After reading in teahouse

After reading Teahouse, we can say that Teahouse is a classic handed down by Lao She, and we can also see the rise and fall of China for half a century from the rise and fall of this small teahouse. Every character in the novel has his own characteristics and is full of personality. In a humble teahouse, we saw the change of dynasties and the living conditions of people from all walks of life.

Wang Lifa, the owner of Wen's teahouse, is actually a smooth person. He didn't ask much, as long as his little teahouse could run well, but at the end of the story, he also ended in tragedy.

In fact, this is a tragedy about an era. Whether faced with the oppression of feudal system before the demise of Qing Dynasty, the social unrest in the early years of the Republic of China or the civil war in the early days of liberation, the teahouse is firmly managed, but it is still invincible in the face of the cruel blow of reality and is doomed to tragedy.

The biggest feeling of teahouse is the miserable life of the people at the bottom of society. In any case, it is the bottom people who suffer the most, including Qin, who is a patriotic flag bearer and devoted to saving the country through industry. But they were suppressed by tragedy, and it was the ignorance and insensitivity of most people that led to the demise of the Qing Dynasty and the bullying of China by the great powers at that time.

In addition, the description of various characters of various small people in this paper is also very vivid, which can reflect people's ideological situation under the dark social background at that time. China, a great country, can't really stand up without its citizens full of national justice. Lao She's description shows us the sadness of that era. Only by remembering the pain of that era can we take the road of development now.

Almost everyone says that Teahouse is the successful work of a mature playwright.

The story of the teahouse takes place in a teahouse. A teahouse spans half a century, and many people are highly concentrated in the teahouse, showing the last three years of life in old China: the end of the political power of the XX Party in the mainland in the late Qing Dynasty and the early Republic of China.

Mr. Cao Yu once said that Teahouse is "an unprecedented model in the history of China drama". Because of its broad conception, this script is not only bold and bold, but also meticulous, which is the original creation of Mr. Lao She. Three acts of Teahouse have occupied 50 years, and many great changes have taken place in these 50 years, but the play is only a reflection of a small person in the teahouse, and there is no positive narrative of those major events. That is to say, the life and death of these little people are used to illustrate all kinds of satire in those years.

The success of Teahouse lies in the success of language and the ingenious and rigorous structure of his drama. Language: Drama creates characters entirely by lines. When the lines are fulfilled, the characters live. When the characters live, the whole play is a success. Lao She, known as the "master of language", really developed his language skills. The lines of each character in Teahouse are designed vividly, endowed with personality, concise and meaningful. Drama structure: There are many characters in the whole drama, and there is no central story. Lao She used four techniques to construct the drama: First, the main characters, from strong to old, run through the whole drama. In this way, the main characters have coherence, and with the explanation, the story is loose, but it is too far from the point and unintelligible. The second is that the minor characters are descendants of their father and son; The third is that each character plays his own story and is closely related to his own times. The fourth is that there are always irrelevant characters, lingering and not redundant.

From the perspective of investigating Lao She's individual life history, Teahouse is a writer who looks back on the past in a new historical scene and has rich life experience and individual experience. A meditative work written in old China for more than half a century, which precipitated historical lessons and revealed the historical trend.

Teahouse adopts a typical theater structure of portrait exhibition. He exposed a corner of society and showed the character life of all kinds of people. Teahouse returns to Lao She's well-learned old Beijing story in terms of theme and cultural connotation. It is a social drama that Mr. Lao She is best at, which combines the pictures of past years and street life. The drama Teahouse has a strong spirit of social criticism. Thunderstorm by Cao Yu, a famous playwright in China, is a typical work that follows the "three unifications", while Teahouse by Lao She breaks this norm. But these two plays are equally successful. Some people have commented that Teahouse is an ancient ballad and an elegy, but now I don't know its origin, so I will read it carefully.

Teahouse is a classic in the history of drama and one of my favorite works.

Before this work, as a novelist, he had written many masterpieces handed down from generation to generation. In drama, multi-step creation laid the foundation for the success of Teahouse.

The story of the teahouse takes place in a big teahouse. People come and go in the teahouse, and there are all kinds of people and different religions. A big teahouse is like a small society. There are weak people and strong people, but they are all oppressed people, but there are more weak people. I think the article Teahouse is good in three aspects:

First, everyone is telling their own stories.

Second, irrelevant people came at once and left without any burden.

Third, language skills are full of personality.

