Zhang Daoshi fortune _ Zhang Daoshi 104 years old.

Give me a brief introduction of chapters 27~38 ... so I can get extra points ~

Back to page 27 of JOE Edition: But what about a woman who only knows books and etiquette? It is suitable to write Baochai.

After the twenty-seventh turn of Jia Xu's book, the ink: Chi Pan plays butterflies, which is occasionally suitable for fun; Outside the pavilion, you use your quick wits. It is clearly not a female teacher who writes about Baochai.

The first 30 turns of Geng Mo: pointing to the fan knocking at the double jade is to write Baochai's golden cicada shelling. It is also clear that Baochai was not arrested but a female teacher.

The second batch of JOE edition: ("Lin Ruhai") was changed to "Xue Hai Lin Wen". Always secretly writing about Daiyu.

Meng Ben's forty-second chapter: (Daiyu) can really teach. The state of respect, the state of innocence, makes people love evil spirit.

Geng's fifty-sixth double-row criticism: the author used the method of golden cicada shelling again.

The thirtieth time: Baochai borrowed a fan and knocked twice, and Chunling painted wildly out of the house.

Return to the thirty-fourth eye: love in love is because of my good feelings for my sister. It is wrong for me to persuade my brother.

Turn back to the 36th session: Embroidering Yuanyang Dream and Realizing Pear Fragrance Court.

The 38th session: Lin Xiaoxiang's award-winning chrysanthemum poem, Xue Heng's satirical poem and crab chant.

Jia Yucun commented on Daiyu for the second time: "It is strange that this female student pronounces the word Min in every book, and always pronounces it as Mi. When I met the word' people' in writing, I lost one or two strokes, which was a bit confusing. There is no doubt that what you said today is for this reason. It's strange that I, a female student, have different manners. I am different from the women in recent days. It's not unusual to know that my mother is extraordinary and I can get a daughter. Now I am the grandson of Fu Rong. "

The thirty-fourth time, Daiyu said to Baoyu, "From now on, you can change everything!"

The forty-eighth time, Daiyu and Tanchun said to Baoyu, "You are really fooling around! Let's not say that it is not a poem, it is a poem, and our pen and ink should not be spread outside. "

The thirtieth time, Baochai said to Baoyu, "I am like Princess Yang, but I don't have a good brother to be Yang!" "

The thirty-fourth narrative: "I didn't say anything, so I was so angry that I pulled my aunt Xue to cry.' Mom, listen to my brother!'" "... Baochai was full of grievances and indignation. She resigned from her mother in tears and went back to her room to cry all night. "

On the fifty-seventh occasion, Daiyu commented on Baochai: "You see, she is so old that she is the most sophisticated without menstruation, and she is spoiled when she sees menstruation."

Unlimited comments:

Baochai is not the embodiment of the so-called "ethics", and Daiyu is not a model of "rebellion". There is no lack of emotion in Baochai and rational control in Daiyu. "Baochai and xiren's behavior is not only stupid and rigid, but also jealous, frivolous and gorgeous before embroidered curtains and under the green window and moon." "It is obvious that Baochai is a female teacher and has not been arrested." On the contrary, the Confucian style of "learning Lin Wen" is more about "writing Daiyu in secret"! This is a unique view of Zhi Yanzhai. Contrary to the opinions of many readers and critics in later generations. But we can't help but admit that the problems revealed by the fat criticism are exactly the objective existence in the original work. Although we have been avoiding and ignoring it intentionally or unintentionally for a long time, the "other side" of Chai Dai is real after all. It always takes a lot of courage to face the facts.

4. "Baoqing dismissed this, but it was not enough in Deqing."

Geng 18 double-line criticism: good poem! This is just a tribute to the sage's entertainment. It's not long, and I will know it gradually in the future.

Chen Geng 18 Double-line Criticism: The last two poems should be written. I said that Lin Bao's two works are not long. Why? There are other amazing sentences in this article. In Baoqing, people are dismissive of this, but in Daqing, it is not enough.

Criticism on the Thirty-seventh Double Line of Mongolian Edition: Baochai's poems are all self-written and satirize current events. Only the behavior of goods is the first, and the skill is the last. ..... I hate that the tone of "One Hundred Beautiful Poems" in recent novels is just a brilliant draft.

