Tao Yuanming's fortune telling _ Tao Yuanming's eight characters

Introduction and composition of tour guide words in Qiao Yuan, Taizhou

The history of Qiao Yuan can be traced back to Japanese-related gardens in Wanli period of Ming Dynasty, and it is one of the oldest existing gardens in northern Jiangsu. In the past 400 years, its owners have changed several times, and the names of different periods are not the same. According to local records: "Sanfeng Caotang is the former site of the Japanese Garden, and Chen Lantai retired. Next, I sorted out the tour guide words about Taizhou Qiao Yuan for everyone to read and enjoy!

Taizhou Qiao Yuan Tour Guide 1

I often hear my father say that Qiao Yuan is a courtyard with attic pavilions, stone valleys, nymphs and flowers alternating, "unconventional, new situation". During the National Day, I finally got a glimpse of my beauty.

Qiao Yuan, located in the old city of Taizhou, was built in the Wanli period of the Ming Dynasty. Qiao Yuan's original name is "Japanese involvement in the garden", which means "Japanese involvement in the garden is interesting" in Tao Yuanming's famous poem "Returning to the Ci". Later, because there were three stalagmites, it was renamed Sanfengyuan. During the Tongzhi period, salt merchant Qiao Songnian bought this garden and renamed it Qiao Garden.

Crossing the high threshold of Qiao Yuan, walking through the quiet narrow road, the rocks are green and the osmanthus is fragrant. What a beautiful autumn garden! We walked up the stairs and came to Laiqing Pavilion, the tallest building in Qiao Yuan. Several ancient osmanthus flowers in front of the building are fragrant and refreshing. Ancient books recorded that "those who are connected with the clouds" are "coming to the Qing Pavilion". The Laiqing Pavilion in front of us has three floors, cornices and corners, and it is magnificent. It is a scenic spot of "viewing pavilions and winning gardens". Climbing to the top floor, you can see the beautiful scenery of the whole park: pavilions, rocks, ancient trees and exotic flowers and grasses complement each other, each showing its beautiful and unique posture.

Walking down the green pavilion and crossing a small and exquisite stone bridge, we came to the banana rain pavilion, which was ventilated on all sides. The bananas next to the banana rain pavilion were dripping green. Ah! I seem to see my master strolling on the porch in the summer afternoon, shaking a banana fan and enjoying the carp in the pool. Suddenly it rained cats and dogs, and the rain hit the banana leaves, making a wonderful sound of "ding ding" and "snapping". The host closed his eyes and listened attentively, which can be described as "listening to the banana rain at dusk under the porch"!

Looking north, we are deeply attracted by Arvin Guifang's unique modeling and model lying in the center of the pool. From a distance, Guifang Wen is like a big ship, braving the wind and waves, sailing forward, standing in the cabin and bow, enjoying the water features in the pool. Opposite the rockery waterfall, flowing water, the lotus coming out of the pool is slim and graceful, which makes people feel the natural lakes and mountains. The couplets of "The Boat of Wen Gui" reflect the happy mood of the scribes who are sailing smoothly, riding a boat and braving the wind and waves after winning the laurels.

Qiao Yuan deserves to be called "the first garden in Huaizuo"!

Taizhou Qiao Yuan Tour Guide II

This afternoon, I went to Qiao Yuan with my parents. Qiao Yuan, there are no magnificent buildings and no gorgeous names. Everything is so ordinary and natural.

Entering Qiao Yuan, it is an extremely common corridor, surrounded by green grass, and colorful flowers such as white, red, blue and purple appear in the grass. Flowers show a sweet smile, emitting a faint fragrance, so refreshing and intoxicating. Looking up, in the distance is a green bamboo forest, almost green, gently blended into the soil.

Behind the promenade, there is a narrow path covered with pebbles. Walking along the path, I saw a large lawn with green grass and more people. Old people are sitting in a nearby pavilion chatting and drinking tea. Young people talk and laugh while walking and enjoy the scenery; Naughty children are all rolling on the grass ... this scene is very warm! We also found an open space to sit down and talk about interesting things in life. All our troubles seem to have disappeared, and the whole person suddenly relaxed a lot.

