off the artistic conception in the dead of night.
Because Meng Jiao and Jia Dao are always spelling words and making sentences when writing poems, and because of the above objective factors, their poems naturally have the style of "cold, thin and embarrassed". They are all "bitter poets" in the history of China's poetry. The difference is that Meng Jiao was the five great masters in ancient times, and Jia Dao was the first of the five laws.
Page 752 of Hebei's "Jing County Records" records: "Jiadao Village is more than 50 miles southwest of the county seat. There is Yungai Temple next to the village, where the Tang Dynasty poet Jia Daoxian became a monk.
Creative Attitude At present, there have been many famous figures in the history of various districts and counties in Beijing, including hundreds of literary and art circles and military circles. Jia Dao in the Tang Dynasty was one of the famous poets.
According to Old Tang Shu, Complete Tang Poems and Su Jiang's Epitaph for Jia Dao, Jia Dao was from Fanyang County at that time. As Jia Dao wrote in a five-character quatrain called "The swordsman": "After ten years of grinding a sword, the frost blade has never tried; I'll show you today. Who has a problem? "This poet obviously wants to express his feelings.
However, Jia Dao became famous not because of his heroism, but because of his bitterness. The most familiar "censorship" allusion comes from this public figure. There is no doubt that it is much better to write the sentence "Monks knock on the moon door" than to write "Monks push the moon door". This has almost become one of the most common examples of exquisite writing. However, knowing the basic skills of such "scrutinizing" words, can you still complain about poets? The problem is certainly not that simple. Otherwise, it is too easy to become a great poet.
In fact, Jia Dao spent a lot of time refining ideas, sentences and words. All these are inseparable from the ideological and contemporary nature of the works. First of all, we can see that Jia Dao worked very hard to cultivate his mind, so his works have a fascinating artistic conception. If you write a poem with poor artistic conception and light taste, no poem is better than no interest. With a good artistic conception, we must also ensure that this artistic conception can be fully expressed in words.
Every poem and sentence of Jia Dao has been repeatedly tempered and carefully revised. But after he wrote it, the reader couldn't see the trace of revision at all, as if it were completely natural and in one go. It can be seen that the so-called bitter songs can only be said from the author's hard work. As for the aspects that readers appreciate, don't see the author's pain.
Jia Dao has many works to prove this point. For example, the poem "Crossing the Sanggan River" wrote: "The guest house and the state have been frosted for ten times, and I miss Xianyang day and night." I crossed the river for no reason, but I hope Bing is my hometown. "The meaning of this poem is very tortuous, but the words are very simple. This makes it poetic and implicit, allowing readers to chew its meaning repeatedly. If you use a word more than once or twice, write down its meaning and read it out.
Nothing interesting. There are so many examples like this in Jia Dao's works that I simply don't know what examples should be cited to better illustrate the problem.
Anyone who has seen the history of China literature knows that Han Yu appreciates Jia Dao's works very much. "The Whole Tang Poetry" records that Han Yu gave Jia Dao a poem saying: "Meng Jiao was buried dead in Beimang Mountain, and the sun, the moon and the stars felt carefree." I'm afraid that the article will be cut and Jia Dao will be reborn on earth. "Although some people say that this is not a poem by Han Yu, it can at least represent people's evaluation of Jia Dao at that time. Later generations often use the word "eccentric" to comment on Jia Dao's poems, which is really inappropriate.
Although people can also cite some evidence to prove that Jia Dao's poems have had a bad influence on later poetry circles. For example, there was the so-called Jianghu Poetry School in the Song Dynasty, and the so-called Jingling Poetry School in the Ming Dynasty. At the same time, the popular poetic style in the late Qing Dynasty, blindly pursuing strange words and dangerous sentences, became formalism because of poor content. I think it is unfair to blame all this on the influence of Jia Dao. The advantages and disadvantages of poetry schools in each era should mainly be traced back to the historical conditions and social background of each era, and predecessors can not bear any responsibility to future generations. Jia Dao's creative attitude is very serious, which is still worth learning today. If someone imitates Jia Dao one-sidedly and superficially, which leads to poor poetry, how can Jia Dao bear the responsibility?
-Ma Nancun's "Jia Dao's Creative Attitude"
The style and language of the work are light and simple, winning by casting words and refining sentences, and deliberately seeking work. The theme is narrow and narrow, lacking social content, mostly writing scenery, seeing off, nostalgia, and the artistic conception is desolate and miserable.
Jia Dao is a poet who is half vulgar, half monk and half immortal. After he was frustrated in the literary world, he became a monk, but he lost his name. Rootless people are also called rootless, rootless and empty. It seems that he will study Buddhism all his life. But then I met Han Yu and held a ceremony to accept disciples. Under the persuasion of Han Yu, he returned to vulgarity and won the Jinshi. It is difficult to become a monk without thinking about it, and it is difficult to abandon Zen when entering the customs. "Singing like tears, mourning like Zen." (Yao He's "Send Jia Dao") The vulgar taste is very strong, and the monk taste is not weak. It is in this duality that he spent his life.
