How to evaluate cattle and Feng Gong's historical position in phonology.

First of all, Niu Niu and Feng Gong belong to the cross talk era of TV evening.

Secondly, they are the last famous artists in the cross talk era of TV evenings.

The influence of Spring Festival Gala on crosstalk is to promote crosstalk, a northern, folk and traditional art, to a national, popular and elegant hall. This attempt began with the creation of the Spring Festival Evening, and Ma Ji's cosmic smoke began in the late 1980s. The creative climax promoted by the wizard Liang Zuo reached its peak in the 1990s after the collaboration of Niu Fenggong, and the impression of "TV partner" declined after their dissolution.

It must be said that Niu Niu and Feng Gong belong to a TV group, and their stage image, style, lines and performances are not designed for TV crosstalk. Their stage image is always a suit and tie, and you can't even imagine them wearing mandarin jackets. They don't have cross talk in the traditional sense, but for them, at that time, cross talk was the weight of the party and the road sign that decided the overall direction of the party. Liang Zuo said in "Forgetting Books": "If the crosstalk and sketches are well done, the whole party will be basically successful." The actor's only task in the only time is to relieve the audience's emotions. Every second in cross talk, even the flirting between two people, is carefully designed. Traditional hanging upside down, infiltration, wickerwork is too far away from the Party. For them, there is no need to add them to the work.