Everyone is interpreting his own story, but it is closely connected with this era. Just like a river, the trunk is very important, but what's wonderful about it without countless drops of water gathering? The life and death of these characters reflect that era. In the book Teahouse, underage father and son come down in one continuous line, just like Tang Tiezui and Tang Xiao Tiezui in the text; Pockmarked Liu and Pockmarked Xiao Liu are the same person. Their clothes have changed, but their virtues have not changed. This way of writing helps to keep the story coherent. Although the characters in the article say their own things, they reflect the times.

Irrelevant people come up and disappear immediately. There is no burden. This article reflects the society at that time with some lower-class people, so it will use many little people. If these little people exist all the time, it will make the wonderful article lose its luster. The best way is to get rid of it at once. As a mature dramatist, Lao She is successful.

Language skills are full of personality. Lao She is called "the master of language art", so Lao She will definitely use the language well. In Teahouse, the language lines of each character are designed in place. Such perfect language skills are attributed to the tempering of art and come from the accumulation in life. Lao She is a writer with humble origins and strong civilian color. From the perspective of a nobody, Luoshe showed the life scenes of three times: after the failure of the Reform Movement of 1898 in the late Qing Dynasty, during the separatist regime of the Northern Warlords in the early Republic of China, and on the eve of the collapse of the XX Party regime. It summarizes the sharp correspondence and conflict of various classes and forces in China society, and reveals the fate of semi-feudal and semi-colonial China. In the article Teahouse, Lao She gave full play to his language skills.

Characters can be divided into protagonists and small people. Wang Lifa, a big shot, is a main figure. He is in his twenties at first, but he is smart and selfish, and his mind is not bad. He makes a living by appearance. Pockmarked Liu and Pockmarked Xiao Liu are as evil, cruel and vicious as matchmakers ... From prime of life to old age, the story runs through the whole play. Although loose, it is not too far from the point. Judging from the history of Lao She's personal life, Teahouse is a writer with rich life experiences and personal experiences. In the new historical scene, China looked at the old China in the past half century and wrote a book that indulged in it. It is not trapped by the old road, but it has precipitated the lessons of history and revealed the trend of historical progress.

The success of Teahouse broke the norm of "three unifications". Some people commented that Lao She's Teahouse was an ancient ode and an elegy.

After reading the model essay 4 teahouse, a place where everyone can chat and talk. I can think that it actually reflects a big social problem! Unless a master with a unique perspective makes it "alive", the teahouse will never have a deeper meaning. And that man, Lao She, the master of language, used his unique perspective and technique to make the language of the whole script bloom with colorful life.

Lao She was born in a big courtyard in Beijing, a poor Manchu Shu family. His father is an army guard and his mother earns money by washing clothes. After his father's early death, life was even more embarrassing, but luck took care of Lao She. A philanthropist sponsored Lao She to go to school, which gave him a good education. With Lao She's unremitting efforts, he gradually made small achievements, and in the subsequent creative process, his childhood situation deeply influenced him. The reason why the teahouse has the characteristics of "seeing the big from the small" is also closely related to its civilian background.

Similarly, Lao She's technique is also very unique. The most prominent point is that the whole play has only three acts, one scene at a time, which is concise and clean, and it is also very easy to express the plot. From the failure of the Reform Movement of 1898 in the late Qing Dynasty, to the separatist regime of the Northern Warlords in the early Republic of China, and then to the eve of the collapse of the People First Party regime, it is not so much a time change as a historical change. Time is the background of character performances and complements each other.

Mr. Lao She, whatever you want to convey to future generations, at least Teahouse has benefited us a lot. Thank you for leaving us such a precious treasure.

Almost everyone says that Teahouse is the successful work of a mature playwright. -inscription

The stories of the teahouse all happened in a teahouse called Yutai. A simple three-act drama, with the help of an ordinary teahouse, condenses half a century's years, covers many small people who conform to the characteristics of the times, and tells the sorrow of a country in those specific times.

This drama mainly tells the story that Yutai Teahouse in old Beijing is gradually going to ruin in the changes of the times. After the victory of Qing Dynasty, Republic of China and War of Resistance against Japanese Aggression, Yutai Teahouse finally became a "flower-flower joint company" under the planning of the authorities and villains. Wang Lifa, the shopkeeper who kept the teahouse all his life, chose to commit suicide in his own teahouse. Teahouses can be said to be very realistic. Good people do not necessarily get what they deserve, and bad people do not necessarily get what they deserve. Before liberation, the darkness of society and the corruption of officials were naked in front of readers, which made people cry.