Jia Dao became a disgruntled monk, so although he was in a Buddhist temple, he could not forget the troubles in the world. When he became a monk in Luoyang, the authorities stipulated that he should not leave the temple in the afternoon. A different family wouldn't leave without authorization. There is no limit to letting the country go, so why not cultivate your mind? However, he felt that freedom was bound and unbearable. Then sighed: "It is better to be a cow and sheep, and you have to return at sunset." He is persistent, and once he advances, it is not easy to turn back. Whether for monks or secularization, it is challenging.
Notes for an Absent ecluse He is a poet, sitting and sleeping, never forgetting to write poems. He is often possessed and gets into trouble. It is said that there have been two traffic accidents. Once I rode a donkey across the road and didn't pay attention to pedestrians. At that time, the autumn wind was bleak and the yellow leaves were falling, so I casually sang the words "Leaves are full of Chang 'an". Thinking about the first league, he suddenly rebelled against the sky with "autumn wind blowing Wei water", and as a result, he ran into the "mayor" and was detained for one night. Once, I went to Li Ning's seclusion and got a sentence on the donkey's back: "Birds live in trees by the pool, and monks knock on the moon." "The word" knock "wants to be the word" push ",which has not yet been decided. I was in a trance, and I ran into Han Yu's car and horse. Although the legend is not completely credible, his obsession is well founded. He always wants to betray himself. " Ten years of grinding a sword, frost blade has not tried. "I'll take you to see it today. Who has a problem? " ("the legendary swordsman") Bullfighting with gas, a pair of chivalrous courage. In fact, he is skinny and short of breath, just learning his own lessons and trying to be appreciated. In the Tang Dynasty, if Juzi wanted to make his mark in the examination room, he often had to dredge his joints and look for a strong backer. He came from a humble background, had no relatives in North Korea and lacked foreign aid, so he hated the injustice of this society. He thinks he has no way out, which is caused by the repression of his officials. He passed by Pei Du's yard and recited, "A thousand flowers make a pool, not peaches, plums and roses." It's autumn, the wild roses are blowing, and the thorns are all over the court. (Title Xinghua Garden Pavilion) Pei Du made great contributions to quelling the rebellion and founded Duke Xiang of Jin. He has amassed a lot, and Chang 'an has a high official position. When Jia Dao saw it, the fire came from the inside, pretending to be a poem. He looks down on powerful people and doesn't take them seriously. After that, he lived in France and did nothing. One day, Xuanzong traveled incognito and went to the temple. When he heard someone chanting poetry, he followed the sound upstairs. When he saw the poem on the case, he took it and browsed it. Jia Dao was behind, alone. He didn't know Xuanzong, and stared and shouted, "Lang Jun, eat well and get dressed. How did he know this? " I was nervous afterwards, waiting for redemption. The court gave him a small official in the main book of Changjiang County and expelled him from Chang 'an. There are two poets' works in the Tang Dynasty, both of which are related to this matter. Angie's poem says: "Ride a donkey to Yin Da, grab the scroll and announce the Sect." Li Youshi said: "Xuanzong meddled in other people's affairs, and Han became famous."
Jia Dao has a cousin named Wu Wu, who is also a poet. At that time, the two became monks together. Jia Dao couldn't bear loneliness and killed the carbine; There is nothing in your hand to release. Jia Dao kept an appointment when he was secularized, and he will remain a monk in the future, but he was wrapped up as soon as he fell into the dust net. There is no poem to remind him not to forget the appointment. Jia Dao said, how could I forget? "I have been thinking about the famous mountains all over the world, and I will arrive at Songqiu sooner or later." ("To Nobody") "After all, there is a fog, and the rooftop is a close neighbor." ("Send Nobody") He still yearns for the quietness of Shimen. But they all say that action is action, which is full of contradictions.
Jia Dao devoted his life to the art of poetry. "Two sentences in three years, one song and two tears" has tempered many fine products. Han Yuxian said in a poem: "Meng Jiao was buried in Beimang Mountain after his death, and the situation has temporarily eased since then." Heaven was afraid that the article would be broken, so Jia Dao was born in the world. Jia Dao is as famous as Meng Jiao and has far-reaching influence. But throughout his life, he was down and out, with a small official position, and Lu did not support himself. On the day of death, there was no money at home, only a sick donkey and an ancient piano. One of the teachers lamented: did he think this life was worth living and left with a smile, or did he regret it? Why not go to chant Buddhist scripture? This is not clear.
The classic "the legendary swordsman"
After ten years' hard work, I have grinded out a sword. The edge of the sword flashes in cold light, but I haven't tried its sharpness.
Now take it out and show it to you. Whoever is wronged may as well tell me the truth.