Geng's 22nd Double String Criticism: Awesome! This is a quotation of da Ucer, and it is impossible to talk about it unless it is Baoqing.

The third batch of JOE edition: writing about Daiyu's scheming since childhood.

The third batch of Jiaxuben: Try to see Daiyu's eye.

Mengben No.41Reply: Dai is a solution.

Dai Yu's poem Ode to a Sage 18 says: "He Xing invites pets, and the palace car is diligent." "There is no hunger in prosperous times, so you don't have to plow and weave."

The 22nd time "Parasitic Grass": "The tears of heroes leave Chu Shi's home. Thank mercy for shaving under the lotus stage. In the blink of an eye, there is no way to separate, and naked people come and go and don't care. Where can I ask for a roll of cigarettes and an umbrella? Any of my shoes is broken! "

The thirty-eighth time, Baochai wrote "The Crab Ode": "Guiyin sits in mourning, and Chang 'an looks forward to Chongyang. There is no latitude and longitude in the road ahead, and the skin is black and yellow in spring and autumn. Chrysanthemum should also be used when the wine is not fishy, and ginger must be used to prevent cold accumulation. What's the good of falling into the kettle today? Yuepu has a leisurely meal. "

On the 22nd time, Baochai commented on Wutai Mountain drunk by Lu: "You have listened to the play for nothing in recent years. Where do you know the benefits of this play? Good ostentation and extravagance, better writing. ..... is a set of northern "Eye-catching Lips", which is powerful, cadence and rhythm, needless to say, except that there is a "parasitic grass" in that word, which is beautifully filled. How do you know? "

The twenty-second narrative: "Baoyu clapped his hands and circled, praising Baochai for being ignorant."

Author: Yun Hezhai Zhu 2005-9-23 2 1:48 Reply to this speech

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3[ repost] Yue Feng Li Jianhua Honglou

The twenty-second time Baochai commented on Baoyu's meditation: "This man has realized. It's all my fault. It's all caused by a piece of music I played yesterday. These Taoist Zen machines are the most flexible. Tomorrow, I will seriously say these crazy words, and I have saved this meaning, all from my songs, and I have become the culprit. "

The thirty-eighth time Baoyu commented on Baochai's "Crab Fu": "Good scolding! My poem should be burned, too. "

The thirty-eighth time, everyone commented on Baochai's "crab fu": "Everyone read it and said it was a swan song to eat crabs. These small topics should have been great talents, but the irony is too poisonous. " (This is Baochai's "hot poison brought from the womb". )

The thirty-second time, Baochai commented on Jia Yucun: "This guest is also boring. What are you doing if you are not cool at home on such a hot day? "

On the 42nd time, Baochai said to Daiyu, "It is good for men to learn and be sensible, which is helpful to the country and the people. I just haven't heard of such people now, and it's even worse after reading books. It's a pity that the book was knocked down by him. It's better to farm and do business. "

On the fifty-sixth occasion, Baochai said to Li Wan, "Learning is business. At present, if you use knowledge to mention small things, they will be higher and higher. If you don't mention learning, you will all enter the market. "

The sixty-second time, Daiyu said to Baoyu, "Although I don't do my job properly, I will do the math for you every time I have nothing to do. If I don't save money now, I won't get it out later. "

The thirty-fifth time, Daiyu thought to Xi-feng, "Why didn't you come to see Baoyu? Even if something bothers her, she must want to make a scene to please the old lady's wife. There must be a reason for not coming this morning and evening. "

The fortieth narrative: "Daiyu knows that she (Miaoyu) is eccentric, and she doesn't talk much and doesn't sit much. After drinking tea, she came out with Baochai. "

The 45th time, Daiyu treated Xue's maid with courtesy: "Thank you. I missed your wealth and sent it in the rain. " Ask someone to give her a few hundred dollars, drink some wine and shelter from the rain.