"Hua, wow ..." Inadvertently, we heard a weak voice and went to find out. Oh, it's the artificial waterfall in front. Water keeps running down from the rugged and overlapping rockeries and enters a winding artificial river. The sun shines on the water, sparkling and rippling. The clear river reflects the shadows of pavilions and weeping willows on the shore, giving people spectacular visual effects. More interestingly, the lake is like a silver mirror, which also reflects our smiling faces. We have been looking at our reflection and are very happy. At this time, a group of small fish swam over, and the silver mirror was instantly "broken", and we laughed heartily.

Xiao Qiaoyuan, who has three steps and one scene, has a refreshing feeling, although she does not have the splendor of the royal garden, but she has the sense of small jasper and exquisiteness of the Jiangnan classical garden.

Taizhou Qiao Yuan Tour Guide Words 3

The history of Qiao Yuan can be traced back to Japanese-related gardens in Wanli period of Ming Dynasty, and it is one of the oldest existing gardens in northern Jiangsu. In the past 400 years, its owners have changed several times, and the names of different periods are not the same. According to local records: "Sanfeng Caotang is the former site of the Japanese Garden, and Chen Lantai retired. This garden is owned by Gao Lu Temple, the magistrate of Phoenix. There are three stalagmites in the garden, which was renamed Sanfeng Garden. Yan Wu observed that Lian Fenlin lived in it, and he began to call his room "Sanfeng Caotang" ... After Wu left, Qiao Zhongcheng lived in it and took over. " Between the frequent change of owners, the scenery in the park has also changed, and the existing part is not the whole picture.

"Qiao Yuan" was originally the former residence of Chen Yuan in Ming Dynasty. During the Wanli period of Zongshen (1573- 1620), Chen Yingfang, the grandson of Zongshen Temple, leaned against the house to build a garden, and named it "the garden related to the sun" after Tao Jin Yuanming's "Going Home". This is the original history of the park. According to the local documents of this period, the Japanese-related gardens were not mentioned in the surviving Annals of Taizhou in Wanli period of Ming Dynasty and the later Annals of Taizhou in Chongzhen of Ming Dynasty (the Annals of Taizhou in Chongzhen recorded several private garden sites in detail), and it was not until the Annals of Taizhou in Daoguang that the Japanese-related gardens which had been renamed as Sanfengyuan at that time were briefly recorded. It can be seen that during the period of "Japanese involvement in gardens", the reputation of gardens has not been revealed. In contrast, Chen Yingfang, the owner of the anti-garden, is more important than the Japanese to get involved in the garden. Chen Yingfang recorded it in detail in Volume VI of Taizhou Records in Chongzhen Period.

More than 60 years after Chen Yingfang's death, the first two Japanese-related gardens changed hands, one in the early years of Qing Emperor Kangxi and the other in the reign of Emperor Sejong Yongzheng of Qing Dynasty (1723- 1735). Japanese-related gardens were also the longest period of high operation, which lasted to Yongzheng, Qianlong and Jiaqing dynasties. The high family financial resources and literati attainments make the Japanese-related gardens run by them better in cultural taste and gardening art. During the Jiaqing period of Renzong, Gao Fengdong searched in many ways and finally got three stalagmites, all of which were planted in the garden. At this time, the garden reached its peak, and the peak angle was no longer satisfied with the name of the previous generation "Sun-related Garden". Because of the addition of three stalagmites, the name of the garden was changed to "Sanfeng Garden".

At this time, Sanfeng Garden occupied a large number of houses and the garden was very prosperous. There are 14 scenic spots, including Green Mountain House, Fish Pavilion, Capsule Cloud Cave, Shanxiang Caotang, Biji Hall, Songchui Pavilion, Yin Chao Pavilion, Bifen Bamboo House, Wuyunxuan, Laiqing Pavilion, Laiqing Hall, Bajiao Yuxuan, Wenguifang and Shilin Biejing. The scenery of this prosperous period lasted until the light year of the Qing Dynasty, during which one mountain, one stone, one tree and one scene were recorded in detail by Zhou Yao during his five years in Daoguang (1825), as well as their inscriptions and other graphic materials.