Jia Dao's poems are eccentric. However, this poem "the legendary swordsman" is a direct supplement, giving people a different feeling. The title of the poem is "Syria's Sword". With the tone of swordsman, the poet tries to portray the images of "sword" and "swordsman", express his ambition and express his political ambition of promoting the advantages and eliminating the disadvantages.
What kind of sword is this? "Ten years to grind a sword", the swordsman painstakingly polished. The profile shows that this sword is unusual. Then, be positive: "Frostblade has never tried." Write this sword, Bai Rushuang, with cold light. It's an extremely sharp sword that hasn't been sharpened quickly. To say "I haven't tried" is to be eager to try.
Obviously, "swordsman" is a poet's metaphor, and "sword" is a metaphor for one's own talent. The poet did not describe his ten-year career of studying hard at a cold window, nor did he express his outstanding talent and grand ideal. But through clever artistic conception, I integrate my thoughts into the images of "sword" and "swordsman". This way of expressing political ambition with vivid images is really ingenious.
The combination of ideological content and artistic expression in the whole poem is natural and ingenious. Plain language and lively poetic thinking show another feature of Jia Dao's poetic style. This five-line poem is a note poem added after Jia Dao's poem "Walking Alone at the Bottom of the Pool". It took three years to sing these two poems inexplicably, and I couldn't help crying. A bosom friend should know the pain of my poem, and a good sentence is rare. If people who know my poems don't appreciate it, I will hide in the mountains for the rest of my life and never write poems again. It shows the hardships and assiduousness of the poet's artistic labor, and also shows that good poems and sentences are hard to come by. Jia Dao's bitter spirit has a great influence on later generations. For example, Fang Gan's poems, "Sing only five words, several stems and whiskers", "Sing five words, break one's heart" and Lu Yanrang's poems, "Sing a word, break several stems and whiskers", all come from Jia Dao's poems.
The cemetery is in Anquan Mountain in the southern suburb of the county seat. Length 12 m, width 3 m, height 3 m, masonry is wall. The existing tombstone "The Tomb of Langxian in Tompu County" was built in the Qing Dynasty. In front of the tomb, there is a thin poetry pavilion built in Qing Dynasty, where scholars of past dynasties pay tribute to Jia Dao's stone carvings and poems.
Jia Daoru moved to Zhou Pu (now Anyue County, Sichuan Province) when he was 6 1 year-old in the fifth year of Tang Kaicheng (840), and served as a treasurer to join the army. After he took office, he organized a lecture. After government affairs, I often go to the south building (crossing the street outside the south gate, 1958 demolition) to learn to write poems. He once wrote the poem "Climbing the South Tower on a Summer Night": "The cold building on the waterfront brings the moon, and Lin Xia sees Yueyang River first." A new little firefly sends a letter in autumn. I wonder where Bodhi is. In addition, there are poems such as Send Master Gong, Send Pei Pai, Send Monk, Grass on the Plain, and Poem of Love, all of which were written by Jia Dao in the South Building. In the third year of Tang Huichang (843), the imperial court promoted Jia Dao to join the army in Zhou Pu. He died at the age of 64 without any orders. The body was buried in the foothills south of Anyue County. His friend Su Jiang wrote Jia Sicang's Epitaph for him, which described Jia Dao's life, death, date and place of burial in great detail. During the Qianlong period of the Qing Dynasty (1736- 1795), Anyue County ordered Xu (a native of Qiantang, Zhejiang Province) to build a "poetry pavilion" in front of the tomb. Later, the county magistrate rebuilt and built a memorial archway, which still exists today.
Jiagong Temple Jiagong Temple is located in Erzhan Village, Shilou Town, south of Fangshan District, Beijing. There is a Jiagong Temple which was restored and completed in 2005 in memory of Jia Dao, a famous poet in the Tang Dynasty.
The rebuilt Jiagong Temple consists of two parts, the western part is a cultural reception area and a double courtyard. Among them, calligraphy and paintings commemorating Jia Dao were displayed for people to enjoy. The east area is the focus of Jiagong Temple, and the first half is a courtyard composed of the main hall and the east and west halls. The main hall is called "Temple of Wonders of Sao Altar", which contains a statue of Jia Dao. Besides, there are murals of Jia Dao's residence in Fangshan Wuxiang Temple. The East Wing Hall is called "Thin Poetry Hall", which contains parallel statues of Jia Dao and another poet, Meng Jiao. Murals show the poet's painstaking efforts in poetry. The temple attached to the west is called "fasting under the moon", which is a "thoughtful" story. There are statues of Jia Dao and his lifelong confidant Han Yu. Murals reproduce the scene of "scrutiny".
Tang Bohu, a talented scholar in the Ming Dynasty, and Zhang Ling, a poet friend, made a wine couplet: "Jia Dao is drunk, not fake, and Liu Ling drinks nothing." Ingeniously embedded in the homonyms of the names of two poets, the artistic conception is full of fun.
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