The forty-eighth time, Daiyu treated Aunt Zhao with courtesy: "Aunt, it is rare to think about it. It was so cold that she came in person. "

The sixty-second time, Daiyu comforted Aroma and said, "You know my illness. The doctor forbade me to drink more tea. This half minute is enough. It's hard for you to think. "

Unlimited comments:

It is also one-sided to correspond Baochai and Daiyu to "ideal" and "reality" respectively, or to "birth" and "entry into the WTO" respectively. In fact, Daiyu also has a side of "actively joining the WTO" or even "calculating the world", and Baochai also has a side of "aloof and arrogant" or even "cynical". At least, in the eyes of Zhi Yanzhai, the "other side" of Chai Dai is worthy of attention. She (he) repeatedly reminded readers of "Daiyu's shrewd vision" and "Baochai's poems are all written by herself, satirizing current events"! Among A Dream of Red Mansions, Baochai's The Crab Fu is the most vicious, while Daiyu's Looking at the Apricot Curtain is the best. Baochai helps Tanchun manage the housework, and everything should be "constantly learning" to avoid "becoming a mere formality"; In her spare time, Daiyu often forgets to make plans for Jia's family and career. This is undoubtedly a deeper hint of the character's character. To write things like "writing poems" and praising virtues, Zhi Yanzhai pointed out more clearly: "In Baoqing, there are people who disdain this, but in Daiqing, it is not enough." In her (his) opinion, Baochai is more "aloof and cynical" than Daiyu! This is another unique and shocking place of Fat Review.

5. "Jinchuan and Baochai are mutually mapped. Wonderful! "

Jia Xu BenNo. 1 was later approved: ("crimson pearl") the word "red" and "jade".

The seventh batch of JOE edition: mutual mapping between Jinchuan and Baochai. Wonderful!

Geng's 25th Double-edged Criticism: (Lin Hongyu) is another forest.

In the 25th edition of Geng, the word "red" is cut into "crimson pearl" and the word "jade" is through. Wonderful article

Thirty-fifth session: Taste lotus leaf soup, and Huang Qiao knot plum blossom collaterals.

The 25th narrative: "It turns out that this little red, whose real name is Lin and nickname is Hongyu, hides the word' jade' because it offends Lin Daiyu and Baoyu, and calls her' Little Red'."

On the 27th time, Xi-feng said, "(Daiyu and Redjade) you are a jade, and I am a jade, too. It seems that I got a cheap jade."

The thirtieth time, Jin Chai said, "Jin Chai fell into the well, and yours is only yours." (as opposed to "the golden hairpin buried in the snow". )

The thirty-second time Baochai said, "She (Jinchuan) used to wear my old clothes before her death, and she was taller."

Attached Zheng Wen: Jin Chuaner's name is opposite to Baochai's, and Xiaohong's name is opposite to Daiyu's. What is this? According to the novel, Jin's real name is Bai, that is, "Bai Jinchuan". As opposed to the word "Xue Baochai". Xiaohong, whose real name is Redjade, is the daughter of Lin Zhixiao, namely "Lin Hongyu". Opposite to the word "Lin Daiyu". "White" and "snow" are also colors, and "gold" and "treasure" show their preciousness. "Lin" and "Lin" have the same surname, and "Yu" and "Yu" have the same name. "Bang" is a hairpin, and "Bang" is a bracelet, which is all women's jewelry. Lips are red and thrush is black, both of which are cosmetics for women. This kind of confrontation is really ingenious!

Lecture 27: The Mystery of the Unity of Wear and Wood (I)

There are obvious differences in thought and behavior between Dai and Chai. And in essence, one is a rebel of feudal ethics and the other is a loyal minister of feudal ethics, and the two are sharply opposed. I generally agree with this argument. But after reading it, I have the impression that in the first 80 chapters, their ideological differences or essential opposition are all reflections, and they did not even form a direct conflict on such a big right and wrong issue. Their head-on conflicts are all manifested in close combat caused by their feelings for Baoyu. Lin Daiyu is a mean master. I don't know what do you think is the meanest sentence of Daiyu to Baochai in the book? I think it was the thirty-fourth time, after Baoyu was beaten. Daiyu's eyes are swollen like peaches because she loves Baoyu. However, when she stood in the shade of flowers and saw Baochai passing by, she smiled and said, Take care, Sister, even if you cry for two altar tears, you can't cure that stick sore! Listen, what's this called? I am only allowed to cry my eyes into hearts, and I am not allowed to have tears in my eyes. I'm afraid I can't say that I fired at the idea of being loyal to feudalism with such mean words and such a collision. Even if you, Daiyu, pursue the freedom of love and marriage, and you are afraid that Baoyu will be kidnapped by the heresy of "good marriage" and "can't allow others to sleep soundly on the couch", then it is not worth hurting people with such words!

