All the pen names and meanings of Lu Xun?

bright and airy

Mr. Lu Xun is a leading figure among the masters of modern literature in China. Anyone who can read his articles carefully will leave a lasting impression on his sharp writing and profound thoughts.

Lu Xun was originally named "Zhou Shuren", because most of his works published during the period of Kuomintang rule were signed "Lu Xun", which made the world recognize him by this name.

Since the publication of his poems, Mr. Lu Xun has used 140 different pen names. Most of these pen names have some meanings or symbols. Although some of them have only been used once and some have been used repeatedly, the choice of each pen name has been carefully considered by him. This is due to the influence of Lu Xun's times, environmental factors and his personal mentality and emotion.

The period of Kuomintang rule can be said to be a dark age in the history of China. Lu Xun believes that a war writer is not worth "causing boring trouble with his real name", but should use his pen name to drill a "net". Today, history has turned over many pages, but the use of many pen names of Mr. Lu Xun and their hidden deep meanings still caught my attention and aroused my great interest:

"Jia Jiansheng"-This is the first pen name (Jia Jiansheng's Miscellaneous Notes) adopted by Lu Xun in 1898. Stop, strike. This name means a person who dances sword and fencing. It shows Lu Xun's fighting passion when he was young.

"Ling Fei" was used in the article "World History" published by Henan Monthly 1 February, 907. "Flying" means "flying bravely", and Mr. Wang uses it to encourage himself.

The Yellow Spine was first used when it was published in191February, and later poems such as Mourning for Three Chapters, Zhang Ziping's Novel, Three Ugliness in the Examination Room, Argument on Knife Method were all based on it. There is a saying in Qu Yuan's "Nine Chapters ● Sorrow Returns to Empty": "Guide the situation according to the situation, and waste the strategy." "Yellow spine" means riding a horse with spines to drive Pentium.

"Lu Xun" first appeared in the novel Diary of a Madman 19 18. As we all know, this is the most used and influential pen name, and this name symbol has been closely integrated with Mr. Lu Xun's personal image and cultural spirit. When Mr. Wang explained the meaning of his pen name to his friends, he said that there were three reasons: "1, and his mother's surname was Lu; 2. Zhou Lu is a country with the same surname; 3, and take the meaning of stupidity. " Later, it was simplified, derived and evolved into pen names such as Xun, L.S., Xun Ji, Nishuoer and Chongxun.

"Ba people" is a special pseudonym used when the novel The True Story of Ah Q was published. Lu Xun said in the article The Causes of the True Story of Ah Q: "The signature of' Ba people' is taken from' Xialiba people', not elegance."

"first class", first class, etc.; The hall is called the official office. At that time, Lu Xun was working in the Ministry of Education, and an officer wanted to crowd out Lu Xun's cronies. Lu Xun was named "Yi Tang" because of his feelings of "a gentleman lives for his life". I sat in the office of the Ministry of Education and waited to see it.

"Sui" is the pseudonym of the Kuomintang Zhejiang Party Department 1930, which petitioned the Kuomintang Central Committee for the case of "Lu Xun, a scholar who fell behind the list" (because Lu Xun joined and initiated the China Freedom League in February). Lu Xun changed his pen name slightly with the slanderous title given by the enemy, which was really a backhand blow to his opponent. Humorous and happy! Later, "Le Ben", "Luo" and so on came into being.

Another Voice is used for the essay "Sinking My Rise" published in the Crossroads Express. Lu Xun is a snake and loves snakes. He believes that the struggle against the enemy must have a tenacious fighting spirit-"entangled like a poisonous snake, persistent like a ghost."

Lu Xun published 24 essays under He Jiagan, which lashed out at the Kuomintang reactionaries' traitorous and anti-communist policy of "taking care of foreign affairs first".

"Wandering Light" was first used in the essay Ode to the Night (1933). Xu Guangping, Lu Xun's wife, said: "In Talk about Quasi-Yue Feng, most articles written under the pseudonym of' Youguang' are about the night. Such as Ode to the Night, Talking about Bats, Journey in Autumn Night, and Qiu Meng on the Cultural Bed. " Streamer means "ears listen to the night, eyes see the night".

"Traveling Falcon", Falcon is a small bird of prey that flies quickly. "Travel Falcon" is a metaphor for brave soldiers who are good at fighting, have sharp weapons, can penetrate behind enemy lines, and are quick and brave.

Xun Weng published 12 essays under his pen name. His 10 prose was written between May 1934 and October 10. It is hot in the south, and he is sweating all over. Writing for the public shows his spiritual character.

"Hua" can only be found in foreign language conversation (published in Free Talk, a supplement to Shenbao). Ms. Xu Guangping once said: "Hua" comes from Mencius, and the so-called West means that he is trapped in China. "It is Mr. Lu Xun's protest and accusation against the reactionaries that he is homophonic with prison and takes' Hua' as his pen name.