During the reign of Daoguang in Jiaqing, the garden of Sanfeng Garden was mainly divided into two parts, the east and the west, separated by a courtyard wall, and the two groups were connected by the green pavilion, which could "see the victory of the whole garden". Among them, the west garden is connected with the residential part and plays a transitional role, just like other gardens. East Garden is its main body and essence, with Shanxiang Caotang as the center. Zhou Yao's "Surrounding Scenery of Sanfeng Garden" takes Sanxiang Caotang as the main point of view and draws its four-sided scenery. There is a pool of mountains in front of Sanxiang Caotang, which is the main scene of the "Three Peaks". There is a small garden in the back, and Kuijitang is opposite Sanxiang Caotang. It is clean and tidy, with a unique pen, giving people the feeling of "deep courtyard". Mr. Chen Congzhou's evaluation of this garden is that "the hall is in the north, the pool is in the middle, the rockery faces each other, the hole is in the stone, and Liang Shi lies in the waves.". This is a very simple object, not unconventional, and the situation is new. "

At the same time, a major feature of the park is that the scenic spots pay attention to the arrangement of flowers and trees, and the names of various buildings are often related to this, such as Colorful Bamboo House, All Green Mountain House, Songchui Pavilion, Yin Chao Pavilion, Jiao Yuxuan and Wenguifang. Among them, the core scenic spots are mainly trees, and the ancient cypress stands out on the rockery; Song Chui Pavilion, Yin Chao Pavilion and other pavilions, supplemented by Gao Song and Mei Lin; Bamboo and houses are hidden behind the canyon. Chimonanthus praecox is planted in front of the courtyard, and peony and banana are surrounded by the porch. The time allocation can also adapt to the changes of the four seasons scenery. Mr. Chen Congzhou's evaluation of it is: "In terms of artistic conception, it is still mainly elegant and light, such as banana divided into green, sparse horizontal windows, bamboo wintersweet, pine and cypress towering into the sky, branches intertwined with Tibetan interest, all of which are powder books in ancient paintings, which were enjoyed by literati at that time."

In the ninth year of Xianfeng, Wu Wenxi bought Sanfeng Garden for 3,600 yuan, and then spent more than three months 1500 yuan to repair the garden. After the project, Wu renamed Sanfeng Garden "Zheyuan", which means "hiding in a deserted garden". He believes that the restored Mantis Garden is "small and surrounded by mountains and rivers" and can hide in one place for a long time like an animal hibernating. Wu Wenxi recorded the process of buying a garden and building it in Yuan Zheji, and painted the 73 rd Peak.

Compared with Sanfeng Garden in its heyday, Wu Wenxi's Mantis Garden has been reduced, omitting most of the scenic spots in the original West Garden, or the East Garden where the mountain scenery is located has basically inherited the face of Sanfeng Garden, but the naming of various buildings has been greatly adjusted. Among them, the main "Shanxiang Caotang" was changed to "Sanfeng Caotang", which can be regarded as the respect and commemoration of the ancient Jews for the original garden; Others changed the towering "Laiqing Pavilion" to "forget the dust at a glance", the "Jijitang" after retreating to the high platform to "take a step back", and the "fish counting pavilion" in the Meilin at the top of the mountain to "light and shadow pavilion", all of which transformed the original straightforward characters into more elegant and metaphorical. It can be seen that Wu Wenxi has a deeper literary accomplishment and seclusion mentality than the garden owners before and after him. However, Wu Wenxi's idea of long-term seclusion in Yuan Zhe did not come true, and the naming of these buildings only existed for a short time. In just a few years, the garden was transferred from Wu Wenxi to Qiao Songnian, the salt carrier in Huaibei.

The incident began at the time of Xian Tong, and the Taiping Army once occupied Yangzhou. In the Qing Dynasty, the salt administration of Huai Dynasty was forced to move from Yangzhou to Taizhou, and a large number of salt officials and salt merchants poured into Taizhou city at the same time, which made Taizhou city extremely prosperous and the number of merchants was similar to that of Yangzhou. In this regard, the poet Zhu Baoshan said in "The Poems of Hailing Zhi Zhu" that "there are too few fireworks in the fundus, and there is a small Yangzhou in Huainan". Qiao Songnian, the envoy of salt transportation in the two Huai Dynasties, came to Taizhou from Yangzhou, and immediately began to buy real estate and build buildings. First, in the first year of Tongzhi in Qing Dynasty, the residence of Gu Jian, a painter from Taizhou in the west of the city, was purchased as the seat of the Salt Administration Department, during which the Xiaoxiang Cliff Garden was built. Taiping Army occupied Yangzhou City, and when the situation was turbulent, they got together with salt officials in Xiaoxiang Cliff Garden in Taizhou to continue their salt affairs. According to "An Le Kang Pingfang Essay", "There is a small fragrant cliff in the west gate of Taizhou, which is a statue of saints and a place where officials and businessmen gather for banquets. It covers an area of about 10 mu and has a pavilion and pond in an orderly position."

