What is Yu Guangzhong's poem?

Yu Guangzhong's poems have different representatives in different periods, as follows:

1, metrical poetry period

( 1949- 1956)

Represented by Elegy of the Ship, Blue Feather and Paradise Night Market. Most chapters are two or three paragraphs, each with four lines, and two or four sentences rhyme.

2. The gestation period of modernization

( 1957- 1958)

The stalactites and Xiluo Bridge in the second half are the representatives. Start to derive long and short sentences.

3. The period of studying in the United States

( 1958- 1959)

Represented by Halloween. Writing training and art courses at the University of Iowa stimulated Yu Guangzhong's contact with modern art and generally absorbed western music. His works tend to be abstract.

4. the period of nothingness

( 1960- 196 1)

Represented by Sirius and the first half of Wuling teenagers. Yu Guangzhong in this period created the illusion of a hero in the melancholy pallor of westernization, and could not ask for warmth from tradition. In his works, he often shows his universal mourning for the last days, but he can't break away from tradition all the time, but has a "vacuum feeling". Sirius not only reflects the helplessness and emptiness of individuals or poets, but also reflects a culture and nation's suspicion of tradition and accepting external shocks.

5. Neoclassical period

( 196 1- 1963)

Represented by the association between the second half of Wuling teenager and Lotus. The Legend of Lotus has pushed the lyrical tradition of China literature to another peak in the mutual interpretation of literature and vernacular, the comparison between single-track syntax and double-track syntax, and the changes of neat paragraphs and irregular branches.

6. Modern China period.

( 1965- 1969)

Represented by percussion and the cold war era. Self-analysis, metaphysical theme, double-sided exploration of the same theme, and interaction between sex and war are all profound. Skills and thinking reach their peak.

7. Folk custom period

( 1970- 1974)

Represented by "White Jade Bitter Melon". The work absorbs the romantic spirit of rock music and faces the present reality with the national consciousness of returning to the native land. At this stage, Yu Guangzhong also got rid of the confusion of "who am I", promised to be a "night watchman" and expected himself to achieve eternal poetry through the suffering of life.

8. Historical exploration period

( 1974- 198 1)

Represented by Tug of War with Eternity and Guanyin Crossing the Water, poetry gradually becomes more intellectual than emotional, and tends to be natural rather than deliberately forging words and phrases.

9. Confirm the autumn harvest period of life

(after 198 1)

Represented by the five elements and high-rise buildings facing the sea. During this period, Yu Guangzhong not only sang the family ethics, satirized the soul of the Han Dynasty, and understood the mystery of life and death, but also multiplied the regional homesickness with the vicissitudes of culture, from the romantic nostalgia in his early years to the injury in reality now, becoming a whisper.

Yu Guangzhong, male, 1928, originally from Yongchun, Fujian. My mother was originally from Wujin, Jiangsu, so she also called herself "Jiangnan".

1952 graduated from the Foreign Languages Department of Taiwan Province Provincial University. 1959 Master of Arts, University of Iowa (LOWA). He has taught at Soochow University in Taiwan Province Province, Taiwan Province Normal University, Taiwan Province University and Taiwan Province Political University. During this period, he was invited by the State Council twice and served as a visiting professor in several American universities. 1972 professor and director, department of western languages, Taiwan Province political university. 1974 to 1985 Professor, Chinese Department, The Chinese University of Hong Kong. 65438-0985, he was a professor and lecturer at Sun Yat-sen University in Taiwan, among which he served as dean of the College of Literature and director of the Institute of Foreign Languages for six years.

Yu Guangzhong has been engaged in poetry, prose, criticism and translation all his life, calling himself a "four-dimensional space" for his writing. Today, he has been in the literary world for more than half a century, and he has been widely involved, and is known as "artistic polygamy". His literary career is long and profound, and he is a master of contemporary poetry, an important town of prose, a famous critic and an excellent translator. At present, 2 1 species of poems have been published; Prose collection 1 1 species; 5 kinds of comment sets; 13 translation; * * * More than 40 kinds. His representative works include White Jade Bitter Melon (a collection of poems), Memory as Long as a Railway (a collection of essays) and On the Watershed: A Collection of Comments by Yu Guangzhong (a collection of comments).