"Yue Ding" means "Yue Ding". Lu Xun was a native of Zhejiang, which was a place across the country in ancient times, so he wrote articles under this pseudonym.

"Jiao Xiao" is the pseudonym used in 1936' s essay "Take a photo here". The "Dawn Horn" is a horn sounded before dawn. Ms. Xu Guangping said, "The last pseudonym Mr. Wang used in Middle Stream (a bimonthly magazine) was Jiao Xiao. He didn't forget to wake up the people of China at last. I hope that all of us will always remember the earnest wishes of this literary warrior. "

The use of Lu Xun's pseudonym, from another side, recorded the course of his ideological changes, and confirmed the tenacious spirit and flexible art of a soldier in the modern cultural history of China.

Lu Xun (1881-1936) is a great writer, thinker and revolutionary in modern China. Yucai was originally named Zhou Shuren and was born in Shaoxing, Zhejiang. Born in a dilapidated feudal family. Young people are influenced by evolution. 1902 went to Japan to study medicine and then engaged in literary and artistic work in an attempt to change the national spirit. 1905 to 1907, when the revolutionaries headed by Sun Yat-sen launched a large-scale debate with the reformists headed by Kang Youwei and Liang Qichao, Lu Xun stood on the side of the revolutionaries and published important papers such as Moro Poetry and Cultural Deviation. 1909 returned to China and taught in Hangzhou and Shaoxing successively. After the Revolution of 1911, he served as a member of the Nanjing Provisional Government and the Ministry of Education of Beijing Government, and taught in Peking University and Women's Normal University. 19 18 In May, Diary of a Madman, the first vernacular novel in the history of modern literature in China, violently exposed and attacked the feudal cannibalism system and laid the cornerstone of the new literature movement. Before and after the May 4th Movement, he participated in the work of New Youth magazine, stood at the forefront of the anti-imperialist and anti-feudal new culture movement, kept pace with Li Dazhao and other early communist party people, and resolutely opposed the tendency of bourgeois intellectuals to compromise and surrender.

During the period from 19 18 to 1926, he successively created and published albums such as Scream, Grave, Hot Wind, Wandering, Weeds, Morning Flowers, Gai Hua Ji and Gai Hua Ji Xu, which showed that. Among them, the novella The True Story of Ah Q, published in19212, is one of the most outstanding works in the history of modern literature in China. During this period, Lu Xun began to contact Marxism-Leninism and read works such as * * * and State and Revolution. 1In August, 926, he was wanted by the reactionary authorities for supporting the patriotic movement of Beijing students and went to teach at Xiamen University in the south. 1927 1 came to Guangzhou, the revolutionary center at that time, and taught at Sun Yat-sen University. After the "April 12th" counter-revolutionary coup, Chiang Kai-shek angrily resigned from all his posts in Sun Yat-sen University. In the meantime, I witnessed that there are also non-revolutionaries and counter-revolutionaries among young people. They have received a deep education and completely abandoned the idea of evolution. 1927 10 arrived in Shanghai to study Marxism-Leninism seriously. 1930, the left-wing writers' union was established and became the leader of the left-wing literary movement under the leadership of China. During this period, he successively participated in progressive organizations such as China Freedom Movement League and China Civil Rights Protection League, actively participated in the revolutionary literary movement, introduced Marxist literary theory, and made unremitting struggles with Kuomintang reactionaries, other reactionary literati and reactionary literature, gradually becoming the standard-bearer of the cultural revolution in China and a great fighter of the proletariat. 1936 After the dissolution of the "Left League" at the beginning of the year, he responded to the call of the party and actively participated in the anti-Japanese national United front in the literary and art circles. From 1927 to 1935, he created most of the works and a large number of essays of New Stories. Under the guidance of Marxism-Leninism, the essays in the latter ten years comprehensively and profoundly analyzed various social problems, showing far-sighted political vision and tenacious fighting spirit. These works are collected in some special collections, such as Jia Xu Ji, Three Ji Xian, Two Hearts Ji, South Opera North Ji, Pseudo-Free Book, Quasi-romance, Lace Literature, Essays on Street Pavilion, etc. Lu Xun made great contributions to China's cultural undertakings: he led and supported the progressive literary groups such as the "Unnamed Society" and the "Chaohua Society"; Editor-in-chief of literary periodicals such as National New Newspaper Supplement (B), Mangyuan, Running, Germination and Translation; Enthusiastic care and active cultivation of young authors; Vigorously translate and introduce foreign progressive literary works, paintings and woodcuts; He collected, studied and sorted out a large number of China classical literature, critically inherited the ancient literary heritage of the motherland, compiled a brief history of Chinese novels, an outline of the history of China literature, sorted out Ji, and compiled miscellaneous books in Huiji County, ancient novels, legends of Tang and Song Dynasties, notes on old novels, etc. 193610 June19 died in Shanghai. Complete Works of Lu Xun (20 volumes) 1938 published. After the founding of New China, Lu Xun's translated works have been compiled into Complete Works of Lu Xun (10), Translated Works of Lu Xun (10), Diary of Lu Xun (2 volumes) and Letters of Lu Xun, and various ancient books edited by Lu Xun have also been reprinted. 1956, the party and people's government relocated Lu Xun's tomb. Mao Zedong personally wrote an inscription for Lu Xun's tomb, and repeatedly called on the whole party and people all over the country to learn from Lu Xun. Luxun Museum and Memorial Hall have been established in Beijing, Shanghai and Shaoxing.