Let's talk about the characters in this play first. The characters portrayed by Mr. Lao She in Teahouse are very distinctive. Each different character represented different groups of different occupations and classes in the society at that time. There seem to be dozens of appearances, but none of them are repeated. Characters with different life experiences and distinct personalities, such as Chang and Song, are vividly on the paper. You only need to watch it once, and you can leave a deep impression on the personality characteristics of various characters in your mind. For example, Wang Zhanggui in Yutai Teahouse is defined as smart, selfish and not bad-hearted. Looking at the full text, in my eyes, as a shopkeeper, he is very tactful and weak, and he puts in a good word for money when he is in trouble. However, in the end, he couldn't bear to see the teahouse occupied by high-ranking officials and thieves and silently committed suicide in the backyard. This plot seems unexpected, but when you think about it carefully, it is reasonable and sad. Such a shopkeeper who took the golden mean chose an extreme way to end his life. Through a character, Mr. Lao She reflected the sorrow of an era with the strong contrast of his behavior and personality, and expressed the author's satire and dissatisfaction with the social atmosphere at that time.

Let's talk about the characteristics of this play again. The success of Teahouse lies in the success of language and the ingenious and rigorous structure of drama. Drama completely depends on lines to shape characters, and a person's character is fully reflected in his words and deeds. Mr. Lao She, a "master of language", has amazing language ability. The lines of each character in Teahouse are full of life but meaningful. In terms of drama structure, Teahouse can be said to be "scattered in form but not in spirit". Although the whole drama has a long time span and no main plot, it is not scattered and difficult to understand. Mr. Lao She runs through the whole play through a main character, from Zhuang to Lao. In this way, the story is loose but organized. Secondly, the father and son of the characters in the story come down in one continuous line. Although the years have changed, the group represented by each character still exists and changes slightly with the migration of time. Make the story full of strong flavor of the times. Finally, each role plays its own story, which is closely related to its own times. It reveals a corner of society and shows the character life of many different characters.

Some people have commented that Teahouse is an ancient ode and an elegy. Three acts of Teahouse have occupied 50 years, and Mr. Lao She only used how some little people lived and died to illustrate the satires of those years. I think when you close the book, you will feel that you have spent a long and hard fifty years with those little people.

Today, it is the fourth time to go to Book City. I took the mineral water and stepped on the elevator of the book city. When I go to the bookcase, I will see if there are any good books. Suddenly, I saw a book and pulled it out of the pile.

This book is called Teahouse. The author is Lao She, a famous modern novel writer in China. Lao She was born in a poor family in Beijing, and his works are deeply loved by readers. The story tells that Wang Lifa, the owner of the teahouse, is bent on making the teahouse prosperous. For this reason, he keeps socializing, but the cruel reality makes him ridiculed every time. Eventually swallowed up by a ruthless society. Qin, who frequented teahouses, went from ambitious industrial salvation to bankruptcy; Chang Yesi, the son of the generous Eight Banners, embarked on the road of self-reliance after the demise of the Qing Dynasty. In the era when the Qing Dynasty was about to perish, Yutai Teahouse in Beijing was still a scene of "prosperity": caged birds, fortune-telling, selling antiques and jade articles, and playing cricket. Thirty years later, Wang Zhanggui is still desperately supporting the teahouse. Japan surrendered, but the Kuomintang and American imperialism plunged the people into the disaster of civil war. Wang Lifa is desperate. At this time, it happened that two friends who had made friends fifty years ago came. One is Master Chang, a gentleman who was once arrested by the Qing court, and the other is Master Qin, who completely collapsed after half his career. The three old people scattered the paper money they found all over the floor, crying and laughing sadly. In the end, Wang Lifa was left alone. He picked up his belt, went into the inner room, looked up at the roof, and looked for a place where he could safely end his life.

Master Chang's failure is not only a question of social responsibility, but also because his philosophy of life is out of date. At this point, he and Wang Lifa, Qin and others finally fell into the same fate. The classic drama Teahouse is classic because the characters it describes are memorable.

Teahouse is the representative work of Lao She, and it is also the script of a three-act play. Teahouse tells the ups and downs of Yutai Teahouse in old Beijing for decades, including the rule of XX Party after the victory of Qing Dynasty, Republic of China and War of Resistance against Japanese Aggression. Teahouses are very realistic. Good people don't necessarily get what they deserve, and bad people don't necessarily get what they deserve, which fully reflects the darkness of society and the corruption of officials before liberation.

