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Music Appreciation of Flowers and Teenagers

Music Appreciation of Flowers and Teenagers

Northwest China has a long history and profound cultural heritage, and the art form of "flower" is a wonderful flower in folk music. Looking forward to ethnic music, almost all of them have been excavated. It is an inevitable trend for ethnic music to move from the original ecology to modernization and to the international arena. However, Huale has not stepped out of the original ecological threshold until today. As we live in the flower country in the west, we always feel a little guilty. The following is my music appreciation of Flowers and Teenagers for your reference only. Let's have a look!

Flowers are words from the heart,

My family decided not to sing,

Knife, knife, head cut off,

I still sing like this.

This is a famous "flower" circulating in Gansu. Huaer, also known as Juvenile and Nocturnal, is a folk song among Hui, Shang, Salar, Dongxiang, Bao 'an and Han nationalities in Gansu, Ningxia and Qinghai. It is a plateau folk song with simple style, beautiful tune, strong emotional expression, bright artistic conception and strong local flavor, which is deeply loved by people of all ethnic groups. "Flower" is the best form for people of all ethnic groups to express their feelings. Whether it is Tian Wen's brother who works, his sister who pulls weeds, a suffering person who goes abroad to make a living, his brother who travels thousands of miles, rafters in Huang Mu, hunters, shepherds and craftsmen, they are all creators and singers of "flowers" and "teenagers". In work and life, they often can't help but "spread" those "teenagers" from the heart. In the gap between work, they looked up at the mountains and clouds, as if they were in a landscape painting. People let go of their rough throats and hummed local folk songs, which were rough and astringent, but I couldn't keep the true feelings in the songs. Even though life is hard, the innate feelings I have gained have not been destroyed by the repression of life. This is a song in the hearts of plateau people.

"Huaer" is the abbreviation of Song Dynasty, and "Huaer" is short and meaningful. It is not only simple, concise and meaningful, but also good at choosing accurate, vivid and vivid eyes to express complete content. A common feature of Flowers is that it can be passed down from mouth to mouth. The language is popular and fluent, fresh and clear, with bright rhythm and rich musicality. It is catchy, pleasant to hear and concise as jade. In addition, bright colors, images describing scenery, poetic and picturesque, arouse the imagination of listeners, and have their own rhyme and interest. Gan, Qing and Ning are determined by the closed feudal society and the specific geographical environment of living in the hinterland. People here have arduous patience and unpretentious lifestyle. Therefore, the tragic style, high-pitched voice and simple form of Flowers are all born out of the singing of nomadic people, which is different from the decadent sounds of other folk songs. Although the theme of singing is also the content of love, the bold and heroic spirit revealed between the lines of timbre fully shows the clear and frank "Northwest Spirit", which is quite different from people in other places and Europeans.

The content of "flower" includes "flower" to pour out grievances, "flower" to express love, "flower" to resist feudal marriage and "flower" to publicize revolution. ...

The yearning, ideal and pursuit of working people of all ethnic groups for life are fully expressed in Flowers.

Most of the "flowers" that pour out grievances expose the dark reality of increasingly serious class oppression and class exploitation, and curse and attack the sins of the ruling class. Complaining about flowers is a bitter song that condenses the blood and tears of the poor. Like a mirror, it faithfully reflects the dark reality of society at that time and tells the tragic life under the cruel exploitation of the ruling class.

A whole year of blood and sweat,

Not enough to pay official food;

Call "Hu Da" three times and cry for God.

When will the bitter days end?

There are still many flowers complaining like this. The song contains the grief and indignation that the poor people are still unable to pay the official grain and taxes after years of suffering, pours out the profound hatred and strong curse to the official court, and expresses the people's strong resistance.

The name "flower" comes from thousands of favorites. Young men and women living on the northwest plateau often use folk songs as a means to express their feelings and love to each other.

In the song, the man calls the woman "flower" and the woman calls the man "teenager".