The author's second introduction

Lu Xun (1881-1936) is a great writer, thinker and revolutionary, the founder of proletarian literature in China and the pioneer of proletarian cultural thought. Yucai, formerly known as Zhou Shuren, was born in a declining feudal family in Shaoxing, Zhejiang. Mother Lu Rui is the daughter of a farmer. She has a noble character and has a great influence on Lu Xun. At the age of seven, he entered a private school to study the Book of Songs, but he preferred unofficial history's miscellaneous notes, as well as art and folk literature. At the age of thirteen, my grandfather was arrested and imprisoned for the imperial examination case, my father was seriously ill, and my family fell from a well-off society to a difficult one. At the age of sixteen, my father died and there was "almost nothing" at home. With the change of family economic status, Lu Xun experienced a cold world and saw the corruption of feudal society and the hypocrisy of feudal morality. Lu Xun lived in his grandmother's house when he was young, and his grandfather was in prison, which gave him the opportunity to get in touch with farmers' children and understand farmers' painful life and industrious and simple quality. All these have had a far-reaching impact on Lu Xun's later thoughts and creations.

1In May, 898, Lu Xun entered Nanjing Jiangnan Naval Academy and later transferred to Jiangnan Mining Railway Academy. During his four years in Nanjing, Lu Xun came into contact with western bourgeois democratic thoughts and modern natural science knowledge from the reform and reform. Yan Fu's translation of "The Theory of Evolution" made him accept Darwin's theory of evolution and believe in the social development concept of "the future conquers the past and the young conquers the old". 190 1 65438+February Lu Xun graduated from Kuangli School and decided to study in Japan with the belief of "saving the country and the people". In June of the following year, he entered Hongwen College in Tokyo. In order to express his determination to fight the Manchu rule to the end and devote himself to the liberation of the motherland, Lu Xun resolutely cut off the braid symbolizing racial oppression, and wrote a poem according to the topic, and issued a solemn oath of "I commend Xuanyuan with blood". 1904, Lu Xun went to Sendai Medical College to study medicine, thinking that "most of Japan's reforms originated from western medicine" and wanted to take the road of "saving the country through science". But the harsh reality made him realize that it is particularly important to change the spirit of "ignorant people and weak people". So he gave up medicine and went to literature, and decided to use literature and art to arouse people.1In June, 906, Lu Xun returned to Tokyo, actively participated in anti-Qing patriotic revolutionary activities, and translated and introduced foreign novels with rebellious spirit. 1907 wrote articles such as Moro Poetry and Cultural Deviation. From the standpoint of revolutionary democracy, he took the theory of evolution as the main weapon, violently criticized various reactionary thoughts, and put forward political ideas to transform China society.

/kloc-in the summer of 0/909, he returned from Japan and taught in Hangzhou and Shaoxing successively. 19 1 1 When the Revolution of 1911 broke out, Lu Xun was very excited and warmly welcomed and supported it. 19121kloc-0/0 In October, the provisional government of the Republic of China led by Sun Yat-sen was established in Nanjing. Lu Xun was invited by Cai Yuanpei, the chief of education, to work in Nanjing Ministry of Education, and then moved to Beijing with the Ministry, and served as the director of Social Education Department successively. He witnessed the farce of Yuan Shikai declaring himself emperor and zhang xun restoration, and the weakness and compromise of China bourgeoisie. "It seems that if you look at it, you will be suspicious, so you will be disappointed and depressed." He copied inscriptions and sorted out ancient books in a lonely and depressed mood; At the same time, we will study the history of China and think about the future of China. Legends of Tang and Song Dynasties and Ji legends were mostly collected and sorted out during this period.