The characters portrayed by Lao She in Teahouse are very distinctive, which is also a major feature of this play. , Chang, Song, Liu Mazi, Tang Tiezui, Song Enzi, Wu Xiangzi and other characters' personality characteristics are vividly on the paper. You only need to look at it once, and you can understand the personality characteristics of various characters without looking at it as carefully as you do in a Chinese class. For example, Wang Zhanggui of Yutai Teahouse is honest and does not do bad things, but he is a little weak. He gives money and puts in a good word for something. Grandpa Four is a frequent visitor to the teahouse. He is a noble person from Rainbow, honest and honest. Unlike Wang Zhanggui, he is tougher than Wang Zhanggui, and he has a sense of pride in his bones. He refuses to bow or give in.

Only after reading Teahouse did we know how happy we are now. At that time, many children couldn't even eat a bowl of hot soup noodles. Now we can eat hamburgers and steaks at will. People at that time were really unlucky and lived in such a dark age.

In the teahouse, the person I admire most is Grandpa Chang, especially his spirit of not giving in to difficulties. Grandpa Chang is a flag bearer. In the Qing dynasty, he had a "hard-core crop" and got money without working. Later, when the Qing Dynasty perished, Master Chang didn't starve like his good friend Master Song, but went to grow vegetables and sell them by himself, earning his own living and not bowing to difficulties. This spirit is exactly what we lack now. Because of the superior living conditions, I flinch when I encounter difficulties. If we lived in that era, it would be difficult to survive in society without the spirit of Grandpa Chang.

There is so much truth in the teahouse!

Teahouse is a paradise for tea lovers and a place for people to rest, entertain and communicate. But under Lao She's pen, Teahouse has become a classic in China's drama history. After watching this drama, I saw China's humiliation history and China's struggle history. -

The story of the teahouse takes place in a teahouse. The story tells that Wang Lifa, the owner of the teahouse, entertained his father everywhere in order to make his teahouse business prosperous, but the harsh reality made him often ridiculed. Finally, it was swallowed up by a ruthless society. Qin, a national capitalist who frequented teahouses, went from ambitious industrial salvation to bankruptcy; Chang Yesi, the son of the generous Eight Banners, embarked on the road of self-reliance after the demise of the Qing Dynasty. The story also reveals the living conditions of some small people, such as pockmarked Liu. Based on the rise and fall of a big teahouse in old Beijing, the whole play shows people the social features of Beijing and the different fates of people from all walks of life during the 50 years from the late Qing Dynasty to the victory of the Anti-Japanese War.

In the era when the Qing Dynasty was about to perish, Yutai Teahouse in Beijing was still a scene of "prosperity": caged birds, fortune-telling, selling antiques and jade articles, and playing cricket. -

Wang Lifa, a smart young shopkeeper, is taken care of by all parties. However, behind this "prosperity" lies the suffocating decline of the whole society: foreign goods flooded the market, the countryside went bankrupt, eunuchs married, and patriots were arrested.

In the early years of the Republic of China, the people suffered from years of civil war. All the big teahouses in Beijing are closed. Only Wang Zhanggui has improved its management, turned the backyard of the teahouse into an apartment rented to college students, and put a phonograph in the main hall. Nevertheless, social unrest spread to the teahouse: refugees blocked the door, soldiers took the shopkeeper's money, and detectives came to extort money from time to time. -

Thirty years later, Wang Zhanggui is still desperately supporting the teahouse. Japan surrendered, but the XX Party and American imperialism plunged the people into the disaster of civil war. Jeeps went on the rampage, patriots were suppressed, and rogue agents wanted to occupy the teahouse that Wang Zhanggui had painstakingly managed all his life. Wang Lifa is desperate. At this time, it happened that two friends who made friends 50 years ago came, one was Mr. arrested by the Qing court, and the other was Mr. Qin, who had been in business for half his life and completely collapsed. The three old people scattered the paper money they found all over the floor, crying and laughing sadly. In the end, Wang Lifa was left alone. He picked up his belt, went into the inner room, looked up at the roof, and looked for a place where he could safely end his life.

Look, what a history that makes us think and remember! More than a hundred years ago, China was ruled by the corrupt and ignorant Qing government. Fierce and overbearing foreigners invaded backward China, and closed-door, complacent and frivolous, timid rulers oppressed the people. Under this kind of oppression, the people of China have shown a different side.

Wang Lifa is the shopkeeper of the teahouse. He is not bad-hearted, just because his position is higher than that of the poorest class, so he has long turned a blind eye to human suffering. He is a businessman, hoping for social stability and better business, but society is always struggling with him. He didn't dare to compete with the society, so he had to bow to the people. However, the claws of society tightened around his neck, and finally he was helpless to hang himself. His image is very representative. He doesn't lie, he doesn't harm people, he resigned himself to fate, and he didn't ask too much. This is the most common mentality of ordinary citizens at that time, and it also shows the anger of the bottom people.