After the completion of Xiaoxiang Cliff, Qiao Songnian worked here and held a night meeting as a poet. Wu Wenxi was also one of the literati and celebrities who made friends with Qiao Songnian at this time. When Xiaoxiang Cliff was completed in the second year of Tongzhi, Qiao Songnian asked Wu Wenxi to write an inscription and postscript for the garden.

However, after the handover of salt affairs between the two provinces stabilized the headquarters in Taizhou, Qiao Songnian found another homestead for himself to live and relax, so he bought Yuan Zhe, a new acquaintance of Wu Wenxi's, and renamed it Qiao Yuan. The scenery of "Qiao Yuan" is no different from that of "Yuan Zhe", but Qiao Songnian, who is in the rising stage of his career, naturally dislikes the name of Yuan Zhejing District and changed all his names back to the original name of "Sanfengyuan". However, at this time, "Qiao Yuan" is not as grand as the former "Sanfeng Garden", but the rocks and trees belong to the previous generation and look more Gu Zhuo. Therefore, Qiao Songnian commented on his "Qiao Yuan" as follows: "Although the small garden is ugly, the fine trees are innocent, the green soil is pale, and the official is better than the Qige Pavilion."

After Qiao Songnian, he served as a political envoy and governor, and was the highest-ranking and most powerful gardener in all previous dynasties. As a result, Qiaoyuan was the most famous and sung by celebrities during this period. At the same time, Mei Zengliang, a scholar in the late Qing Dynasty, sang the song of "Three Peaks Caotang" as the last work of Qiaoyuan Landscape, and Qiaoyuan became the final title of the garden.

Taizhou Qiao Yuan Tour Guide Words 4

Shuyu pavilion

Tourists are in the pavilion, overlooking the pool under the ridge, and there are countless fish swimming. The pavilion is carved with bricks on six sides, with carp on the south and goldfish on the other five sides, which means "long life without borders".

Yunyun cave

Under the lake stone pile and on the brick wall, it twists and turns. After several twists and turns along the tunnel, the end turns left, which is tall and spacious, giving people a feeling of being suddenly enlightened.

Shan Xiang Cao Tang

Blue cold, clear and moist; Cui Yong has three peaks and a rainy season harvest.

Guiping and Li Xiaoshu wrote the script. The thatched cottage has blue bricks, upturned cornices and upturned roofs. It is not as gentle as the northern region, nor as expensive as the southern region. It is the intersection of north and south buildings and a masterpiece of Taizhou garden architecture. The couplets use Zhu's poem "One river is green and red, and thousands of forests are dyed" to describe the scenery of Shanxiang Caotang, which is just right and thought-provoking.

Bojitang

The hall is built on a high platform with high terrain and extraordinary momentum. The building has upturned cornices, cloisters and leaky windows, and the roof of Haitang is light and beautiful. Once upon a time, there was a well, which was sweet and drinkable.

Songchui pavilion

The sound of the waves is old and moist; The moon shines on the hall.

Songchui Pavilion is the tallest pavilion in the back garden, with three stories high and open terrain. People standing in the pavilion can see the thatched cottage and rockery in front of the pavilion. The sound of waves here refers to the sound of pine trees. Tang Ming refers to Shanxiang Caotang.

Yin Chao Pavilion

1956, Mr. Mei Lanfang came to Thailand to pay homage to his ancestors and give a condolence performance, and stayed in this pavilion. Up to now, the "Former Residence of Mei Lanfang" still remains in the park.

Er fen Zhu Wu

The whole house is made of bamboo, and the design is very clever. Cutting bamboo strips into walls, breaking half bamboo into tiles, sawing bamboo tubes to decorate windows and splicing bamboo pieces into doors give people a strong visual impact, just like an enlarged bamboo product.

Laiqingge

Grass-colored soaking curtain edge overnight rain; The spring breeze blows the windowsill and is happy in the new sunshine.

