Jiaozhou yangge

Jiaozhou Yangko is a traditional dance in jiaozhou city.

Brief introduction of Jiaozhou Yangko

Jiaozhou yangko, also known as Diyangko and Runyangko, is one of the three major yangko of Shandong Han nationality, and is called "twisting the waist and bending three times" by local people.

Jiaozhou Yangko has a history of more than 230 years. In the Qing Dynasty, Zhao and Ma Yu fled to Kanto in Baoyan Village, Jiaozhou, and begged and sang along the way, gradually forming a form of singing and dancing. After returning to my hometown, after years of improvement, 1863 began to take shape. Dance, singing and accompaniment all have certain forms.

Second, the art form.

Jiaozhou Yangko is also called "Diyangko" and "Running Yangko". Folk call it "twisting the waist" and "three bends", which is one of the three major yangko songs in Shandong Province. Jiaozhou Yangko has a history of more than 230 years. In Qing Dynasty, Zhao and Ma Yu 1764 from Baoyantun, Jiaozhou fled to Guandong, begging and singing along the way, and gradually formed a form of singing and dancing.

After returning to my hometown, it spread for many years to 1863, and basically took shape. Dance, singing and accompaniment all have certain procedures.

The 65,438+00 actors are divided into five industries, such as drums, wooden sticks, Cui Hua and fan girls. The performances include Cross Plum Blossom, Giant Swing Team, Digging Heart, Digging Heart, Two Doors and so on. Besides suona, there are gongs, drums, cymbals, cymbals and hand gongs.

Honor and Cultural Inheritance of Jiaozhou Yangko

1, honor

"Jiaozhou Yangko" is famous all over the country for its brilliant artistic charm, and was successfully selected into the national intangible cultural heritage list in 2006. Jiaozhou yangko is one of the three largest yangko in Shandong, and its dance, music and sitcom are unique among the national yangko groups. However, when Jiaozhou Yangko originated is still inconclusive.

2. Cultural heritage

The existing quadrilateral continuum of Jiaozhou Yangko, such as qupai, scripts and folk performances, is a living specimen to study the evolution of China's dramas from Song, Liao, Jin to Yuan Zaju, and these forms no longer exist in other parts of China.

These precious artistic forms have surpassed the value of Jiaozhou Yangko Opera itself, and the existence of Jiaozhou Yangko Opera should be one of the earliest existing embryonic forms of drama performance in the history of China drama development.