Qin is a national capitalist. With a heart of serving the country, he sold his ancestral business to set up a factory and wanted to save the country through industry. It took him 40 years to start a big enterprise, and he felt that this was enough to "enrich the country and enrich the people". He was wrong. No sooner had War of Resistance against Japanese Aggression finished than his property was confiscated by the government. Master Qin was heartbroken and resentful: "All, can the world find such a government?" The semi-feudal and semi-colonial system and the national economic situation controlled by imperialism, feudal oligarchy and bureaucratic comprador did not make Mr. Qin, who wanted to save the country by industry, get what he wanted. This once again criticized the ruler of darkness.

There are many figures, including Mr. Song, Mr. Chang, Mr. Dezi and Mr. Liu Mazi ... They represent different figures, but they all reflect the pain, anger and struggle of the people. ...

Lao She's Teahouse showed me the history of China's humiliating struggle. Remember this history, remember the teahouse, so that the humiliating history will not repeat itself.

After watching Teahouse, the play reflects the rise and fall of the country by talking with people in Zhongyutai Teahouse in Beijing. From the failure of the Reform Movement of 1898 to the eve of the liberation war, the changes of the times turned every little thing that happened in the teahouse into a historical drama, and the protagonist of this historical drama was of course Wang Lifa, the shopkeeper of the teahouse.

Wang Lifa is a shrewd and upright man. He came out to take care of his father's business when he was only twenty years old. He was born in an era of chaos and war, and finally hanged himself because he couldn't stand the forced occupation of the teahouse he had run for decades. Yes, in the words of the play, it was a day when a person "piled up money for foreigners", and many people became traitors, especially the two generations of villains in the play-pockmarked Liu and pockmarked Xiao Liu.

Let's start with pockmarked Liu. He forgot the profit and engaged in improper matchmaking business. Whether the two sides like it or not, as long as there is money to make, he will do it and sometimes even sell other people's children. In the first act, he actually sold Kang, the daughter of a poor farmer, to a eunuch for twelve taels of silver.

And pockmarked Liu's son, pockmarked Liu? Instead of "turning over a new leaf", he "carried forward" and established Huahua United Company to provide waitresses for Americans. He even managed to occupy Yutai Teahouse in Wang Zhanggui and turned it into a place to "get a lot of information and seize the * * * production party".

How many people are so cynical now? Some profiteers cheat consumers by cutting corners in order to make huge profits, even at the expense of consumers' lives!

But now, with the enhancement of people's consciousness, more and more good people understand those who have made contributions to the motherland, which is gratifying. Anyway, this edition of Teahouse has benefited me a lot, and made me read out the patriotism, love for the people and understanding of a language master.

During the summer vacation, I found the book Teahouse, which my father treasured.

Teahouse is Lao She's work, which tells the story of a shopkeeper and his teahouse.

Once upon a time, there was a man named Wang Lifa who became the shopkeeper of Yutai Teahouse at the age of twenty because he lost his father. In this teahouse, you can stay for a long time and do nothing.

However, the good times did not last long. Song Enzi and Wu Xiangzi, policemen of the Qing Dynasty, made trouble every day and made a mess of business. Finally, in the Republic of China, the sons of Song Enzi and Wu Xiangzi actually became policemen. ...

Yutai Teahouse is getting worse every day, and tragedies happen every day: first, my wife was hit by a car and nobody took care of it, and the wounded soldier came every day to stir up business, and finally she was spared by Asako Liu.

On the last night, the old shopkeeper called his friends Mr. Qin and Mr. Chang to talk about their experiences. After the friends left, the old shopkeeper lit the paper money that Mr. Chang picked up. After a while, the flames were blazing and the old shopkeeper was still sitting there. He remembers when he was young. ...

Reading the novel Teahouse always makes people feel sad and angry. Why can Tang Xiao Tie Zui, Xiao Liu Ma Zi, Xiao Song Enzi, and Xiao Wu Xiangzi live well every day? And you can't let great people like Master Chang, Master Qin and Master Song have a good life? The world is so unfair, but what can people say at that time?

A pot of old soup and a pot of green tea were staged in the century-old Yutai Teahouse, showing a dark page in the old times written by Mr. Lao She with vicissitudes of life, vividly showing readers a picture of the history and folk customs of old Beijing full of ups and downs, leaving an eternal memory.