Written by Cheng Yuehua and written by Wei Tianchi. Come to the third floor of Qingge, climb high and look far, and have a panoramic view of the scenic spots in the park. The first part uses the poem "Grass in the Curtain" written by Liu Yuxi, a great poet in the Tang Dynasty, and the next part uses the poem "Spring breeze blows over the threshold, revealing wealth" written by Li Bai, which is appropriate without trace.

Laiqingtang

Life is always full of discontent; It's hard to meet such a thing in the world.

Written by Guan Junshu, the owner of Xiang Zhai. Laiqingtang used to be a place where garden owners entertained guests. Life is often unpleasant, but here it is very satisfying. A once-in-a-lifetime good thing in the world and good guests meet here.

Jiao yuxuan

Listening to banana rain on the porch at dusk; Chi Pan is blowing in the breeze.

Listening to the banana rain at dusk and blowing the breeze in the morning are all real scenes seen by the banana rain pavilion. On the porch side is a century-old pomegranate, which looks like five fingers, meaning "Five sons enter the company, five blessings".

Wengui store

Literary thinking is like a tide; The blue boat makes waves, and the wind comes quickly.

Ship-like building, the bow is anchored in Yixin Pool, and the ship building is located on the shore. Standing in the cabin and the bow, you can enjoy the water scenery in the pool. Opposite the rockery waterfall, flowing water, the lotus coming out of the pool is slim and graceful, which makes people feel the natural lakes and mountains. The couplets of "The Boat of Wen Gui" reflect the happy mood of the scribes who are sailing smoothly, riding a boat and braving the wind and waves after winning the laurels.

Taizhou Qiao Yuan Tour Guide Words 5

Hello, leaders, welcome to Qiao Yuan. Today, I will show you around. Let me introduce myself first. My surname is x; You can call me little x or x guide.

We are now at the west entrance of Qiao Yuan. Qiao Yuan has four entrances, three of which have been built. They are the west entrance of arc corridor structure, the south entrance of residence and the north entrance of courtyard. First of all, let me introduce the history of Qiao Yuan to you. Qiao Yuan is located in the core area of Taizhou ancient city, starting from Baxiang in the east, Hailing South Road in the west, Baziqiao East Street in the south and Dongshuiqiao Street in the north. After more than 430 years of history, it currently covers an area of 6,543,800 square meters, with an investment of 48 million yuan, including about 20 million in engineering construction. It was officially opened to the public during the Spring Festival in 2007. Professor Chen Congzhou, a famous world landscape expert in China, thought it was "the oldest private garden in northern Jiangsu and a model of a region in the study of classical gardens" during his visit to Japan on 1977. Professor Chen also wrote a special article "Taizhou" to introduce the park. Qiao Yuan is also a provincial cultural relics protection unit, enjoying the title of "the first garden in Huaizuo". The park consists of buildings, landscapes, flowers and trees. There are many unique garden buildings in northern Jiangsu in the park, and many precious flowers and trees with a long history have been planted. The Qiao Yuan in front of you now is a famous historical garden with historical and cultural value, artistic appreciation value, cultural relic protection value and tourism value.

Qiao Yuan is also known as the Japanese Garden. It was built in Wanli period by Chen Yingfang, then minister of Taibu Temple. At first, this was the former residence of his grandfather Chen Yuan. Later, Chen Yingfang built the garden on the basis of rebuilding the house. Let's take the meaning of "Japanese involvement in gardens has become an interest" in Tao Yuanming's Return to Hometown in the Jin Dynasty. After the completion of the Japanese-related park, it changed hands several times and was abandoned several times in more than 400 years. Its historical evolution is also unusual.

