The Original Text and Its Allusions of Xin Qiji's "Water Dragons Crossing the Yangtze River"

Year: Song Author: Xin Qiji Genre: Ci

How many people really know how to cross the river and come from the south?

Chang 'an elders, new pavilion scenery, as poor as ever!

People of Yi Fu, China has sunk to the bottom of the sea. How many times have you turned around?

Including Li, the fame is like this.

Real Confucianism, you know?

There are articles, mountains and rivers,

The shadow and the court are very clear.

When I fell to the ground, now I try, and the situation is running.

Green grass trees are in Pingzhang, and Dongshan sings wine songs.

The next year, when he cleaned up Kun,

For Mr. Shou.

To annotate ...

In the eighth year of Song Xiaozong Xichun (1 18 1), Xin Qiji was impeached and retired to Shangrao Lake. Han Yuanji, a former official minister, has lived here since he became an official. Because they all have the ambition to resist gold revenge, they are very close. At this time, it has been 20 years since Song and Jin signed the Longxing Peace Conference. The court in the Southern Song Dynasty was quiet and did not care about state affairs. Three years later, the first birthday of that year (1 184) happened to be Han Yuanji's 67th birthday, and Xin Qiji filled in the word "registered".

Two sentences together, split empty, full of pen power. The author despises those who have been in power since Du Nan. A few people is such an era, and it really has the spirit of "flowing horses through the ages" in Du Fu's poems. It is said that there were no talents in the imperial court, but in the Song Dynasty, Han Yuanji was praised by talents, meaning that "heroes in the world only do monarch exercises". According to Xin Qiji's Ten Comments on Meiqin and Nine Comments, he made suggestions to the emperor and prime minister. Han Yuanji also made statements to the court, including On Huai Dian Zazi and Begging for White Zazi at the End of October. Therefore, both Han and Xin are well-deserved talents in managing the world and the economy. In addition, there is a feeling that those in power have no talent or virtue and do not know how to appoint talented people. They undertake six sentences, which are divided into two layers: first, they look forward to Julian Waghann's feelings by the elders of old Beijing, and cry with the literati of the Eastern Jin Dynasty in the new pavilion, lamenting that the situation of partiality has not changed so far; The central plains mountains and rivers have not been recovered; Second, quote Huan Wen looking out of the building, accusing the Central Plains of being a profession and a mistake made by detained officials in their own country. Because these six sentences were directed at the world at that time, the mood turned deep and the style of writing fell. Take a rest and say that defending the enemy's Jingbian can do a lot, which is the duty of our Confucian scholars. This is to express their lofty aspirations, but also to encourage Han's family, so the pen is resurrected. The next one is all about Han Yuanji. Three sentences later, he compared Han Yuanji to Han Yu, who is the Beidou of Mount Tai in the contemporary literary world. The ancients who used to have the same poetry and prose were better than now. According to Han Yuanji's A and B Draft of Nanjian handed down from ancient times, Huang Sheng called him "the crown of political literature" (see Selected Poems of Hua 'an). Therefore, it is not an exaggeration to compare Han Yu to Yuanji. After three sentences, it is said that Han's background has made him extraordinary, and he will become more prominent.

The above five sentences are all eulogies. Intentional anger is still popular, and the writing style is still Xuan Lang. In the next three sentences, compare Han to Pei Du, Li Deyu and Xie An. These three are all sages of the previous generation. Han Yuanji's predecessor once held an important position. Although Han Yuanji's merits and status can't be compared with them, both of them are frustrated in their official careers and retired from the mountains and forests, which are similar to each other. "Sadly separated by a thousand autumn days, clusters of tears, different times of melancholy, different times" (Du Fu's Ode to a Monument, Part II), for this reason, the style of writing has fallen again. In the last three sentences, Han's long-cherished wish to return to the Central Plains was inspired by rhetoric. At the end of the film, the brushwork is imposing, and the Thai baht says twice, which is intended to resign, and the care before and after is very close. This is a unique birthday word. Generally, there are many birthday congratulations, so-called good praise and good prayers. This word is contrary to the usual practice. Except for the next movie, it's a bit of a prayer. Others are used as an excuse to express their indignation because of their sadness about state affairs. What makes the author most indignant is that the people in the DPRK have no talent and no ambition, while those in the wild have courage and resourcefulness, and have no power or influence. Because the people in the DPRK were incompetent and indifferent to state affairs, it led to the disaster of Shenzhou, failed to live up to the expectations of the elders in the Central Plains, and even attracted tears from the scholar's new pavilion crossing the river. Politicians are hard to blame for the country's situation. The above is the theme of the last movie, and it is also the theme of the whole movie.

In the next film, we set up a machine to express our indignation at state affairs and praise Han Yuanji instead. This forms an organic combination with the upper layer. Because of the praise for Korea, on the one hand, because it is a birthday speech after all, there can be no praise, on the other hand, it also means that those in power in the DPRK have no talent for governing the country, while those who are really talented like Han Yuanji are excluded, which is even more unfair. If someone like Han Yuanji is in charge in North Korea, he can realize his ambition, and there is still much to be done in national affairs, and there is still hope for a chance to turn over a new leaf. But what about today? Han and himself, like the three sages in history, are idle, proud of the misty clouds and concerned. Although they are particularly interested in serving the country, they have no room to comment on state affairs. Here, the author's indignation can be imagined. The most rare thing is that the author, despite his indignation, did not lose confidence in the affairs of the state, so he issued a prediction that "wait another year, rectify what he has done and live for his husband", in other words, the national humiliation is not over, and he has no idea of living, which is consistent with Huo Qubing's "Huns are still alive and have no idea of home" and the previous film "It's really a Confucian thing". This is also the reason why this birthday speech is different.

In addition to the pen layout, ups and downs, the word is quite clever, citing historical multiplication, and comparing ancient and modern times, it is also freely written. Compared with the Southern Song Dynasty, the four allusions in the Eastern Jin Dynasty, such as crossing the river with five horses, the elders in Chang 'an, the scenery in the new pavilion and the sinking of the land of China, are all appropriate and incoherent. Because in the history of China, only the Eastern Jin Dynasty and the Southern Song Dynasty were invaded by ethnic minorities, there are many similarities between national conditions and world conditions. The following films, Xie An in the Eastern Jin Dynasty, Pei Du, Li Deyu and Han Yuanji in the Tang Dynasty, are not only similar to Xie An, Pei Du and Li in a certain period because of Han's situation at that time, but also have deeper significance: Xie An's drowning defeated Fu Jian Army, Pei Du's Pinghuai Xiwu Yuanji Rebellion, and the Pingze Town Rebellion in Li Deyu. These three ancient people all established the world. Where's Han Yuanji? Although it has been running around, it still can't be reused. If you are brilliant, you will become a bureaucrat before you display it, so the author is sorry. In this way, it is logical and not abrupt to follow the three sentences "to be rectified" that inspired Han.