Therefore, the noun of calling lover has become the name of this kind of folk songs. The two emotional names "Hua 'er" and "Juvenile" also reflect the basic characteristics of this kind of folk songs in content. Therefore, love songs account for a large proportion in The Wall. Love Flower takes love life as its content, but love, as the content of people's life, is closely related to other social life. It is also a window of social life, through which all levels of society are displayed. Therefore, the life reflected in the love Flower and the thoughts and feelings expressed are much richer and broader, including praising gorgeous youth, expressing passionate love, opposing feudal arrangements and class oppression, and pursuing freedom of marriage.

Calling "flower" a "teenager" obviously shows one of the contents of love "flower", that is, praising gorgeous youth, which is the lover's praise of each other's youth, appearance and personality in the early stage of love, in order to express his inner love.

Song is the expression of the mind. Flower is compared by the singer as "the truth" and "the key to happiness", which combines praise with her implicit courtship intention.

In the old society, working people were forced to make a living, left their homes and went out to live, and there were many hard jobs such as porters and clerks, which led to where you would go as lovers or lovers. Therefore, the "flowers" that express the feelings of missing and parting are like mushrooms urged by rain. For example:

Semi-circular pot baked steamed bread,

Smoke enveloped Zhuangzi,

Holding hands to see my brother off,

Clear your tears and wash your throat.

The parting of lovers or lovers is the most touching moment. Tears Wash Throat expresses the pain of parting incisively and vividly, and reflects certain social factors in helpless emotions.

In the old society, the marriage of young men and women, because of the bondage of "parents' orders and the words of the media", often can't get what they want, and people who love each other can't combine, and the combination is often disproportionate, which has staged a series of love tragedies. "Flowers" and "Pretty Girl" are based on a sad love story circulating among the people. A blind fortune teller compiled Flowers, which was widely sung among the people.

Jiao Jiao's daughter is a famous local beauty. After marriage, husband and wife love and respect each other. This caused her mother-in-law's dissatisfaction. This year, it was his turn to go out for military service, and her husband was enlisted. When her husband left, he felt uneasy about his beloved wife. When he left, he politely asked his mother to be kind to his beautiful daughter. His mother made a false promise and her husband said goodbye to this beautiful girl with tears in his eyes.

After her husband left, her mother-in-law thought it was time to abuse Jiao Jiao's daughter and ordered her to feed the sheep to the pigs every day, treating her as a present person. If she is not satisfied, she whips her, and Jiao Jiao's daughter is black and blue and miserable. A beautiful girl can't stand this kind of bullying and abuse and wants to go back to her parents' house to escape for a while. But her mother-in-law found a lot of things for her to do, delaying time and not letting her go back to her family. Mother-in-law sings:

"Three buckets and three liters of lai seeds are yellow, please go again."

So the beautiful girl had to plow, sow, fertilize, weed and harvest in the boundless fields alone with tears, and sang sadly:

"The elder brother of the moon, give me light! Brother Magpie, come with me! "

Finally, after the rapeseed was harvested, her mother-in-law was merciful and allowed the beautiful girl to return to her family.

However, her mother-in-law lives with a beautiful girl:

"Tossing and turning in a shabby fur coat, wearing a rotten felt hat, covered in hides and hooves (clumsy leather boots made of Tibetan cowhide), driving an old dog and pulling a broken car back to her mother's house."

After Jiao Jiao's daughter came back from her family, her mother-in-law abused her more and more. Jiao Jiao's daughter couldn't stand her mother's tea poison and hanged herself in the Woods while working in the barren hills. That night, the moon was as bright as a picture, so the shadow of a beautiful girl was still reflected in the Borneo tree in the moonlight. This sad legend is widely circulated among the people.