After more than 60 years of death, this Japanese-related garden belonged to Tian in the early years of Kangxi in the Qing Dynasty. By the time of Yongzheng, it had become a high Zhu Feng. Japanese-related gardens were also the longest period of high operation, which lasted to Yongzheng, Qianlong and Jiaqing dynasties. The high family financial resources and literati attainments make the Japanese-related gardens run by them better in cultural taste and gardening art. During the Jiaqing period of Renzong, Gao Fengdong searched in many ways and finally got three stalagmites, all of which were planted in the garden. At this time, the garden reached its peak, and the peak angle was no longer satisfied with the name of the previous generation "Sun-related Garden". Because of the addition of three stalagmites, the name of the garden was changed to "Sanfeng Garden". Until the eighth year of Xianfeng in Wenzong, this period may be a period of high decline, or it may be related to the historical environment of the city during this period. During this period, Taizhou experienced frequent natural disasters and economic decline. When Sanfeng Garden was mentioned again, it had already appeared as "abandoned and dilapidated". In the ninth year of Xianfeng, by chance, Sanfeng Garden was bought by Wu Wenxi, an official who returned to his hometown in southern Sichuan, for 3,600 yuan, and it took more than three months to restore it 1500 yuan. After the completion of the project, he thought that the restored garden was "other hills surrounded by water, and there was no beauty", so he could hide in one place for a long time like an animal hibernating. Renamed Sanfeng Garden as "Yuan Zhe". However, only a few years later, Qiao Songnian (crane friend), a salt messenger from Huaihe River, came to Thailand from Yangzhou and lived in this garden. This garden originally belonged to Qiao's family, and later it was renamed "Qiao Garden". At this time, the scenery of "Qiao Yuan" is no different from that of "Yuan Zhe", but Qiao Songnian, who is in the rising stage of his career, naturally dislikes the name of Yuan Zhejing District and changed his name back to the original name of "Sanfengyuan". However, the "Qiao Yuan" at this time is not as grand as the former "Sanfeng Garden", but the rocks and trees belong to the previous generation and look more Gu Zhuo. Therefore, Qiao Songnian's evaluation of his Qiao Yuan is that "the small garden is ugly, but the fine trees are innocent, the green soil is pale, and the official is better than the jade pavilion." After Qiao Songnian, he served as a political envoy and governor, and was the highest-ranking and most powerful gardener in previous dynasties. As a result, Qiaoyuan in this period was the most well-known and sung by celebrities, and Qiaoyuan became the final title of the park. After the establishment of People's Republic of China (PRC), government hotels were rebuilt together with gardens and nearby houses, so they were called Garden Hotel and Qiao Yuan Hotel. Because Qiao Yuan's name is closest to the present age and Qiao Songnian is famous, Qiao Yuan's name is the most widely known, while the names of Japanese related gardens are often unknown.

In order to restore the prosperous scene of Qiao Yuan and make it the first famous garden in Taizhou, the Taizhou Municipal Party Committee and Municipal Government decided to rebuild and expand Qiao Yuan in 2004. In 2005, based on the principle of inheriting Taizhou's historical context, the Municipal Construction Bureau and the Municipal Landscaping Administration opened their doors to the public for examination, focusing on collecting the wisdom of ancient Chinese literature, references, experts and Taizhou people, and finally finalized their drafts. Qiao Yuan's eight scenic spots, including Laiqing Pavilion, have historical sources, which are mainly described according to historical picture books and ancient documents. Zhou Yaoji, written in Daoguang for five years in Qing Dynasty, is the earliest existing historical data about the style of ancient gardens in Qiao Yuan. The plan was designed by the Design Institute of Nanjing Forestry University. Qiaoyuan reconstruction and expansion project is also one of the top ten key urban construction projects in 2006. The total cost is 6.5438+0.4 million. The restoration part is designed with reference to the architectural styles of pavilions, terraces, buildings, pavilions and corridors in existing Japanese-related gardens, focusing on restoring the overall style of private gardens in Qiao Yuan, and making appropriate innovations to form four functional areas: core scenic spots, secondary scenic spots, scenic spots and residential areas. At the same time, skillfully using the terrain and arranging the plant landscape not only conforms to Qiao Songnian's gardening concept in those days, but also maintains the characteristics of Qiaoyuan which is different from Yangzhou and other places. The first phase expansion project of Qiaoyuan was completed at the end of 2006.

Please come with me to visit inside. Through the corridor at the west entrance and along the bamboo forest to the south, we came to the first scenic spot-Bifen Bamboo House. The whole house is made of bamboo. The house is light yellow, with exquisite design and fine workmanship. Bamboo strips are cut into walls, half bamboo tubes are broken into tiles, bamboo tubes are sawn into windows for decoration, and bamboo pieces are spliced into doors. The ........................................................................................................................... Bamboo House gives people a strong visual impact, which is amazing, amazing! Therefore, the bamboo forest in the house is divided into two parts, and there is a cloud (dragon) wall on the west side of the bamboo house to divide the bamboo house into two parts, hence the name "bisected bamboo house". Good idea! The reputation is high and ancient, and the building technology is better than ancient times! There is a beech tree planted in the house, which is very fresh.

