Fortune Telling Collection - Comprehensive fortune-telling - Can a real person in Ding Yu tell Yang Jian's fortune _ Why can a real person in Ding Yu teach Yang Jian?

Can a real person in Ding Yu tell Yang Jian's fortune _ Why can a real person in Ding Yu teach Yang Jian?

Who is Yang Jian's master? Not Jiang Ziya or Ding Yu.

The new edition of Romance of Gods has changed many plots, such as Yang Jian's master. In the play, Yang Jian and Wu Ji worship Jiang Ziya as their teacher, and Jiang Ziya is also teaching them a little bit, such as teaching Yang Jian to count beans and Wu Ji to cut off water. It seems absurd and bizarre, but in fact it is meaningful. But in the original work, Yang Jian's master is a real jade tripod. But if Yang Jian's real master is neither Jiang Ziya nor the real jade tripod, then who is his master?

Yang Jian (Erlang God) in the Romance of the Gods, the owner on the surface is a real jade tripod with average strength (Yang Jian has a specific relationship with the real jade tripod, so I won't go into details here), but there should be a hidden object behind it that has never appeared before. It was this man who secretly taught Yang Jian that showed his maturity and breadth different from those of three generations of disciples. Such plots are common in martial arts novels. For example, Guo Jing's official certified master is the seven eccentrics in the south of the Yangtze River, but the master behind him is Hong Qigong, a beggar from the north. For example, Yang Guo studied under the Quanzhen Seven Sons on the surface, but the martial arts behind him were taught by Ouyang Feng, a western poison, and so on, all of which were basically the same routine.

So, who is this mysterious figure, and why should we try our best to train Yang Jian? It is not difficult to know the answer!

Let's look at the 40th time of the Romance of the Gods. When Yang Jian showed off his 89th time in Gong Xuan (that is, the 72nd change), he said, "I am different from the secret way." Or mountain or water or madness, or gold or treasure or copper and iron. Phoenix or bird, dragon or tiger or lion; The wind shadow is invisible, so you can go to the Flat Peach Festival to prolong your life. "

Besides describing the mystery of the 89th Gong Xuan, there are two hidden details.

First, Yang Jian inadvertently revealed a message, that is, his kung fu is "the biography of secret immortals" and "different from Taoism". In other words, this kung fu may come from the secret teaching of the mysterious normal university, which is different from what many people have learned. Is he a real teacher or a layman?

Secondly, there is an important message in the statement, "Go to the Flat Peach Longevity Festival". The "flat peach" here refers to the exclusive flat peach club of Yaochi Jinniang (that is, the Queen Mother). Friends who have seen The Journey to the West should know that not everyone can attend this flat peach party, and those who attend it must have identity access. For example, the Monkey King and the Monkey King felt humiliated because they were not invited. Take the Romance of the Gods as an example. The minimum threshold for attending a banquet is the second-generation master with excellent academic performance (for example, he originally wanted to be recruited into the administrative system of heaven by Hao Shen). Arguably, Yang Jian, as a third-generation disciple, is totally ineligible to participate.

Because of this, the phrase "Go to the Flat Peach" in Yang Jian's singing is actually the author's original intention, and it is directed at the owner of the Flat Peach Club-Yao Chi Jin Niang. In other words, the meaning of this aria shows that there may be countless subtle connections between Yang Jian and Myrtle in Yaochi.

This is actually very easy to understand.

In a well-known story, Yang Jian's mother is the younger sister of the Emperor of Heaven (that is, the Jade Emperor in The Journey to the West), who fell in love with a scholar named Yang and was crushed under Taoshan Mountain. As a sister-in-law, Yaochi Jinniang, from the standpoint of women, actually does not agree with her husband's actions. Because of their political integration, it is not easy to raise objections in public. But it is understandable to take care of your niece Yang Jian.

More interestingly, there is a similar saying among the people. In Jiro Bao Juan, which was published during Jiajing period of Ming Dynasty (similar to the time when the Romance of the Gods was written), Jiro, who was at a loss and helpless, got the secret instructions from Jinniang in Yaochi, taking the mountain to catch the sun and chopping the mountain to save his mother.

So, here's the problem. Is it only out of sympathy for this nephew who lacked maternal love since childhood that Yaochi Jinniang secretly cultivated Yang Jian?

Actually, not all of them.

It should be said that Jin Niang of Yaochi disagreed with the way Hao Tianshen handled the "immortal couple" in those days. But this difference, even in the deified era, gradually deepened the contradiction, especially in the use of their daughter Princess Longji. According to "Romance of the Gods", Princess Longji was banished to the mortal world for violating the rules at the Flat Peach Conference. At that time, God had promised that "(one day) you can get rid of sin and go back to Yaochi". Princess Longji's ending is really embarrassing. In the last battle to explain and intercept the two religions, Princess Longji made an adventurist mistake in order to win credit. She was killed by Dolly's Madonna with a four-elephant tower, annihilated her immortal body and became the soul of love left on the list of gods. As for the ending of his daughter's lower bound, God Hao Tian actually predicted that he would use his daughter as a pawn to block the long crowd. Obviously, all the forces on the list of gods should have personnel expenses, and the Emperor of Heaven needs to set an example. For all this, Yao Chijin's mother can understand rationally, but emotionally unacceptable. This condescending mother really can't agree with her husband's ruthless sacrifice of their emotional ties for power, just as he brutally cut off his sister's emotional ties in those years.

Based on this, from the moment when Haotian Goddess was demoted to Taoshan, Yaochi Jinniang had the idea of urgently cultivating her own clique to gain more right to speak, and she also put it into action. Emperor Wen of Sui is undoubtedly the beneficiary. It was Yao Chi's mother Kim who taught him directly or indirectly. Emperor Wen of Sui fully stimulated Wen Tao's potential from his military strategy and formed a more systematic capacity structure. In the subsequent battle of deification, he showed equal strength, even surpassing that of Twelve Jinxian. Whenever Jiang Ziya was at a loss, he brought the war to an end.

We can even infer that during the empty window period from the time of worship to the time of Journey to the West, Yang Jian's Jin Niang in Yaochi intentionally or unintentionally hinted that she had learned life experience, cut off a mountain and saved her mother, thus generating resentment towards her uncle. At the same time, hearing what happened to Princess Longji made Yang Jian feel disheartened about the cold interpersonal network between the royal families. That is to say, this "God II" with noble blood is completely disappointed with the fickle God of Heaven and the power field he created, and emotionally falls to the jade pool and the golden mother. This has been described in The Journey to the West, who said, "The heart thinks highly of heaven, and the nature is proud of the river", and "Listen to the tune but don't listen to the announcement". As a result, the military forces of Guanhe led by Yang Jian are nominally completely independent of the personnel system of Heaven.