What was the early experience of Li Qing, a Shanghai burlesque actor?

Mr. Li Qing, comedian, comedian, comedian, dual personality generation, comedian and comedian. 195 1 year to learn from Mr. Zhang. After paying homage to her husband, 195 1 joined the new popular drama troupe and sang her first play, Happy Family, at Longmen Grand Theatre. He played the role of a diner, that is, the masses. After worshipping Mr. Wang, he followed Mr. Wang. ..

He is still in the hardware store, so how can he worship Yao Mushuang and Zhou Baichun? After smashing the Gang of Four, they returned to the troupe and the comic book troupe. Mr. Zhang refused to return to the comic troupe. What makes sense? He can take care of his son instead of him. He still stays in the hardware store. He can't enter the troupe, which means that his household registration is not in the troupe. Later, the People's Comic Troupe invited him back, and Li Qing separated from him. After separation, he joined the Quyi Troupe, which later became his Shanghai Funny Troupe. So he thought he felt immature at that time, so he took Mr. Yao Mushuang and Mr. Zhou Baichun as his teachers, and he learned something from them. Later, he became a "double" generation.

They said they wouldn't add it if they didn't want to. Then they said he didn't have the word "double" in Li Qingli. Then I wanted to worship him in the 1980s, when he was almost fifty years old. So he named it after Mr. Zhang, the old man is still alive. Why would he do that? Later, Tong Shuangchun said, you don't want to change. You Li already know that there are very few outside, so why add a word "double"? This will be confusing, and he is right to consider this problem. Fortunately, Mr Yao Mushuang and Mr Zhou Baichun are considerate of him. They said if you don't add it, you won't add it. That's it. Forget it. If you know, you know. I don't know, forget it. He once said to himself: "People know the' double' generation, so why bother to argue with others if they don't know it?

Since he entered the stage at the age of 20, he has always known that burlesque is his lifelong companion. When Li Qing, who was over half a century old, re-entered the comic stage, he was filled with young artistic enthusiasm. In order to improve his performance level and make up for lost years, he kept learning, from his predecessors, from his colleagues and from life. Rich life experience is integrated into the real performance, so there are few artificial elements in his performance, and more are natural and simple emotional expressions.

His performances are both strong and harmonious. Whether it is the father in A Hun's New Biography or the teenager in Baby under the Street Lamp, his performances are strong and harmonious, and good and evil are clear. It's true that one person has thousands of faces. In A Hun's New Biography, Li Qing plays a strict father who is busy with his career and neglects to discipline his children. In real life, Li Qing also has his own regrets. Busy performances in his early years prevented him from spending more time with his family. Fortunately, his virtuous wife silently provoked the burden of life, so that he had no worries when performing. So he later recalled his achievements and said that all this could not be separated from his wife's support. During the Cultural Revolution, the Crosstalk Troupe was dissolved, and Li Qing was sent to work in the Pear Paste Sugar Store in Chenghuangmiao. It is said that he later became the manager.