What suspense classic movies are worth recommending?

Miss: same-sex love in the eyes of straight cancer

Today, I'm talking about Miss. I saw the resources as soon as they came out, and the overall feeling was not bad.

We mentioned this film when we talked about Korean director Park Chan-wook in Cannes.

According to the North American classification method, the film is R-rated and has dew point shots, so in order to avoid embarrassment, try to watch it alone, put on headphones, and don't blame me for not reminding you.

The film is adapted from the novel Finger Craftsman's Feelings by British writer Sarah Waters. This writer is great. She received a doctorate in English literature and studied gay and lesbian historical novels. Her research on sex is easily reminiscent of Dr. Li Yinhe.

In fact, Nostalgia is not the first adaptation of this novel. There have been successful adaptations before, and the three episodes are almost faithful to the original.

The writers of Miss are all Koreans. On the basis of retaining the original framework, the changes are still great, but the logic is rigorous, and several reversals are amazing, and I feel that I don't lose the original.

Park Chan-wook, the director, won't do much introduction. For those who don't know, please read our article in Cannes.

Jin Minxi, who plays the young lady, was born in a TV series and starred in the 19 banned drama "Now Is Wrong" directed by Hong Shangxiu, and staged the plot in the film together with Hong Shangxiu.

Kim Tae-li, who plays the next woman, is a newcomer with excellent acting skills and unlimited future.

Ha Jung Woo and Zhao Zhenxiong are two people who don't brag, and people who know Korean film and television can't help but know their status.

It is worth mentioning that this is a film directed by Park Chan-wook in South Korea after the 2009 film Bat, after a lapse of six years.

"Bat" won the jury prize of the 62nd Cannes International Film Festival, and "Miss" was not elected this time, of course, not because of the camera's restrained exposure. Personally, I think Bat is slightly better than Miss in philosophical thinking and film beauty. Even so, "Missed" is still a rare good film, showing park geun-hye's mature master skill.

Speaking of "Miss", you can't skip a Korean 1960 movie "My Miss". The translation of "miss" in Hong Kong and Taiwan is "the crime of seducing a woman" and "the temptation of a woman". My Daughter occupies a very high position in the history of Korean movies. Through the perspective of daughter's invasion as an outsider, the abnormal love under Korean ethics is displayed, and many works of Park Chan-wook can see the inheritance of her daughter.

The story structure of Miss adopts three chapters, three perspectives, three different narratives and three inversions. So those who haven't seen it can look for resources first, because there is going to be a play.

The background of the story is Korea under the rule of Japanese imperialism. Xiuzi, a noble lady who was adopted by an erotic illustrator last month, is an enviable flower in the greenhouse to outsiders, but I don't know that she is actually Hua Dan who was trained by her uncle last month to replace her aunt who committed suicide.

The first part is obviously fast-paced, mainly from the perspective of the following women. Ha Jung Woo, a swindler, cooperated with the following women from the inside out in an attempt to deceive a married woman into embezzling her property, and finally sent her to a mental hospital.

The second part is obviously slower, mainly from the perspective of missing. Cheater Ha Jung Woo cooperated with Miss Wang in an attempt to sacrifice her daughter. The swindler got the money and the young lady was free.

In the third film, the young lady hanged herself. The young lady and her daughter joined hands because of true love. The young woman escaped from a mental hospital, and the young woman framed Ha Jung Woo. Finally, Ha Jung Woo and Jiao Ming died together last month.

The structure of "Missed" is actually very similar to that of "Cruise of Terror". The three parts are actually a story of time and space, but the director deliberately deleted some plots and put them behind, which caused a reversal.

This reversal is obviously edited and deliberate, which is not superb compared with the plot reversal of Scream. But as far as scene scheduling is concerned, crying is not as good as missing, and Park Chan-wook's scheduling and transition can be said to be the first in Asia.

Park Chan-wook always likes to put people in extreme environment, which leads to the possibility of characters' behavior, and provides the possibility for the influence on ethical issues, which will not make people doubt.

The characters in Common Security Zone are in an extreme political environment. The premise of incest in old boys is to be imprisoned for ten years; "Good Gold" is a vicious murder that was wronged; Bat is even more extreme. The priest becomes a vampire and performs a love affair.

What is controversial in Miss is undoubtedly the scene between two girls. Apparently it was taken by a straight man. As a standard straight man, Park Chan-wook can't make a real lesbian movie, and the feminism embodied in it is also subjective. Last time I talked about feminist movies, the best female movies were actually made by female directors.

The scene of the young lady and the woman in the bathtub, including the combination of the two, actually has a feeling of taking it for granted. This makes people stay on the surface of the body, and this feeling is even more obvious if the protagonist is replaced by heterosexuality. Ju seems to think that as long as they are lesbians, two people will fall in love, which is illogical.

The film's criticism of the patriarchal society is obvious. Under the surface, gentlemen are actually suppressing abnormal sexual needs. In the scene of reading aloud, gentlemen are sitting in danger, but they are imagining themselves as whipped slaves, typical SM. Finally, the woman and the young lady burned all the little yellow books they taught last month, which is more like a declaration of women's rights and a symbol of freedom.

Sex and same-sex love have always been a theme in movies, but it is difficult for us to separate them from eroticism. Even Ang Lee's Lust, Caution is controversial in Cannes, let alone at home.

In fact, when I watch "Miss", I always think of "Tao Xi Ya" by JuLi Zhen, a Korean female directors, which is also a bathtub scene. JuLi Zhen's handling is more convincing.