In Qu Wei's special training on six hexagrams, he told an example about judging the ups and downs of hexagrams and the birth and death of all things. If Mitsuki and Rihai are divinatory symbols, then

In Qu Wei's special training on six hexagrams, he told an example about judging the ups and downs of hexagrams and the birth and death of all things. If Mitsuki and Rihai are divinatory symbols, then this example. First of all, you should make clear the positioning of several levels.

The sun and the moon are the first level, and the structure of the sun and the moon is the source of the rise and fall of all cultures.

The second is change.

Once again, it is dynamic and dark.

The last floor is quiet.

The top has the right to create and suppress the bottom, and vice versa.

Mitsuki, Rihai, this hexagram is Hai Yi.

You didn't say whether the sea is dynamic or static. The method of judging rise and fall is still a little different.

If the sea is dynamic, it is not weak at first, only weak, but prosperous. Here we ignore the change and don't remember that the daily critical value of seawater is consumed by the fire on the moon once. Although the seas collide, the daily critical value is not thick. Here, we should look at the sun and the moon with a prosperous eye. As long as there is a critical value, the prosperity of the other will be reduced by one layer.

If the sea is still, the daily critical value and monthly consumption will be exhausted. Because of the critical value, this place is not broken by the moon. If you are on the side of prosperity, you will not consider it here. I simply said that the decline will depend on customs clearance and other things.

The most important point is that the high level has the right to create and suppress the low level, and vice versa.

We should also pay attention to flexible use when judging specific hexagrams.