There is a rockery made of Taihu stone next to it, and there is a "green mountain house" on this mountain. There is a window on the south side of the room, and the bamboo forest outside the window is deep, and the magnolia and camellia are beautiful. After Qingshanju, there is a building with a panoramic view of the whole park-Laiqing Pavilion. It is a three-story blue tile double eaves, with a height of 1 1.58m and a construction area of137.82m2. Laiqing Pavilion is an all-wood structure with a half-column hollowed-out flower board on the ground floor. The north and south are palindromes, which means auspiciousness; Things are precious flowers and plants, meaning harmony and happiness, or harmony and beauty. There are eight woodcarvings on the lower wall of the window in the cloister, which are implicit, rich and profound. A layer of carved beams is to prolong the life of pine cranes; Biting your teeth means that the magpie is on the plum tree, which means "always smile, happy event, happiness, health and longevity." There are arches carved on the second and third floors, with lions playing with pearls in the north and south, and magpies climbing plums in the east and west, which means: two people are happy at the door, and everything is complete (the lion playing with pearls in the middle also means high officials and generous people). The indoor ceiling on the third floor is marked by two playing with pearls and dragons in the middle, symbolizing nobility, splendor and good luck. There are 44 pictures of pine cranes around, which can mean: everything goes well, health and longevity.

The stone forest bypass to the northwest of Qingting is the path in the stone forest. Is a large-scale accumulation of mountains, with natural Yellowstone, creating a strange rockery, winding and secluded atmosphere. The trails and steps in the park are stacked with stones, which are integrated with rockeries to reproduce the peaks and cliffs of nature. There is a hole under the stone forest rockery, and the mountainside is empty. The rockery has three holes in the east, south and west. Give you 10 minutes to swim in the cave and feel the endless artistic conception of the mountain scenery. 10 minutes later, let's meet in the education hall.

This banana rain porch is rebuilt, that is to say, the sound of rain hitting bananas can be heard in the porch. On its south side, there is a cobblestone path, and colorful stones outline the beautiful pattern of goldfish swimming. The waves in the East China Sea symbolize longevity, longevity and happiness forever. From Jiao Yuxuan to the north, you will arrive at Wuyunxuan. Noon means caressing. This used to be the place where the owner of the garden recited the pipa. Now it is also a place for entertainment. From here to the east, you will arrive at Wengui's boat. The boat is an antique boat-shaped building, the bow of which is anchored in Yixin Pool, and the back of the boat is a two-story boat building, along which you can enjoy the water scenery in the pool. The calm pool water reflects the blue sky underwater like a mirror. In summer and autumn, hibiscus leaves the pool, graceful and graceful, and the breeze blows and dances in succession; The beauty of the scenery makes people feel the charming characteristics of the water town.

Stepping on the small stone bridge from the southeast of Wengui ship, you came to the Pan-Red Pavilion. This is a rebuilt hexagonal pavilion. As the name implies, the surrounding flowers and trees are mainly red varieties. Such as red maple, red magnolia, red bamboo and so on.

According to the architect's research, in ancient buildings, the door cover was originally carved with a "charm town" to exorcise evil spirits, similar to the common "Mount Tai Shi Gandang". Because from the perspective of geomantic omen, there are many taboos in the process of building houses. For example, the year of building a house must be combined with the "fleeting time" of that year (referring to the luck of the owner of the house calculated by the fortune teller). The lingering fate changes with the alternation of time. If it is unlucky for the owner to linger in the year when the house is built, then the house can't be used even if it has been built, otherwise it may encounter unexpected disasters and bring a lot of trouble to the owner. In order to solve this contradiction, Mr. Feng Shui created a kind of "Fu Fa Zhen". "Fu Fa Zhen" is a helpless strategy in Feng Shui. The application method is to write a "poem" (the language in Buddhist language) or draw a "symbol" (a word-like figure painted by Taoist priests, claiming that it can exorcise evil spirits) and stick it on the door cover to achieve the purpose of exorcising evil spirits.