At the end of the performance, Hou and Ma Ji went crazy backstage and swore. What did they do?

What rules did Ma Ji break in cross talk? What rules did Ma Ji break in cross talk? Swearing in the background, pointing at Hou! Speaking of Ma Ji, everyone must be familiar with it. He can be said to be one of the most famous and prestigious disciples of Hou. He has made the greatest contribution to the development of crosstalk. He really taught Ma Ji many skills in those years, and he very much hopes to accept him as an apprentice. But Ma Ji finally chose Hou, which actually made him feel quite dissatisfied.

Ma Ji once said frankly: Like so many teachers in those days, it is very complicated to handle the relationship between them, and it is not uncommon to be jealous! After a performance accident, Ma Ji completely angered Liu Baorui. To this end, it can be said that it is swearing in the background, not only for Ma Ji, but also for his master Hou who lies for no reason!

? The reason is this. At first, our country organized a performance. The variety show prepared by Ma Ji in advance tells the story of "The Soviets gave the artificial earth satellite to God", and many "burdens" imitating foreigners' speeches are applied in his works. However, I didn't realize it. In Liu Baorui's comedy sketch March for African Independence, the "burden" of booking tickets is all about learning from foreigners. There are some burdens of imitating foreigners in his crosstalk works, which just conflict with the crosstalk performance that Liu Baorui is going to perform, because there are also many burdens of imitating foreigners in the programs arranged by Liu Baorui.

In the same industry, there will naturally be competition. In fact, there will naturally be competition in the same industry, but competition is possible, but it needs healthy competition. Just to avoid some bad situations, the crosstalk industry has many rules. For a crosstalk performer, he should also understand these rules and keep his bottom line and morality.

Let life be a kind of "let life" instead of your actor's "let effect". If you are very popular today and the audience keeps asking you to come back, you have to "give an effect" to the actors behind you, and you have to go back to the short section where the effect is not good and let the actors behind you take over. A kind of "live" is to "give effect" to the actors who replace you. If you are very popular today and the audience keeps asking you to come back, you have to "give an effect" to the actors behind you, and you have to go back to the short section where the effect is not good and let the actors behind you take over.

Its main purpose is to respect peers and make life a fine tradition inherited by the crosstalk industry. Its main purpose is to respect peers, think of peers on the stage or sacrifice themselves for peers. Even competition, within the scope of traditional morality, is the competition of respecting others, not the competition of life and death, loss of personality and lack of artistic morality.