When it comes to modern Flowers, people will think of the familiar folk song In that faraway place, but they don't know the story behind this folk song:

Wang graduated from the Music Department of Beijing Normal University and is known as the "father of northwest folk songs" as a national musician. 1937, he traveled to the northwest with the authors Xiao Jun, Xiao Hong and others. Because of the continuous heavy rain, their party was blocked and lived in an inn in Liupanshan. It was there that Wang first came into contact with the most primitive folk songs in the northwest. The female boss who sings the folk song "Flower" has a nice nickname, called "Five Plums".

When Wang heard this call, he was conquered by "Five Plums" and this wonderful "flower". Since then, he has entered the colorful world of national music, and he can't live without the northwest for a lifetime, and has never been back to Beijing.

194 1 year, director Zheng went to Qinghai to film and invited Wang to participate in the performance. A group of them came to Qinghai Lake.

Zheng asked Zhuoma, the daughter of thousands of families, to play the shepherdess in the play.

Wang put on his Tibetan robe and followed Zhuo Ma to drive sheep. Wang lived a real shepherd's life for three days in the movie world.

Zhuo Ma is a Tibetan girl, like a flower in Shan Ye, with two big black eyes, thick braids and a colorful Tibetan robe inlaid with gold, which wraps her body.

The director arranged for Wang and Zhuo Ma to ride horses together. Robin Wang was stiff at first, sitting behind Zhuo Ma, clutching the saddle with both hands, but Zhuo Ma suddenly flew over, and Lord Robin instinctively hugged Zhuo Ma's waist. They ran on the grassland for a long time before they tightened their reins and wandered on the grassland. ...

At dusk, Zhuo Ma gently pushed the sheep into the pen, while Wang gawked at Zhuo Ma, and Zhuo Ma was soaked by the sunset glow. ZhuoMa turned around and looked at him with a red face. Mother Zhuo's eyes sparkled with sparks, raised her whip, gently hit the king, and then left just visible.

Wang just stood by the fence, watching Zhuoma disappear in the night and stroking the place where Zhuoma hit him. This beautiful and unrestrained Tibetan girl left him a whip that he will never forget.

In the middle of the night, Wang wandered outside Zhuo Ma's father's tent, and the felt window fell, separating thousands of daughters from Chinese musicians in two worlds.

The next morning, the film crew left Qinghai Lake. Zhuo Ma and his father rode horses, one by one, until they stopped on a hillside.

The king rode a camel and kept looking back. With the ups and downs of the hump, camel bells jingled, and Wang turned his emotions into songs and sang:

In that distant place

There is a good girl.

People walked past her accounting office.

Look back with nostalgia.

I want to be a lamb.

She was by her side.

May she hold the whip every day

Keep hitting me gently.

In 1950s, the world famous singer Robertson took this song as his own reserved program and sang it all over the world.

Wang's name and his masterpiece "In that faraway place" entered thousands of households together. He dedicated his whole life's feelings to the northwest, and "flowers" were his soul.

China is a vast country. Due to the differences in historical development, social status, natural environment, customs and languages of various ethnic groups, folk songs show different colors and emotional appeal. There is no art with more local color and emotional appeal than folk songs in the world.

"One side of the soil and water supports one side of the people", opening folk songs all over the country, full of life breath and pastoral flavor. The author is like a craftsman who can weave and embroider. They draw out all kinds of color lines from their lives, use all kinds of folk songs, and use all kinds of characters and stories in their lives to skillfully twist the magnificent natural scenery and simple folk customs in various regions into a ball, and embroider gold plaques that are both vivid and touching, and humorous. Each gold plaque represents a different style of mood and color. This is the artistic appeal of folk songs. Its natural scenery and humanistic atmosphere have a special charm of beauty, which immediately introduces people into the life it describes, making us feel relaxed and refreshed as if we were enjoying the scenery around the world with the author.

Get aesthetic enjoyment and inspire people's love for life and pursuit of beauty.

This is the charm of folk songs.

Content expansion:

Qinghai folk song "Flowers and Teenagers" is integrated into the melody of northwest folk song "Flowers".

Flowers and Teenagers is a love song.