The victory of the October Revolution in Russia gave a strong shock to Lu Xun, who was meditating and exploring, and made him see the "dawn of the new century" and the hope of the people's revolution. The outbreak of the May 4th patriotic movement made Lu Xun's revolutionary spirit more exciting. 19 18, Lu Xun participated in the editing of New Youth. In April this year, Lu Xun published his first vernacular novel, Diary of a Madman, which exposed the cannibalism of feudalism and Confucianism and called for "saving children" to overthrow this society. It is of epoch-making significance in the history of modern literature. Since then, Lu Xun has published excellent short stories such as Kong Yiji and Medicine, and a large number of essays with daggers, showing the achievements of the literary revolution with thorough anti-feudal thoughts and sharp and cold artistic style.

Since the autumn of 1920, Lu Xun has been teaching China classical literature in Peking University and Beijing Women's Normal University, and insisted on literary creation. A Brief History of Chinese Fiction is a monograph on the history of literature compiled according to textbooks. 192 1 65438+February, Lu Xun wrote the famous novel The True Story of Ah Q, which, through the typical example of Ah Q, lashed out at the cruel oppression and spiritual slavery of the feudal system to farmers and profoundly criticized the incompleteness of the Revolution of 1911. This is one of Lu Xun's representative works and a monument in the history of modern literature. 1923 and 1926, the collection of short stories "Scream" and "Wandering" were published one after another, showing the vast life picture during the Revolution of 1911 and the First Revolutionary Civil War. Weeds, a collection of prose poems, is also a work of this period.

During the period of 1925, Lu Xun waged a sharp struggle with feudal forces and bourgeois liberals around the "ideological trend of women's normal universities". 1926, 1 In June, he published his famous essay "On Feuerbach Should Go Slow" at the climax of the Great Revolution, and put forward the slogan of "beating Reservoir Dogs" for complete revolution. In the "March 18th" tragedy, facing the bloody atrocities of the reactionary warlords, Lu Xun indignantly pointed out: "Blood debts must be repaid with the same thing. The longer the arrears, the greater the interest paid." In August of the same year, persecuted by reactionary warlords, Lu Xun left Beijing to teach at Xiamen University, and wrote five articles, including Outline of China Literature History and Excellent Prose Collection Flowers in the Morning. These essays are beautiful, subtle, profound and gripping, and they are all well-known masterpieces. 1927 1 went to teach at Sun Yat-sen University in Guangzhou, published a famous article "Celebrating the Overcoming Side of Shanghai-Nanjing", enthusiastically praised the revolution and issued a call for "always attacking". Chiang Kai-shek launched the "April 12th" counter-revolutionary coup, and bloodily massacred * * * members and progressive students. Lu Xun resigned from Sun Yat-sen University for failing to save students. The fact of blood made Lu Xun "destroy" the thought of evolution, realized the bias that "the youth will defeat the old" and realized the leap to communism.

1927 At the end of September, Lu Xun settled in Shanghai. Since then, he has been engaged in literary creation and literary movement. In the literary debate of 1928, Lu Xun systematically studied Marxism and deeply dissected himself, convinced that "only the emerging proletarians have a future". Long-term tempering of class struggle and hard self-education enabled Lu Xun to establish a Marxist world outlook and become a communist fighter.

In the last ten years of Lu Xun, under the leadership of the Party, he fought bloody battles on the battlefield of new literature. Participated in the leadership of the "Left League" and successively participated in revolutionary freemasonry, China Freedom Movement League, China Civil Rights Protection League and other progressive organizations. He also edited and co-edited revolutionary publications such as Yu Si, Ben Ben and Sentinel, advocated the popularization of literature and art and the new woodcut movement, and trained many revolutionary writers. He fought bravely and resolutely against all kinds of bourgeois literati with essays as a weapon, exposing their ugly faces as running dogs of imperialism and Kuomintang reactionaries. After a long March of 25,000 Li, the Chinese Red Army of Workers and Peasants successfully reached northern Shaanxi. With great joy, Lu Xun sent congratulatory messages to the Central Committee of the Communist Party of China and Chairman Mao to express his respect and love for the Party and Chairman Mao.

Lu Xun devoted himself to the revolution and the people, but he refused to go abroad for medical treatment. "Look at a thousand fingers coldly, bow down and be a willing ox", and persist in fighting in China until the last breath. 19361June19 died in Shanghai at the age of 56. Lu Xun's funeral committee consists of Mao Zedong, Cai Yuanpei, Soong Ching Ling and Mao Dun. The "soul of china" banner from all walks of life in Shanghai covered his body. The Central Committee of the Communist Party of China sent a telegram of condolence from Yan 'an to express his condolences. When Lu Xun's body was buried in Hongqiao Cemetery, thousands of people attended the funeral. After liberation, Lu Xun's body was buried in Hongkou Park. Chairman Mao personally inscribed the six characters "Mr. Lu Xun's Tomb", and published 20 volumes of Lu Xun's Complete Works, 2 volumes of Lu Xun's Letters and 2 volumes of Lu Xun's Diary. Lu Xun's works have been translated into more than 50 languages and have been widely praised and loved by people all over the world.