Baochai will never be a vegetarian at a critical moment. What is Baochai's most powerful reply to Daiyu in the book? I wonder if your opinion is consistent with mine. I think in episode 30, Daiyu asked Baochai what she saw at her brother's birthday party. Xue Baochai deliberately said that I saw Li Kui jy scold Song Jiang and later apologized. Baoyu said aside that the play was called "offer a humble apology"-Baochai simply pointed the gun at Daiyu and Baoyu and said angrily, so this is called offering a humble apology, and you didn't know it until you knew it. I don't know what that is! A few words made Er Yu blush and speechless, and Baochai was not only playing dumb, but also gentle and sincere. She's angry and miserable enough. However, this confrontation can only be said to be an emotional conflict of love triangle. It is hard to say that she used a set of feudal ethics to attack Er Yu's deviance. As far as this plot is concerned, I think it is really impossible to analyze that connotation.

By the 42nd time, this time I wrote that Baochai wanted to interrogate Dai Yu, because she used the sentences in the order of dental cards in The West Chamber and Peony Pavilion when playing dental cards in front. Playing with dental cards and saying that such a law is a taboo. I don't know if anyone else heard it. Maybe they didn't hear it. Maybe they think these are just two words. At that time, young men and women in feudal aristocratic families read The West Chamber and The Peony Pavilion, but reading such books was regarded as indecent behavior. Among Xue Baoqin's top ten riddles about nostalgia, the last two are related to Hui Zhen Ji and Peony Pavilion. Xue Baochai said, "The first eight are based on history books, and the last two are not tested. It is better to write two more. " Daiyu argued that there was something in the play, and Li Wan also said that storytelling and singing were all in it, even in the notes on the fortune teller's autograph, which meant that information could be obtained from other ways than reading. Finally, Li Wan made it more clear. Besides, she hasn't read the lyrics of The West Chamber and The Peony Pavilion. It doesn't matter. Keep them. There is no need to write two poems separately. The plot of Baoqin's poem is the fifty-first time, but it helps us to understand a kind of weird feudal ethics in that era, that is, we can know it from opera and Quyi, but we are not allowed to read such books and songs directly.

I remember when I read forty-two times for the first time, I read that Baochai called Daiyu to Yuan, made Daiyu kneel down, and said that she would interrogate Daiyu, so I thought, Ah, feudal guardians and feudal rebels must confront each other and fight it out this time! But the following interpretation is wrong, in fact, it is about the reconciliation between Dai and Chai. Looking back this time, not only is there no gunpowder, but it is full of warm atmosphere. It is called "Wu Heng Lan Junyan dispels doubts", which is not "slanderous words" but "blue words", which means confidence; Instead of causing a heated argument, Dai and Chai were relieved of each other's suspicion, and they lived in peace from then on until the end of the 1980s. This is not the unity of Dai and Chai. What is this?

This time, Zhi Yanzhai especially criticized that by the age of 38, more than one third of the books had passed, so he wrote them back and made them one. This comment is very important. She said that a third of the book A Dream of Red Mansions had passed by the thirty-eighth time, so it can be seen that Cao Xueqin had written it, or had basically drawn up a reply, and the planned completion of A Dream of Red Mansions was not 120, but actually it was less than this number. If it is one hundred and twenty times, then by the thirty-eighth time, it is not more than one third, but less than one third. It is estimated that Cao Xueqin's manuscript is the most 1 10 times, about 108 times. According to Zhi Yanzhai, Cao Xueqin does not intend to put the contradiction between Dai and Chai throughout the book, but intends to end the friction between them after one-third of the book. Her words, that is to say, although Chai and Yu are two names, people are dressed up. This ingenious pen is also said in this comment on writing. She also said that if you look at what Baochai said after Daiyu's death, you will know that the rest is right. She has already seen the story of Daiyu's death after 1980s. At that time, she thought that future generations and readers like us would see it sooner or later and get the same feelings as her. However, the words written by Cao Xueqin after the 1980s were later lost by the so-called borrowers. Where can we see them? We must imagine them, but I wonder if your imagination can reach that level. Anyway, I must say frankly that it is difficult.

These are the contents of the transfer! There are some on the following pages: /f? kz=4309354 1