Fortune Telling Collection - Comprehensive fortune-telling - Crown poetry
Crown poetry
Fu Bu, send Bao Haoran to East Zhejiang.
Close.
Water looks like a beautiful woman's eyes, like a beautiful frown. Where are you going? To the intersection of mountains and rivers.
Take the spring water and send you back. If you go to the south, you can catch up with spring, and you must keep the scenery of spring.
Translation:
Water is like a beauty's flowing eyes, and mountains are like a beauty's frowning eyebrows. Want to ask pedestrians where to go? To the place where mountains and rivers meet.
I've just sent spring away, and I want to send you home. If you catch up with spring in Jiangnan, you must keep the scenery of spring.
Precautions:
Wang Guan was born in Rugao (now Jiangsu). The year of birth and death is unknown. He was a scholar of the imperial court, and served as a magistrate of Dali Temple and Jiangdu successively. Zongshen went to Hanlin to be a bachelor when he was an official, and was dismissed because of the word "Qingpingle". There is the Collection of the Gods of the Crown, which has been lost, and there are 16 imitations. "Lexical" thinks that the name is changed to "a person who sells divination and fortune telling". Su Shi's ci is the main body in the ci book. Also known as "hundred-foot building", "plum wind wall" and "hanging the moon and thinning trees" Double tone, 44 words, rhyming.
This word is ingenious in conception and light in style, and it is unique in farewell works.
The words "water like a horizontal eye" are original at the beginning: predecessors used to describe the beauty of women's faces with metaphors such as "eyebrows like spring mountains" and "eyes like autumn water", such as "Wen Jun is beautiful and eyebrows like distant mountains" in Liu Xin's Miscellanies of Xijing. Li Bai's Sauvignon Blanc: "It used to be an eye, but now it is a spring of tears."
Bai Juyi's "Zheng Shi": "Eyes cut autumn waters, which means peeling shallots". (Case: Some people also use "autumn water" to describe men's eyes, such as Li He's Song of the Second Tang Dynasty: "A pair of pupils cut autumn water". Here, however, the author uses his meaning in reverse, saying that water is the cross flow of eyebrows on the mountain. Its beauty lies not only in bringing forth the old and bringing forth the new, but also in transforming ruthlessness into affection with empathy, so that the unexpected scenery is also involved in the farewell scene and moved by the departure of friends.
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