Binzhou University Fortune _ Binzhou University Code

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The grotesque style of the film reminds me subconsciously of tim burton's Corpse Bride, but this style seems to have a long history in henry selick, the screenwriter and director of Ghost Mom-1993, The Scare of Silent Night directed by him can basically be regarded as a preview of Ghost Mom (tim burton is the producer of Ghost Mom, which provides the overall story creativity of the film, thus making this work more.

Gothic aesthetic style runs through ghost mother. From beginning to end, the heroine Caroline lived in a misty, mysterious and strange town. Even her house has an ancient history of more than a century-the old house is almost the basic element of ghost films all over the world. This town can easily be compared with Sleepy Valley in Sleepy Valley. But when I was watching a movie, I saw the small town in Silent Hill where it was snowing all the time-the dense fog in Gui Mu further deepened my impression, especially the scene where the little boy Wabi caught a "banana slug" in the dense fog. However, ghost mother did not focus on creating a horror story. When Caroline discovers that the secret doorway in the corner leads to a more bizarre world, the film actually creates a warm atmosphere-here, all the dreams of little Caroline have come true, and her parents even have a copy, and the copy parents are obedient to Caroline.

Ghost mother's intrigue against my childhood memories comes from Mr. Popinsky upstairs in Caroline. Mr. B is the only adult who has a sense of identity with Caroline's supernatural experience. He even acts as a mouthpiece between Caroline's dancing mice-of course, Mr. B is always as evasive and mysterious as a fortune teller. In my opinion, Mr. B, who looks like a mantis, is undoubtedly the "strange old man" in American children's literature-remember the puppet show of Shanghai Film Studio? After Zheng's Shuke and Beita and Adventures of the Banner were quickly vulgarized on the screen, The Strange Old Man became a rare treasure in my childhood memory. On closer examination, the strange old man, like ghost mother, has a rare and unique temperament: children readers (spectators) are not regarded as stupid idiots, thus giving up false moral preaching and simple and rude description of the outside world-this description is unanimously recognized by Taoists as playing a powerful role in establishing a "correct understanding" of truth, goodness and beauty for children, but the actual effect is often counterproductive. Moreover, once the creator does this, the attraction of the work will spread to adults. In this sense, it is unfair to frame "Ghost Mother" only in the category of "children's literature and art", and the reason why China's cartoons have been stuck in the "juvenile stage" probably stems from this. The world of children is very different from that of adults. Children always find mysterious and unknown forces. Generally, these forces come from a geographical space despised by adults. I remember that there is also an episode of "The Secret Base of Maruko" in "Cherry Maruko". That mysterious mansion will undoubtedly become a life experience that Maruko will never understand and forget when he grows up. At the beginning of Gui Mu, Caroline is looking for ancient eyes.

It is worth noting that when Caroline climbed into the grotesque world, she passed through a long pipe similar to human organs. From the perspective of psychoanalysis, this should be the symbol of the mother's birth canal (so the design of the Bund sightseeing tunnel is stupid). In other words, Caroline has some yearning for "childhood" in her heart-although she is still a child, in a sense, Caroline refuses to grow up (or is not adapted to growing up): growing up means that she can no longer do whatever she wants like a baby and is no longer cared for by her parents. When she grows up, Caroline's demands on her parents will mostly be rejected. Therefore, the psychological interpretation of ghost mother is not far from the Oscar nomination of david fincher+Brad Pitt+Fitzgerald, but Selik is more successful than Finch.

The gender setting in ghost mother is also very interesting. The biggest demon is actually Caroline's mother-the witch's control is just a cover-up, which tells the story of the rapid demonization of the mother's image after the lack of maternal love. In terms of age, Caroline should be in adolescence in the future. According to Freud's teaching, the tendency of "loving father and hating mother" caused by electra complex became Caroline's subconscious at this time. Therefore, her father is a puppet controlled by her mother in the film. Although her father often refuses and ignores Caroline's feelings, Caroline will attribute it to her powerful mother-in her father's words, her mother is the "boss" of the family. Refusing to buy Caroline beautiful clothes and gloves can be interpreted as a rude suppression of Caroline's female image (sexual attraction)-as a result, her mother was transformed into a witch, and Caroline's battle with her replica mother also symbolizes the growth of her sexual consciousness. In addition, the images of two fat mermaids also confirm this point. The scene of their rejuvenation can be regarded as Caroline's subconscious desire for a sexually mature body-in fact, when this scene appeared, Caroline was immediately invited to dance with them on the stage.

We can even see that the aversion to mother leads to the admiration for men in Gui Mu-the male image in the film is not absolutely negative, from the father to the copied father (who wants to tell Caroline the truth but is covered up by the anthropomorphic piano, obviously under the magic control of "mother". Even in the grotesque world, the duplicated father rode mantis to show Caroline around the garden. From Mr. B to Wabi, there are even black cats-black cats are regarded as female cats by Caroline at first, so they are "evil". Once a black cat speaks in a male voice, it \ he becomes a messenger of justice.

Of course, the more interesting character is Wabi. As a man, he is also controlled by some kind of "evil" women (including his last grandmother and mysterious missing twin sister). In the evil world, Wabi became Caroline's most reliable assistant, and Wabi even gave up himself to rescue Caroline. However, Wabi didn't like Caroline at first. She hates that boy's chatter. Moreover, Wabi is clumsy and always hangs his head, but this image finally won the love of Caroline and the audience-I regard it as a cartoon condensed version of women's view of male partners' mental journey: in women's eyes, their boyfriends and husbands always have unbearable shortcomings, but in the end, he is still. Cute (this is obviously a more adult view based on the overall understanding of marriage and family: neither a complete worship of male idols nor a pure dislike of secular men).

Finally, Caroline's rescue of her parents can be compared with Spirited Away's. An interesting detail is that the trapped soul in "ghost mother" also forgets its own name (of course, there is a prominent feature that buttons make eyes), which symbolizes the loss of childlike innocence (humanity). The adults represented by Caroline's parents have been lost in the outside world without mystery, awe, interest in life or even indifference (in Spirited Away, the outside world is described as a dirty place full of material desires and without environmental awareness, which has the same effect), so Caroline undertook the task of saving, and of course, in the end, like Chihiro, she found her name (without buttonholes). I saved my parents and family-the endings of the two films are similar. Chihiro's parents, like Caroline's parents, were saved unconsciously. Of course, this can also add more fantastic supernatural artistic color to the story.

In a word, Ghost Mom shows the thrilling process of a girl becoming a woman, and as a man, this story reminds me that raising an adolescent daughter is more troublesome than raising an adolescent son, but at critical moments, a daughter is often more useful than a son.