Qinghai folk song "Flowers and Teenagers" is integrated into the melody of China northwest folk song "Flowers", which is mainly spread in Qinghai, Gansu, Ningxia and other places.

"Hua 'er" is a kind of folk song originated in Qinghai, which is widely spread in four northwestern provinces (regions) such as Qinghai, Gansu and Ningxia. Its melody is high and melodious, its lyrics are simple and fresh, and its expression is free and frank, so it is called "the soul of the northwest". As a national music with northwest characteristics, it has long been favored by musicians.

Close to life and reality.

Because musicals are close to life and social reality and have civilian aesthetic characteristics, they have different standards from western operas and even China operas in terms of performance techniques and vocal methods. Western opera has long formed a set of scientific and systematic singing methods. According to the different characters in the play, there are different voices in singing, such as tenor, soprano, baritone, mezzo-soprano, bass, contralto, etc. On the tenor, there are also heroic tenor, dramatic tenor, coloratura tenor and lyric tenor. China's opera is an amazing artistic wonder, and its singing is as rigorous and meticulous as western opera, and it has different singing requirements for life, Dan, quietness, beauty and ugliness. But this stylized and formulaic singing method, if put into a musical, is far from life. What kind of singing method does a musical need? In my opinion, it should be a scientific, life-oriented, personalized and personalized singing method. This is easier said than done. Listening to the characters in the musicals Notre Dame de Paris, Phantom of the Opera, Cats and Les Miserables, we will find that their voices and images are so close to the characters they play. Just by listening to the voice, you will get some insight into the characters, their personalities and hearts, and even from their singing state, you can feel the life background, fate and environment of that character at that time. Therefore, singing close to the characters is singing close to life. The singing method close to life is the singing method that meets the aesthetic standards of ordinary audiences. This shows how important it is to match the voices of the characters on the stage in musicals, which is also the reason why popular singing is widely circulated among the people.

"Flowers and Teenagers" is about people themselves. Singing should be scientific, popular, popular, natural and life-oriented. The voice and image of each character should meet the requirements of the living state, personality and living environment of that character in the play. For example, Selde, the hero of the play, is a fine horse from the grassland, a sunny and handsome Baoan youth, kind, brave, intelligent and wise, so his voice should be bright, high-pitched, passionate and relaxed. The heroine Mei Duo-Mei Duo's name is translated into Chinese, which means flowers. Mei Duo is a gorgeous red peony in Said's heart. She is beautiful, straightforward, brave and persistent. Her voice should be full of charm and wildness. When expressing your inner feelings, you should be delicate, soft and approximate. When she is passionate, she should be free and unrestrained, calling to the distance and shaping the image of a western girl. As for the brave grassland kite, his voice should be natural and vigorous, while the beautiful and small Salar girl Ma Lianhua's voice should be clear, bright, clean and simple, positioned as a folk pop singer with a straight voice. Of course, the father of Mei Duo, the majestic Tibetan leader, belongs to the low-middle range and should be played by baritone or bass. Gahu's father is a local governor. We positioned his voice as a tenor, but it seems a little out of breath, so his voice is high but a little empty, and his pronunciation is a little dramatic. In order to maintain his position and dignity, his voice modeling is high-key and not full of gas, and sometimes there will be broken singing. In the chorus of the performance, it is good to be the first chorus with people as the scene. Based on the sounds of nature, life and unity, different singing styles were formed according to the plot and artistic conception, and good results were achieved.

When the performance of "Flowers and Teenagers" was successful, it coincided with the fact that Northwest Flowers had applied for the World Cultural Heritage Protection Project in Gansu, which was a great happy event for us. As a native artist, as a musician who has been influenced by Waal music since childhood, it is our unshirkable responsibility to inherit and carry forward Northwest Waal music. Flower music in the northwest has been original for a long time. If we can go out of Gansu and go to the world through the musical Flowers and Teenagers, we can not only provide valuable experience for our musical drama creation, but also let more people in the world enjoy the wonderful music of our nation.

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