Ask for a movie. An old man and an old woman taught a young man Taoism.

Various magic techniques used in fortune telling.

Main performances: Liang Jiaren, Yuan Xiangren, Yuan Xinyi, Yuan Heping, Brandy Yuen, Kaohsiung, director: Yuan Heping Yuan Heping, DVD cover producer: Zou Wenhuai area: Hong Kong premiere: 1982, April 10, duration:1kloc-0/minute Language: Cantonese genre. Comedy: The story of Jiahe Film tells that in the second year of Kangxi in the Qing Dynasty, Manchu and Han were not allowed to marry, and the head coach Kaohsiung was exterminated because he married a Han woman, so he turned against Prince Su and embarked on the road of escape. Buddhist bat master, with his powerful magic, tried to manipulate the only son of Prince Su to seize his position. Unexpectedly, the head coach Kaohsiung threatened the little prince deus ex and angered the bat mage. After Kaohsiung fled to the seaside, he found that the little prince had suffocated and died for a long time. He was very sorry and left disappointed. 14 years later, two strange people appeared in the rivers and lakes, one is Qimen and the other is Dunga. They are brothers and sisters. They are unfathomable in magic, but eccentric in temperament. They quarrel endlessly about every little thing. The armor that can see the secret is still fighting with the sky. At this time, Master Bat and Kaohsiung returned to the Jianghu. Although extremely unwilling to participate in the battle with Qimen and Dunga, it was inevitable and forced to set off a bloody battle again. In this film, several martial artists of Yuan Jiaban all played the main roles, which made the audience see the screen charm of "Wu Chou". Although the plot of this film is quite stylized, Liang Jiaren and Yuan Xiangren, who perform cross-dressing, are very lively and interesting, and sometimes there are hilarious scenes. The magic clips such as begging for rain in the film are quite attractive, and the design of fighting also keeps Yuan Jiaban's usual tension and excitement. Director Yuan Heping devoted a lot of effort to this film. Inspired by the traditional folk culture in China, he not only designed extraordinary acrobatic body movements, but also used a lot of traditional magic techniques to make the characters, props, scenery and fighting scenes of Taoist magic present a strange style of horror and humor, even in today's Hong Kong movies. In addition, Yuan Heping, Brandy Yuen, Yuan Xinyi, Yuan Xiangren, Yuan Richu and Zhao Zhongxing also won the Best Action Guidance in the Second Hong Kong Film Awards for this film.